#FASHIONFAB: HOT or NOT? Taraji P. Henson in Bryan Hearns at the 2026 Webby Awards
Taraji P. Henson came to the Webby Awards, which was very nice of Taraji P. Henson. Hey, we love the jewelry.
Well is it Hot or Not?
#RHOA: K. Michelle Says Porsha Williams “Acts Like She Runs the Show” on RHOA as She Shares Status With Cast
K. Michelle claimed Porsha Williams “act[s] like she run[s] the show” on the Real Housewives of Atlanta – and hinted that fans don’t know “what goes on” behind the scenes.
Earlier this season, K. Michelle expressed her disappointment in Porsha for questioning if she had a miscarriage as the singer opened up about a health scare. In another episode, Porsha accused Kelli Ferrell of sleeping with a married man.
In a May 12 post on X, K. Michelle addressed her dynamic with her castmates.
“Do yall understand I’m the one that[‘s] friends with all of these ladies,” wrote K. Michelle on X, @mrhousewives on Instagram. “Yall don’t understand what goes on [behind the scenes].”
“I call EVERY Single lady,” she continued. “Cynthia [and I] I check on [each other]. I don’t play about Phaedra (she’s misunderstood), Angela and me respect each other and want a read off, Shamea is … funny as hell [and has a] big heart.”
She praised Kelli for not being “afraid of anyone.”
“[Kelli] truly makes sure I’m ok,” she added. “Pinky is going to talk u to death about real s**t.”
“Porsha is going to be funny and act like she run the show,” said K. Michelle. “Love them all. I have NEVER had girls as friends. I’m like a lot of women. Let me grow. I mean no harm. REAL LIFE.”
Later on, K. Michelle responded to a fan who claimed that Porsha “does run the show.” “Not mine,” the singer clapped back.
After her disagreement with Porsha earlier in the season, K. Michelle reacted to a fan claiming she was dragging the issue out.
“Would you want someone in the middle of a nail shop screaming out in front of Atlanta when [you’re] an hour out of the hospital asking you in front of other women you just met if you had a miscarriage?” wrote K. Michelle at the time on X.
“Have you ever almost died from surgery?” she wrote later. “Have you ever lost several babies? And every one knew why I was in the hospital. I was out the hospital bed an hour and being asked if I had a miscarriage in an Atlanta nail salon. I forgive and come in peace, but I’m very much clocked in.”
Earlier this season, K. Michelle expressed her disappointment in Porsha for questioning if she had a miscarriage as the singer opened up about a health scare. In another episode, Porsha accused Kelli Ferrell of sleeping with a married man.
In a May 12 post on X, K. Michelle addressed her dynamic with her castmates.
“Do yall understand I’m the one that[‘s] friends with all of these ladies,” wrote K. Michelle on X, @mrhousewives on Instagram. “Yall don’t understand what goes on [behind the scenes].”
“I call EVERY Single lady,” she continued. “Cynthia [and I] I check on [each other]. I don’t play about Phaedra (she’s misunderstood), Angela and me respect each other and want a read off, Shamea is … funny as hell [and has a] big heart.”
She praised Kelli for not being “afraid of anyone.”
“[Kelli] truly makes sure I’m ok,” she added. “Pinky is going to talk u to death about real s**t.”
“Porsha is going to be funny and act like she run the show,” said K. Michelle. “Love them all. I have NEVER had girls as friends. I’m like a lot of women. Let me grow. I mean no harm. REAL LIFE.”
Later on, K. Michelle responded to a fan who claimed that Porsha “does run the show.” “Not mine,” the singer clapped back.
After her disagreement with Porsha earlier in the season, K. Michelle reacted to a fan claiming she was dragging the issue out.
“Would you want someone in the middle of a nail shop screaming out in front of Atlanta when [you’re] an hour out of the hospital asking you in front of other women you just met if you had a miscarriage?” wrote K. Michelle at the time on X.
“Have you ever almost died from surgery?” she wrote later. “Have you ever lost several babies? And every one knew why I was in the hospital. I was out the hospital bed an hour and being asked if I had a miscarriage in an Atlanta nail salon. I forgive and come in peace, but I’m very much clocked in.”
#MusicNews: Legendary Musician Clarence Carter Has Died Singer Famous for the song ‘Strokin”
Clarence Carter, the blind Southern soul star who scored two Top 10 hits in the late 1960s and early 1970s with “Slip Away” and “Patches,” died May 14, following diagnosis of Stage 4 prostate cancer and a battle with pneumonia and sepsis. He was 90.
His death was first reported by Rolling Stone, with the magazine confirming the news with Rodney Hall, president of FAME Studios in Muscle Shoals, Alabama, and the singer Candi Staton, who is Carter’s ex-wife.
After having hits on the R&B charts including 1965’s “Step by Step” and 1967’s “Tell Daddy,” Carter landed on the pop and R&B lists with 1968’s “Slip Away,” a song that highlighted Carter’s powerful and emotional baritone voice with a lyric in which the singer implores his married lover for a secret rendezvous (“Could you just slip away without him knowing you’re gone?/Then we could meet somewhere, somewhere where we’re both not known”).
Two years later Carter released his biggest pop hit, “Patches,” which rose to No. 4 on the Billboard Hot 100 and later won a Grammy for Best R&B Song. Written by General Johnson and Ron Dunbar and first recorded by Johnson’s band Chairmen of the Board, it told the story of a boy named Patches who recalls his bone-tired father’s final words to him: “Patches, I’m depending on you, son/To pull the family through/My son, it’s all left up to you.”
The song featured not only Carter’s trademark singing but his spoken introduction to the tale (“I was so ragged that folks used to call me Patches…”).
Carter also recorded a number of raunchy novelty songs eschewed by mainstream radio but finding success in later years: The 1968 “Back Door Santa” was sampled by Run-D.M.C. for the 1987 single “Christmas in Hollis,” and the even more explicit “Strokin'” from 1986 was featured on the soundtrack for Eddie Murphy’s 1996 remake of The Nutty Professor as well as in William Friedkin’s 2011 film Killer Joe.
Carter was born blind on January 14, 1936, in Montgomery, Alabama, and, after later receiving a guitar for Christmas, became a self-taught player. He attended the Alabama School for the Blind in Talladega, Alabama, and graduated with a degree in music from Alabama State College in 1960.
In the years after his major crossover success, Carter continued recording and touring, establishing his own label, Cee Gee Entertainment, in 1996. Information on survivors was not immediately available.
Clarence Carter, the blind Southern soul star who scored two Top 10 hits in the late 1960s and early 1970s with “Slip Away” and “Patches,” died May 14, following diagnosis of Stage 4 prostate cancer and a battle with pneumonia and sepsis. He was 90.
His death was first reported by Rolling Stone, with the magazine confirming the news with Rodney Hall, president of FAME Studios in Muscle Shoals, Alabama, and the singer Candi Staton, who is Carter’s ex-wife.
After having hits on the R&B charts including 1965’s “Step by Step” and 1967’s “Tell Daddy,” Carter landed on the pop and R&B lists with 1968’s “Slip Away,” a song that highlighted Carter’s powerful and emotional baritone voice with a lyric in which the singer implores his married lover for a secret rendezvous (“Could you just slip away without him knowing you’re gone?/Then we could meet somewhere, somewhere where we’re both not known”).
Two years later Carter released his biggest pop hit, “Patches,” which rose to No. 4 on the Billboard Hot 100 and later won a Grammy for Best R&B Song. Written by General Johnson and Ron Dunbar and first recorded by Johnson’s band Chairmen of the Board, it told the story of a boy named Patches who recalls his bone-tired father’s final words to him: “Patches, I’m depending on you, son/To pull the family through/My son, it’s all left up to you.”
The song featured not only Carter’s trademark singing but his spoken introduction to the tale (“I was so ragged that folks used to call me Patches…”).
Carter also recorded a number of raunchy novelty songs eschewed by mainstream radio but finding success in later years: The 1968 “Back Door Santa” was sampled by Run-D.M.C. for the 1987 single “Christmas in Hollis,” and the even more explicit “Strokin'” from 1986 was featured on the soundtrack for Eddie Murphy’s 1996 remake of The Nutty Professor as well as in William Friedkin’s 2011 film Killer Joe.
Carter was born blind on January 14, 1936, in Montgomery, Alabama, and, after later receiving a guitar for Christmas, became a self-taught player. He attended the Alabama School for the Blind in Talladega, Alabama, and graduated with a degree in music from Alabama State College in 1960.
In the years after his major crossover success, Carter continued recording and touring, establishing his own label, Cee Gee Entertainment, in 1996. Information on survivors was not immediately available.
#HipHopNews: Chance The Rapper Announces ‘Coloring Book 10’ Tour For North America
Independent Grammy Award-winning artist Chance The Rapper has announced The Coloring Book 10 Tour, a North American run celebrating the tenth anniversary of his groundbreaking mixtape, Coloring Book.
Promoted by Live Nation, the tour kicks off Tuesday, Aug. 11, in Cleveland, Ohio, at House of Blues. The anniversary trek will make stops across North America in cities like Toronto, New York, Atlanta, Dallas, and Seattle before wrapping up Sunday, Oct. 11, in Pittsburgh, Pennsylvania, at Citizens Live at The Wylie.
Released in May 2016, Coloring Book was a historic milestone, making Chance the first independent artist to win a Grammy. The acclaimed gospel-rap masterpiece featured collaborations with Kanye West, Justin Bieber, and Lil Wayne.
Tickets go on sale to the general public on Thursday, May 21, at 10 a.m. local time via ChanceStuff.com. An artist presale begins Tuesday, May 19, at 10 a.m. local time, requiring registration by Sunday, May 17. Fans can also purchase various VIP packages at vipnation.com that offer premium tickets, a meet-and-greet, and individual photos with Chance the Rapper.
Promoted by Live Nation, the tour kicks off Tuesday, Aug. 11, in Cleveland, Ohio, at House of Blues. The anniversary trek will make stops across North America in cities like Toronto, New York, Atlanta, Dallas, and Seattle before wrapping up Sunday, Oct. 11, in Pittsburgh, Pennsylvania, at Citizens Live at The Wylie.
Released in May 2016, Coloring Book was a historic milestone, making Chance the first independent artist to win a Grammy. The acclaimed gospel-rap masterpiece featured collaborations with Kanye West, Justin Bieber, and Lil Wayne.
Tickets go on sale to the general public on Thursday, May 21, at 10 a.m. local time via ChanceStuff.com. An artist presale begins Tuesday, May 19, at 10 a.m. local time, requiring registration by Sunday, May 17. Fans can also purchase various VIP packages at vipnation.com that offer premium tickets, a meet-and-greet, and individual photos with Chance the Rapper.
#BoxOfficeNews: ‘Michael’ Is BACK at No. 1 in Fourth Weekend, ‘Obsession’ Starts Strong With $16 Million
“Michael” has moonwalked back to No. 1 at the domestic box office, earning a strong $26 million in its fourth weekend of release.
In a sign of its remarkable staying power, “Michael” towered over several more recent releases, such as “The Devil Wears Prada 2” and “Mortal Kombat II” as well as newcomers like the Focus Features horror film “Obsession,” Amazon MGM’s revenge thriller “Is God Is” and Black Bear’s action adventure “In the Grey.”
So far, the Michael Jackson biopic has generated $283 million in North America and a staggering $703.8 million globally. It already ranks as the highest-grossing musical biopic in North America, outpacing 2018’s “Bohemian Rhapsody” ($216 million). The Queen biopic is larger at the worldwide box office with $911 million, though “Michael” should eventually supplant that record, too.
Right now, Hollywood and theater operators are enthusiastic as they prepare for the summer season to officially start with the Memorial Day weekend release of Disney’s “Star Wars: The Mandalorian and Grogu.” Heading into one of the busiest stretches for the industry, overall ticket sales are 16% ahead of last year, according to Comscore. That’s thanks to several overperforming blockbusters, such as “Michael” and “The Devil Wears Prada,” as well as “The Super Mario Galaxy Movie” ($964 million globally) and “Project Hail Mary” ($667.9 million globally).
“Spirits are rather high given the strength of the year to date box office,” says Comscore’s head of marketplace trends, Paul Dergarabedian. “The industry is feeling optimistic for a solid Memorial weekend with the remarkable long-term playability of holdovers, along with ‘The Mandalorian and Grogu.'”
“The Devil Wears Prada 2” slid to second place on domestic charts after two consecutive weekends at No. 1. The nostalgic sequel earned $18 million from 3,830 venues in its third outing, a decline of 58% from the prior weekend. “The Devil Wears Prada 2” has been a hit with $546.2 million in global ticket sales, including $175.9 million in North America and a massive $370 million internationally.
“Obsession” enjoyed the strongest start among new releases, landing in third place with $16 million from 2,615 theaters. Audiences and critics were enthusiastic, awarding the film an “A-” grade on CinemaScore exit polls and a 94% on Rotten Tomatoes — which bodes well for box office longevity. Opening weekend crowds were 59% male, while 40% were between 25 and 34 years old. YouTube breakout and first-time director Curry Barker directed “Obsession,” which follows a hopeless romantic who makes a twisted Faustian bargain to win his crush’s heart. Focus spent $14 million to acquire the R-rated thriller at last year’s Toronto Film Festival.
“Another weekend, another well-made, low-budget horror film over-performing at the box office,” notes David A. Gross, who publishes the box office newsletter FranchiseRe.
“In the Grey,” starring Jake Gyllenhaal, Henry Cavill and Eiza González, opened at No. 9 with a muted $3 million from 2,018 locations. Guy Ritchie directed the movie, which has lousy reviews (46% on Rotten Tomatoes) and a tepid audience reaction (“B” grade on CinemaScore). Like many of Ritchie’s films, including “The Gentleman” and “Wrath of Man,” the plot of “In the Grey” follows an improbable heist mission.
“This start is well below average for [Ritchie],” says Gross. “Ritchie’s films often do well overseas with their British source material and characters, but we don’t see particularly strong foreign business here.”
Not far behind, “Is God Is” debuted in 10th place with $2.2 million from 1,510 theaters, a smaller footprint compared to other new releases. Aleshea Harris directed the R-rated film in her feature directorial debut. Adapted from her 2018 play, the story centers on two sisters (Broadway favorite Kara Young and Mallori Johnson) on an epic quest for revenge. “Is God Is” holds a sterling 97% on Rotten Tomatoes as well as a solid “B+” grade on CinemaScore.
Elsewhere on domestic charts, “Mortal Kombat II” tumbled to fourth place with $13.4 million from 3,534 theaters in its sophomore outing. Those ticket sales mark a sharp 65% drop from opening weekend. The Warner Bros. video game sequel has generated $62.2 million in North America and $101 million globally after two weekends of release. It cost $80 million to produce.
“Sheep Detective” rounded out the top five with $9.3 million from 3,554 screens in its second weekend, a decline of just 38% from its debut. The crowd-pleasing mystery, starring Hugh Jackman alongside some talking sheep, has grossed $29.6 million in North America and $58.7 million worldwide. Amazon MGM spent a hefty $75 million to produce the film.
Paramount’s concert film “Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D),” which also opened last weekend, plunged to the No. 13 spot. Despite strong reviews, the movie earned a paltry $800,000 from 2,613 theaters in its sophomore outing, a harsh 88% decline from its soft $7.5 million start. Ticket sales stand at $9.2 million domestically and $25 million globally. “Hit Me Hard and Soft” was produced for $20 million through a partnership with Paramount and Interscope Records.
“Michael” has moonwalked back to No. 1 at the domestic box office, earning a strong $26 million in its fourth weekend of release.
In a sign of its remarkable staying power, “Michael” towered over several more recent releases, such as “The Devil Wears Prada 2” and “Mortal Kombat II” as well as newcomers like the Focus Features horror film “Obsession,” Amazon MGM’s revenge thriller “Is God Is” and Black Bear’s action adventure “In the Grey.”
So far, the Michael Jackson biopic has generated $283 million in North America and a staggering $703.8 million globally. It already ranks as the highest-grossing musical biopic in North America, outpacing 2018’s “Bohemian Rhapsody” ($216 million). The Queen biopic is larger at the worldwide box office with $911 million, though “Michael” should eventually supplant that record, too.
Right now, Hollywood and theater operators are enthusiastic as they prepare for the summer season to officially start with the Memorial Day weekend release of Disney’s “Star Wars: The Mandalorian and Grogu.” Heading into one of the busiest stretches for the industry, overall ticket sales are 16% ahead of last year, according to Comscore. That’s thanks to several overperforming blockbusters, such as “Michael” and “The Devil Wears Prada,” as well as “The Super Mario Galaxy Movie” ($964 million globally) and “Project Hail Mary” ($667.9 million globally).
“Spirits are rather high given the strength of the year to date box office,” says Comscore’s head of marketplace trends, Paul Dergarabedian. “The industry is feeling optimistic for a solid Memorial weekend with the remarkable long-term playability of holdovers, along with ‘The Mandalorian and Grogu.'”
“The Devil Wears Prada 2” slid to second place on domestic charts after two consecutive weekends at No. 1. The nostalgic sequel earned $18 million from 3,830 venues in its third outing, a decline of 58% from the prior weekend. “The Devil Wears Prada 2” has been a hit with $546.2 million in global ticket sales, including $175.9 million in North America and a massive $370 million internationally.
“Obsession” enjoyed the strongest start among new releases, landing in third place with $16 million from 2,615 theaters. Audiences and critics were enthusiastic, awarding the film an “A-” grade on CinemaScore exit polls and a 94% on Rotten Tomatoes — which bodes well for box office longevity. Opening weekend crowds were 59% male, while 40% were between 25 and 34 years old. YouTube breakout and first-time director Curry Barker directed “Obsession,” which follows a hopeless romantic who makes a twisted Faustian bargain to win his crush’s heart. Focus spent $14 million to acquire the R-rated thriller at last year’s Toronto Film Festival.
“Another weekend, another well-made, low-budget horror film over-performing at the box office,” notes David A. Gross, who publishes the box office newsletter FranchiseRe.
“In the Grey,” starring Jake Gyllenhaal, Henry Cavill and Eiza González, opened at No. 9 with a muted $3 million from 2,018 locations. Guy Ritchie directed the movie, which has lousy reviews (46% on Rotten Tomatoes) and a tepid audience reaction (“B” grade on CinemaScore). Like many of Ritchie’s films, including “The Gentleman” and “Wrath of Man,” the plot of “In the Grey” follows an improbable heist mission.
“This start is well below average for [Ritchie],” says Gross. “Ritchie’s films often do well overseas with their British source material and characters, but we don’t see particularly strong foreign business here.”
Not far behind, “Is God Is” debuted in 10th place with $2.2 million from 1,510 theaters, a smaller footprint compared to other new releases. Aleshea Harris directed the R-rated film in her feature directorial debut. Adapted from her 2018 play, the story centers on two sisters (Broadway favorite Kara Young and Mallori Johnson) on an epic quest for revenge. “Is God Is” holds a sterling 97% on Rotten Tomatoes as well as a solid “B+” grade on CinemaScore.
Elsewhere on domestic charts, “Mortal Kombat II” tumbled to fourth place with $13.4 million from 3,534 theaters in its sophomore outing. Those ticket sales mark a sharp 65% drop from opening weekend. The Warner Bros. video game sequel has generated $62.2 million in North America and $101 million globally after two weekends of release. It cost $80 million to produce.
“Sheep Detective” rounded out the top five with $9.3 million from 3,554 screens in its second weekend, a decline of just 38% from its debut. The crowd-pleasing mystery, starring Hugh Jackman alongside some talking sheep, has grossed $29.6 million in North America and $58.7 million worldwide. Amazon MGM spent a hefty $75 million to produce the film.
Paramount’s concert film “Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D),” which also opened last weekend, plunged to the No. 13 spot. Despite strong reviews, the movie earned a paltry $800,000 from 2,613 theaters in its sophomore outing, a harsh 88% decline from its soft $7.5 million start. Ticket sales stand at $9.2 million domestically and $25 million globally. “Hit Me Hard and Soft” was produced for $20 million through a partnership with Paramount and Interscope Records.
Janet Jackson Turns 60. She celebrates with Family & close Friends
Janet Jackson has entered her seventh decade. The iconic singer turned 60 yesterday (May 16, 2026) and shared a nearly 10-minute video from her private birthday celebration in California.
The Instagram post quickly went viral, not only for the joyful party footage but also for a heartbreaking tribute to her late brother, Michael Jackson.
In the video and accompanying caption, Janet expressed deep gratitude to her millions of fans worldwide. She wrote:
“I’m so grateful for the outpouring of love today. You have all made my 60th so special. Every single post, tribute, and wish touches my heart. I thank God for every additional day of life and for putting each of you in it. Wishing you all returned blessings, and I look forward to seeing you soon. I love you.”
The Queen of Pop appeared glowing and graceful, dancing with loved ones and laughing through emotional speeches celebrating her legacy.
While the celebration brought joy, Janet also used the moment to honor her late brother. She shared a childhood photo of the two siblings alongside a devastatingly tender message.
“If Michael were alive, he’d probably be the first person to wish me a happy birthday today,” Janet wrote. “Even a week before my birthday, he’d already be planning the perfect gift just to see me smile. I miss him so much. Keep resting peacefully, brother.”
The tribute has since gone viral, with fans flooding social media to share throwback photos of Janet and Michael together. The message adds a poignant layer to her milestone birthday, especially given ongoing family tensions surrounding the upcoming Michael biopic. Janet reportedly declined to be portrayed in the film and skipped the premiere over creative differences. Despite those disagreements, her personal love for her brother remains untouched.
The intimate gathering took place in California with close family and friends. Sisters LaToya Jackson and Rebbie Jackson were in attendance, alongside longtime collaborators Jimmy Jam and Terry Lewis. Singer Johnny Gill and actress Tasha Smith also joined the festivities.
The video showed dancing, champagne toasts, and plenty of laughter. Janet’s custom cakes carried playful messages, including “Holy Shit You’re 60!” and simply “I’m 60!” Family and friends delivered emotional speeches hyping up Janet’s life, career, and resilience. She reflected on growth, past mistakes, love, and the importance of staying present.
LaToya Jackson also shared clips from the celebration, showing the sisters dancing and enjoying the joyful atmosphere.
The Instagram post quickly went viral, not only for the joyful party footage but also for a heartbreaking tribute to her late brother, Michael Jackson.
In the video and accompanying caption, Janet expressed deep gratitude to her millions of fans worldwide. She wrote:
“I’m so grateful for the outpouring of love today. You have all made my 60th so special. Every single post, tribute, and wish touches my heart. I thank God for every additional day of life and for putting each of you in it. Wishing you all returned blessings, and I look forward to seeing you soon. I love you.”
The Queen of Pop appeared glowing and graceful, dancing with loved ones and laughing through emotional speeches celebrating her legacy.
While the celebration brought joy, Janet also used the moment to honor her late brother. She shared a childhood photo of the two siblings alongside a devastatingly tender message.
“If Michael were alive, he’d probably be the first person to wish me a happy birthday today,” Janet wrote. “Even a week before my birthday, he’d already be planning the perfect gift just to see me smile. I miss him so much. Keep resting peacefully, brother.”
The tribute has since gone viral, with fans flooding social media to share throwback photos of Janet and Michael together. The message adds a poignant layer to her milestone birthday, especially given ongoing family tensions surrounding the upcoming Michael biopic. Janet reportedly declined to be portrayed in the film and skipped the premiere over creative differences. Despite those disagreements, her personal love for her brother remains untouched.
The intimate gathering took place in California with close family and friends. Sisters LaToya Jackson and Rebbie Jackson were in attendance, alongside longtime collaborators Jimmy Jam and Terry Lewis. Singer Johnny Gill and actress Tasha Smith also joined the festivities.
The video showed dancing, champagne toasts, and plenty of laughter. Janet’s custom cakes carried playful messages, including “Holy Shit You’re 60!” and simply “I’m 60!” Family and friends delivered emotional speeches hyping up Janet’s life, career, and resilience. She reflected on growth, past mistakes, love, and the importance of staying present.
LaToya Jackson also shared clips from the celebration, showing the sisters dancing and enjoying the joyful atmosphere.
WATCH
Fans on X reacted with overwhelming positivity. User @redforjanet posted: “THEY KNEW TO SING HAPPY BIRTHDAY TO THE QUEEN LOL 🤣🥹😭 … They too litty! #HAPPYBIRTHDAYJANET.” Another user, @77imlab, wrote: “Ayyyeee, Ms Jacksonnn!! @JanetJackson is a LEGEND… HAPPY BIG 60, Queen J.”
Many called her the “blueprint” for modern pop performance. One viral post read: “Without Janet, there is no modern pop staging—period.” Some fans pushed back against comparisons to Madonna or Michael, insisting the day belonged solely to Janet.
The birthday celebration comes just weeks before Janet heads to Japan for a series of shows in June. Fans eagerly await her return to the stage. At 60, she shows no signs of slowing down. She remains a towering figure in music, dance, and Black cultural expression.
Happy belated 60th to Janet Jackson. A true legend. An eternal icon. And now, a joyful sexagenarian still dancing on her own terms.
Jermaine Jackson Ordered To Pay Rape Accuser $6.5M In Lawsuit
Jermaine Jackson has been ordered to pay over $6.5 million in damages after failing to respond to a rape and sexual assault lawsuit.
Per TMZ, Rita Butler Barrett, Jackson’s accuser, alleged in a 2023 complaint that he sexually assaulted her in 1988 after forcing his way into her home.
According to a default judgment filed Thursday, May 14, in Los Angeles County Superior Court, the former Jackson 5 member must pay the damages and other costs to Barrett.
Prior to the judgement, Barrett’s lawyers failed to track Jackson down, but eventually received court approval to serve him legal notice in The Los Angeles Times. Last month, having received no response from Jackson, Barrett’s lawyers filed a 95-page document arguing for a default judgment. The judge also ordered Jackson to pay Barrett legal costs of $7,131.84.
As PEOPLE reports, Barrett knew Jackson because her husband, Ben Barrett, worked for Motown founder Berry Gordy.
She alleged that Gordy had a “business and/or management relationship” with Jackson at the time of the alleged assault.
“During the assault, Plaintiff, a woman of faith, prayed to God for help,” the complaint states. “During the assault, Plaintiff feared for her life.”
Barrett says she reported the assault to Gordy and accused him and others of hiding the incident for “the purpose of profit and preservation of reputation.”
Although the assault allegedly took place in 1988, Barrett was able to file a lawsuit in 2023 thanks to the Sexual Abuse and Cover Up Accountability Act, which provided a one-year window for survivors to file claims that otherwise would have fallen outside the statute of limitations if there was a cover-up.
The news comes just weeks after Jackson appeared alongside his son, Jaafar Jackson, at the Los Angeles premiere of Michael, the biopic in which Jaafar portrays the late singer.
Jermaine Jackson has been ordered to pay over $6.5 million in damages after failing to respond to a rape and sexual assault lawsuit.
Per TMZ, Rita Butler Barrett, Jackson’s accuser, alleged in a 2023 complaint that he sexually assaulted her in 1988 after forcing his way into her home.
According to a default judgment filed Thursday, May 14, in Los Angeles County Superior Court, the former Jackson 5 member must pay the damages and other costs to Barrett.
Prior to the judgement, Barrett’s lawyers failed to track Jackson down, but eventually received court approval to serve him legal notice in The Los Angeles Times. Last month, having received no response from Jackson, Barrett’s lawyers filed a 95-page document arguing for a default judgment. The judge also ordered Jackson to pay Barrett legal costs of $7,131.84.
As PEOPLE reports, Barrett knew Jackson because her husband, Ben Barrett, worked for Motown founder Berry Gordy.
She alleged that Gordy had a “business and/or management relationship” with Jackson at the time of the alleged assault.
“During the assault, Plaintiff, a woman of faith, prayed to God for help,” the complaint states. “During the assault, Plaintiff feared for her life.”
Barrett says she reported the assault to Gordy and accused him and others of hiding the incident for “the purpose of profit and preservation of reputation.”
Although the assault allegedly took place in 1988, Barrett was able to file a lawsuit in 2023 thanks to the Sexual Abuse and Cover Up Accountability Act, which provided a one-year window for survivors to file claims that otherwise would have fallen outside the statute of limitations if there was a cover-up.
The news comes just weeks after Jackson appeared alongside his son, Jaafar Jackson, at the Los Angeles premiere of Michael, the biopic in which Jaafar portrays the late singer.
Charles Barkley Says There’s a ‘Bunch of Gay Players’ in Pro Sports
Charles Barkley says professional sports include more openly gay athletes than many fans realize.
The Hall of Famer made the remarks during a recent television segment. His comments came while discussing the legacy of former NBA player Jason Collins. Collins died this week at age 47 after battling brain cancer.
Barkley did not hesitate to challenge long-held assumptions.
“Anybody who thinks we ain’t got a bunch of gay players in all sports, they’re just stupid,” Barkley said.
He added that social attitudes continue to discourage athletes from being open.
“But there is such an atmosphere toward the gay community, and that’s what’s really unfortunate,” he said.
Collins became the first openly gay active player in a major U.S. men’s professional league in 2013.
His announcement marked a turning point in sports culture. It also drew widespread attention across leagues and media.
Barkley praised Collins’ courage during the broadcast. He encouraged others to follow his example.
“He was a shining example,” Barkley said. “‘Do you man.’”
Teammates and analysts echoed that sentiment. They described Collins as a pioneer who helped shift public perception.
Still, Barkley suggested progress has been uneven.
Barkley pointed to lingering homophobia as a major barrier. He said many athletes remain reluctant to come out publicly.
“We live in a homophobic society,” he said during the same discussion.
His remarks align with broader patterns in sports history. Few active male athletes in major U.S. leagues have come out.
Experts say locker room culture and public scrutiny contribute to that hesitation. Advocacy groups have worked to address those concerns.
Efforts such as inclusion campaigns and Pride initiatives have grown in recent years. Some leagues now host themed events promoting acceptance.
Barkley has long supported LGBTQ rights. He has previously said he played alongside gay teammates during his career.
His latest comments continue that advocacy. They also underscore a persistent gap between private reality and public visibility.
As tributes to Collins continue, Barkley’s message has resonated widely.
The conversation, he suggested, is far from over.
The Hall of Famer made the remarks during a recent television segment. His comments came while discussing the legacy of former NBA player Jason Collins. Collins died this week at age 47 after battling brain cancer.
Barkley did not hesitate to challenge long-held assumptions.
“Anybody who thinks we ain’t got a bunch of gay players in all sports, they’re just stupid,” Barkley said.
He added that social attitudes continue to discourage athletes from being open.
“But there is such an atmosphere toward the gay community, and that’s what’s really unfortunate,” he said.
Collins became the first openly gay active player in a major U.S. men’s professional league in 2013.
His announcement marked a turning point in sports culture. It also drew widespread attention across leagues and media.
Barkley praised Collins’ courage during the broadcast. He encouraged others to follow his example.
“He was a shining example,” Barkley said. “‘Do you man.’”
Teammates and analysts echoed that sentiment. They described Collins as a pioneer who helped shift public perception.
Still, Barkley suggested progress has been uneven.
Barkley pointed to lingering homophobia as a major barrier. He said many athletes remain reluctant to come out publicly.
“We live in a homophobic society,” he said during the same discussion.
His remarks align with broader patterns in sports history. Few active male athletes in major U.S. leagues have come out.
Experts say locker room culture and public scrutiny contribute to that hesitation. Advocacy groups have worked to address those concerns.
Efforts such as inclusion campaigns and Pride initiatives have grown in recent years. Some leagues now host themed events promoting acceptance.
Barkley has long supported LGBTQ rights. He has previously said he played alongside gay teammates during his career.
His latest comments continue that advocacy. They also underscore a persistent gap between private reality and public visibility.
As tributes to Collins continue, Barkley’s message has resonated widely.
The conversation, he suggested, is far from over.
Actress and ICON Marla Gibbs, 94, Share Workout Inspiration
Marla Gibbs shared an inspirational workout post on Wednesday. The post shows the 94-year-old “Jeffersons” star working out on gym equipment. The photo featured the words “It’s Never Too Late!”
Marla captioned the image: “At my age it’s easy to just lay in bed. Then I remember…as long as I’m breathing, I still have a chance to enjoy life. It’s Never Too Late!!! I’m thinking about having a book signing or book discussion event in LA. I’ll keep you all updated.”
She added the hashtags: #marlagibbs #itsnevertoolate #keeponmoving #amistadbooks.
Marla is best known for her role as George Jefferson’s feisty maid, Florence Johnston, on the CBS sitcom The Jeffersons (1975–1985).
She also starred in The Jeffersons spin-off “Checking In” (1981) and the NBC sitcom “227” (1985–1990).
Marla Gibbs shared an inspirational workout post on Wednesday. The post shows the 94-year-old “Jeffersons” star working out on gym equipment. The photo featured the words “It’s Never Too Late!”
Marla captioned the image: “At my age it’s easy to just lay in bed. Then I remember…as long as I’m breathing, I still have a chance to enjoy life. It’s Never Too Late!!! I’m thinking about having a book signing or book discussion event in LA. I’ll keep you all updated.”
She added the hashtags: #marlagibbs #itsnevertoolate #keeponmoving #amistadbooks.
Marla is best known for her role as George Jefferson’s feisty maid, Florence Johnston, on the CBS sitcom The Jeffersons (1975–1985).
She also starred in The Jeffersons spin-off “Checking In” (1981) and the NBC sitcom “227” (1985–1990).
Queen Latifah Joins The Voice As New Coach For Season 30 Lineup
Queen Latifah is set to make her debut as a coach on NBC’s popular music competition show The Voice for its upcoming Season 30. The addition of the Grammy Award-winning artist brings a fresh dynamic to the coaching panel as the show features four coaches this season.
The Voice has confirmed that Queen Latifah will join returning coaches Kelly Clarkson and Adam Levine, alongside newcomer Riley Green. This marks Queen Latifah’s first official role as a coach on the series, although she has appeared previously as a guest judge on other competitive reality shows such as America’s Got Talent
The announcement has generated excitement among fans eager to see how Queen Latifah’s extensive experience in music and entertainment will influence her coaching style. Her presence is expected to add a unique perspective, complementing the established coaches who return for Season 30.
As The Voice prepares for its new season, viewers can anticipate fresh talent and engaging interactions among the coaches. The inclusion of a fourth coach like Queen Latifah is a notable development aimed at enhancing the competitive atmosphere and broadening the show’s appeal.
Meanwhile, Kelly Clarkson has also been confirmed to return for Season 30, continuing her role as a fan-favorite coach. The evolving panel reflects the show’s commitment to blending veteran expertise with emerging talent in the music industry.
The Voice has confirmed that Queen Latifah will join returning coaches Kelly Clarkson and Adam Levine, alongside newcomer Riley Green. This marks Queen Latifah’s first official role as a coach on the series, although she has appeared previously as a guest judge on other competitive reality shows such as America’s Got Talent
The announcement has generated excitement among fans eager to see how Queen Latifah’s extensive experience in music and entertainment will influence her coaching style. Her presence is expected to add a unique perspective, complementing the established coaches who return for Season 30.
As The Voice prepares for its new season, viewers can anticipate fresh talent and engaging interactions among the coaches. The inclusion of a fourth coach like Queen Latifah is a notable development aimed at enhancing the competitive atmosphere and broadening the show’s appeal.
Meanwhile, Kelly Clarkson has also been confirmed to return for Season 30, continuing her role as a fan-favorite coach. The evolving panel reflects the show’s commitment to blending veteran expertise with emerging talent in the music industry.
BET Announces Final Season Premiere of Tyler Perry’s ‘The Oval’
Tyler Perry’s long-running political drama “The Oval” is heading into its final chapter as the series prepares to close out its seven-season run.
BET announced that the series will return for its seventh and final season on Tuesday, May 20, bringing the Franklin family back into the White House as they attempt to reclaim political control amid rising national instability and fractured alliances.
At the center of the final season, Hunter and Victoria Franklin launch a “Make The Franklins Great Again” campaign as new threats emerge from both outside forces and within their own inner circle, according to the official synopsis.
The series stars Ed Quinn, Kron Moore, Javon Johnson, Ptosha Storey, Daniel Croix Henderson, Lodric Collins, Walter Fauntleroy, Taja V. Simpson, Brad Benedict, Travis Cure, Bill Barrett, Nick Barrotta, Kaye Singleton, and Russell Thomas.
New episodes will be available on Paramount+ beginning at 12 a.m. PT/3 a.m. ET on their release day, before airing on BET later that night at 9 p.m. ET/8 p.m. CT. The final 22-episode season will roll out weekly through Sept. 30. Watch the Season 7 trailer above.
The premiere announcement arrives as Perry is also set to receive major recognition for his broader impact on entertainment. According to Variety, Perry will be honored with the Innovator Award at the 2026 Hollywood Unlocked Impact Awards, which recognizes influential figures across film, television, music, media, and culture.
Founded by Jason Lee, the annual ceremony celebrates individuals whose work has made a lasting impact within the Black community. Previous honorees have included Cardi B, Whoopi Goldberg, Babyface, Chlöe Bailey, Floyd Mayweather, Ben Crump, and Law Roach.
This year’s event will take place June 5 at The Beverly Hilton in Los Angeles, with Tiffany Haddish returning as host and Babyface serving once again as musical director. The ceremony will also support the Hollywood Cares Foundation, which focuses on youth leadership and civic engagement initiatives in underserved communities.
Tyler Perry’s long-running political drama “The Oval” is heading into its final chapter as the series prepares to close out its seven-season run.
BET announced that the series will return for its seventh and final season on Tuesday, May 20, bringing the Franklin family back into the White House as they attempt to reclaim political control amid rising national instability and fractured alliances.
At the center of the final season, Hunter and Victoria Franklin launch a “Make The Franklins Great Again” campaign as new threats emerge from both outside forces and within their own inner circle, according to the official synopsis.
The series stars Ed Quinn, Kron Moore, Javon Johnson, Ptosha Storey, Daniel Croix Henderson, Lodric Collins, Walter Fauntleroy, Taja V. Simpson, Brad Benedict, Travis Cure, Bill Barrett, Nick Barrotta, Kaye Singleton, and Russell Thomas.
New episodes will be available on Paramount+ beginning at 12 a.m. PT/3 a.m. ET on their release day, before airing on BET later that night at 9 p.m. ET/8 p.m. CT. The final 22-episode season will roll out weekly through Sept. 30. Watch the Season 7 trailer above.
The premiere announcement arrives as Perry is also set to receive major recognition for his broader impact on entertainment. According to Variety, Perry will be honored with the Innovator Award at the 2026 Hollywood Unlocked Impact Awards, which recognizes influential figures across film, television, music, media, and culture.
Founded by Jason Lee, the annual ceremony celebrates individuals whose work has made a lasting impact within the Black community. Previous honorees have included Cardi B, Whoopi Goldberg, Babyface, Chlöe Bailey, Floyd Mayweather, Ben Crump, and Law Roach.
This year’s event will take place June 5 at The Beverly Hilton in Los Angeles, with Tiffany Haddish returning as host and Babyface serving once again as musical director. The ceremony will also support the Hollywood Cares Foundation, which focuses on youth leadership and civic engagement initiatives in underserved communities.
WATCH:
Bulgarian banger 'Bangaranga' bags country its 1st Eurovision win
Bulgaria has won the 70th Eurovision Song Contest — the country's first-ever win.
The achievement surprised many because Bulgaria wasn't among the favorites to win in 2026. But with its catchy "Welcome to the riot!" refrain and bouncy vibe, performer Dara's banging anthem "Bangaranga" bested 24 other nations for the glittery global musical crown at the finals on Saturday in Vienna, Austria.
Israel came in second, as it did last year. Ten competitors were eliminated from the original group of 35 in the semi-finals earlier this week.
In his appraisal of his 10 favorite Eurovision 2026 songs, NPR critic Glen Weldon called "Bangaranga" an "insanely catchy bop" and praised its "deep, profound, abiding grooviness."
"Oh my god!" Dara yelled, as she accepted the Crystal Microphone, the event's glass trophy, from last year's winner, JJ of Austria.
As with other global cultural events, such as the Venice Biennale currently underway in Italy, the glittery annual songfest is intended as a display of goodwill and togetherness between nations. "In a world often divided, we stand united by music," said host Michael Ostrowski at the conclusion of this year's event.
Last year's contest, held in Basel, Switzerland, saw record viewership, reaching 166 million viewers across 37 markets.
Eurovision has long strived to prioritize artistry over political antagonism. However, as with the Biennale, Eurovision 2026 found itself at the center of protests related to the war in Gaza.
Five countries — Iceland, Ireland, the Netherlands, Slovenia and Spain — pulled out between September and December 2025 in protest over event organizer European Broadcasting Union's decision to allow Israel to participate amid the ongoing war in Gaza.
In this year's finals, Israeli singer Noam Bettan performed the romantic breakup song "Michelle" in French, Hebrew and English. Unlike in the semifinal, when the artist sang over chants of "stop the genocide," Bettan was not booed — at least audibly. The artist told The Times of Israel last month he had been practicing performing in front of hecklers.
There were both anti- and pro-Israel demonstrations in Vienna this week.
Pro-Palestinian protests at the last two contests called for Israel to be disbarred from Eurovision over its role in the conflict, as well as allegations it attempted to manipulate voting to favor its entries. The European Broadcasting Union changed its voting rules in response. Among other requirements, contestants and broadcasters are prohibited from taking part in promotional campaigns by third parties including governments. Countries outside of Europe, such as Israel, participate in Eurovision because eligibility is based on European Broadcasting Union membership, not necessarily geographics.
Although Israel's participation is the biggest cause of dissent in 2026, the country avoided being banned from the event.
That was not the case with Russia, which was disbarred indefinitely from participating in the contest soon after launching its full-scale invasion of Ukraine in 2022.
European Broadcasting Union deputy director general Jean Philip De Tender defended his organization's decision to allow Israel to perform, the European edition of Politico reported ahead of the contest's final, because Israel's public broadcaster KAN, the body behind its entry, is independent, whereas Russia's state broadcaster, VGTRK, is run by the Russian government.
In a social media post on Friday, Spanish Prime Minister Pedro Sánchez decried the European Broadcasting Union for its "double standard."
The achievement surprised many because Bulgaria wasn't among the favorites to win in 2026. But with its catchy "Welcome to the riot!" refrain and bouncy vibe, performer Dara's banging anthem "Bangaranga" bested 24 other nations for the glittery global musical crown at the finals on Saturday in Vienna, Austria.
Israel came in second, as it did last year. Ten competitors were eliminated from the original group of 35 in the semi-finals earlier this week.
In his appraisal of his 10 favorite Eurovision 2026 songs, NPR critic Glen Weldon called "Bangaranga" an "insanely catchy bop" and praised its "deep, profound, abiding grooviness."
"Oh my god!" Dara yelled, as she accepted the Crystal Microphone, the event's glass trophy, from last year's winner, JJ of Austria.
As with other global cultural events, such as the Venice Biennale currently underway in Italy, the glittery annual songfest is intended as a display of goodwill and togetherness between nations. "In a world often divided, we stand united by music," said host Michael Ostrowski at the conclusion of this year's event.
Last year's contest, held in Basel, Switzerland, saw record viewership, reaching 166 million viewers across 37 markets.
Eurovision has long strived to prioritize artistry over political antagonism. However, as with the Biennale, Eurovision 2026 found itself at the center of protests related to the war in Gaza.
Five countries — Iceland, Ireland, the Netherlands, Slovenia and Spain — pulled out between September and December 2025 in protest over event organizer European Broadcasting Union's decision to allow Israel to participate amid the ongoing war in Gaza.
In this year's finals, Israeli singer Noam Bettan performed the romantic breakup song "Michelle" in French, Hebrew and English. Unlike in the semifinal, when the artist sang over chants of "stop the genocide," Bettan was not booed — at least audibly. The artist told The Times of Israel last month he had been practicing performing in front of hecklers.
There were both anti- and pro-Israel demonstrations in Vienna this week.
Pro-Palestinian protests at the last two contests called for Israel to be disbarred from Eurovision over its role in the conflict, as well as allegations it attempted to manipulate voting to favor its entries. The European Broadcasting Union changed its voting rules in response. Among other requirements, contestants and broadcasters are prohibited from taking part in promotional campaigns by third parties including governments. Countries outside of Europe, such as Israel, participate in Eurovision because eligibility is based on European Broadcasting Union membership, not necessarily geographics.
Although Israel's participation is the biggest cause of dissent in 2026, the country avoided being banned from the event.
That was not the case with Russia, which was disbarred indefinitely from participating in the contest soon after launching its full-scale invasion of Ukraine in 2022.
European Broadcasting Union deputy director general Jean Philip De Tender defended his organization's decision to allow Israel to perform, the European edition of Politico reported ahead of the contest's final, because Israel's public broadcaster KAN, the body behind its entry, is independent, whereas Russia's state broadcaster, VGTRK, is run by the Russian government.
In a social media post on Friday, Spanish Prime Minister Pedro Sánchez decried the European Broadcasting Union for its "double standard."
Thousands Rally in Montgomery for Voting Rights
On May 16, 2026, thousands of demonstrators gathered in Montgomery, Alabama, to protest recent changes to congressional voting maps and a controversial U.S. Supreme Court decision. The event, part of the “All Roads Lead to the South” National Day of Action, took place directly in front of the historic Alabama State Capitol. This location holds deep symbolic weight. It is where the 1965 Selma-to-Montgomery voting rights march concluded and where the Confederacy was formed in 1861.
Organizers set the stage between dueling statues of Confederate President Jefferson Davis and civil rights icon Rosa Parks. Speakers immediately framed the setting as a battleground for the soul of democracy.
The crowd, estimated in the thousands, filled the streets surrounding the Capitol. Signs held by attendees carried messages such as “Protect Our Vote” and “No Racist Maps.”
The rally featured live music, speeches from faith leaders, and coordinated chants that echoed off the historic government buildings.
U.S. Senator Cory Booker of New Jersey delivered a powerful address to the assembled crowd. He began by calling Montgomery “sacred soil” in the ongoing fight for civil rights, referencing the legacy of the 1965 marchers who stood on the same ground, The Independent is reporting.
Booker then issued a stark warning to the demonstrators.
“If we in our generation do not now do our duty, we will lose the gains and the rights and the liberties that our ancestors afforded us,” Booker said.
He urged the crowd to view the current moment as a direct test of the nation’s commitment to multiracial democracy. The senator’s words drew loud cheers and chants of “we won’t go back” from the audience. Organizers later described his speech as a rallying cry for sustained activism leading into the 2028 election cycle.
The protest was a direct response to a late April 2026 Supreme Court ruling that weakened Section 2 of the Voting Rights Act. The decision, applied in a case similar to Louisiana v. Callais, effectively struck down a Black-majority congressional district. Critics argue this ruling opens the door for Southern states to redraw maps that dilute Black voting power.
Several states moved quickly to adjust their districts following the decision. LaTosha Brown, co-founder of Black Voters Matter, described the redistricting efforts as a “coordinated attack on Black political power.” Attendees chanted “we won’t go back” and “we fight” as they gathered near the Capitol. Shalela Dowdy, a plaintiff in a major Alabama redistricting case, told the crowd directly, “We are not going down without a fight. We are not going down to Jim Crow maps.” Her words were met with thunderous applause from the thousands present, .
Montgomery is home to one of the congressional districts currently being altered. A federal court had redrawn Alabama’s 2nd Congressional District in 2023, ruling that the state intentionally diluted the voting power of Black residents, who make up approximately 27 percent of Alabama’s population. That court ordered a district where Black voters would have a realistic opportunity to elect their candidate of choice.
However, the Supreme Court has since cleared the way for a different map. The new map could allow Republicans to reclaim the seat. While the matter remains under litigation, the state plans to hold special primaries on August 11 under the challenged map. Democratic Representative Shomari Figures, who won the district in 2024, spoke at the rally. He emphasized that the dispute is not about one politician but about the fundamental opportunity for representation. “When Republicans are literally turning back the clock on what representation looks like, then I think it starts to resonate with people,” Figures said.
Reactions on X (formerly Twitter) to the Montgomery rally highlighted the nation’s deep divisions on voting rights. Supportive voices included The Martin Luther King, Jr. Center, which shared photos of Dr. Bernice A. King and stated, “We’re not going back.” Journalist rolandsmartin posted that Republicans are “still trying to ERASE Black political power,” urging followers to organize and mobilize. Representative Robin Kelly shared a video from the event, writing, “We organize. We vote. We fight back.”
However, critical voices questioned the involvement of out-of-state politicians like Representative Alexandria Ocasio-Cortez. One user, DenvilleCommunity, asked why AOC was “influencing another Representative’s district regarding voting.” Another user, Sandra Loves GOD first USA, mocked the turnout. These exchanges show that while civil rights groups frame the issue as a continuation of the 1965 legacy, opponents view the rally as partisan election-year activism. Organizers have vowed to continue mobilizing voters through 2028 in response to the new maps.
On May 16, 2026, thousands of demonstrators gathered in Montgomery, Alabama, to protest recent changes to congressional voting maps and a controversial U.S. Supreme Court decision. The event, part of the “All Roads Lead to the South” National Day of Action, took place directly in front of the historic Alabama State Capitol. This location holds deep symbolic weight. It is where the 1965 Selma-to-Montgomery voting rights march concluded and where the Confederacy was formed in 1861.Organizers set the stage between dueling statues of Confederate President Jefferson Davis and civil rights icon Rosa Parks. Speakers immediately framed the setting as a battleground for the soul of democracy.
The crowd, estimated in the thousands, filled the streets surrounding the Capitol. Signs held by attendees carried messages such as “Protect Our Vote” and “No Racist Maps.”
The rally featured live music, speeches from faith leaders, and coordinated chants that echoed off the historic government buildings.
U.S. Senator Cory Booker of New Jersey delivered a powerful address to the assembled crowd. He began by calling Montgomery “sacred soil” in the ongoing fight for civil rights, referencing the legacy of the 1965 marchers who stood on the same ground, The Independent is reporting.
Booker then issued a stark warning to the demonstrators.
“If we in our generation do not now do our duty, we will lose the gains and the rights and the liberties that our ancestors afforded us,” Booker said.
He urged the crowd to view the current moment as a direct test of the nation’s commitment to multiracial democracy. The senator’s words drew loud cheers and chants of “we won’t go back” from the audience. Organizers later described his speech as a rallying cry for sustained activism leading into the 2028 election cycle.
The protest was a direct response to a late April 2026 Supreme Court ruling that weakened Section 2 of the Voting Rights Act. The decision, applied in a case similar to Louisiana v. Callais, effectively struck down a Black-majority congressional district. Critics argue this ruling opens the door for Southern states to redraw maps that dilute Black voting power.
Several states moved quickly to adjust their districts following the decision. LaTosha Brown, co-founder of Black Voters Matter, described the redistricting efforts as a “coordinated attack on Black political power.” Attendees chanted “we won’t go back” and “we fight” as they gathered near the Capitol. Shalela Dowdy, a plaintiff in a major Alabama redistricting case, told the crowd directly, “We are not going down without a fight. We are not going down to Jim Crow maps.” Her words were met with thunderous applause from the thousands present, .
Montgomery is home to one of the congressional districts currently being altered. A federal court had redrawn Alabama’s 2nd Congressional District in 2023, ruling that the state intentionally diluted the voting power of Black residents, who make up approximately 27 percent of Alabama’s population. That court ordered a district where Black voters would have a realistic opportunity to elect their candidate of choice.
However, the Supreme Court has since cleared the way for a different map. The new map could allow Republicans to reclaim the seat. While the matter remains under litigation, the state plans to hold special primaries on August 11 under the challenged map. Democratic Representative Shomari Figures, who won the district in 2024, spoke at the rally. He emphasized that the dispute is not about one politician but about the fundamental opportunity for representation. “When Republicans are literally turning back the clock on what representation looks like, then I think it starts to resonate with people,” Figures said.
Reactions on X (formerly Twitter) to the Montgomery rally highlighted the nation’s deep divisions on voting rights. Supportive voices included The Martin Luther King, Jr. Center, which shared photos of Dr. Bernice A. King and stated, “We’re not going back.” Journalist rolandsmartin posted that Republicans are “still trying to ERASE Black political power,” urging followers to organize and mobilize. Representative Robin Kelly shared a video from the event, writing, “We organize. We vote. We fight back.”
However, critical voices questioned the involvement of out-of-state politicians like Representative Alexandria Ocasio-Cortez. One user, DenvilleCommunity, asked why AOC was “influencing another Representative’s district regarding voting.” Another user, Sandra Loves GOD first USA, mocked the turnout. These exchanges show that while civil rights groups frame the issue as a continuation of the 1965 legacy, opponents view the rally as partisan election-year activism. Organizers have vowed to continue mobilizing voters through 2028 in response to the new maps.
Racist Influencer ‘Chud the Builder’ Held on $1.25M Bond Following Courthouse Shooting
A Tennessee judge has ordered Dalton Eatherly, known online as “Chud the Builder,” held on a $1.25 million bond following a courthouse shooting in Clarksville that left an Army veteran injured and prompted an ongoing criminal investigation, according to ABC News.
The bond decision marks the latest development in a case that began with a confrontation outside the Montgomery County Courthouse and escalated into gunfire involving Eatherly and another man. A fundraising campaign launched for the injured man identifies him as Joshua Fox, a 31-year-old Army veteran who served six years. Fox’s family says he was shot during the incident and is now recovering while facing significant medical and financial challenges.
According to Clarksville Now and CNN, the clash allegedly began as a verbal dispute between Eatherly and Fox before escalating further. Investigators said surveillance footage shows Eatherly reaching toward a firearm in his jacket pocket before the encounter became physical. Authorities said he then fired multiple shots, striking Fox several times.
Fox was airlifted to Vanderbilt University Medical Center, where he underwent emergency surgery. Prosecutors said the shooting occurred Wednesday outside the courthouse where Eatherly had appeared for an unrelated civil matter. Authorities also said Eatherly sustained a graze wound to his own arm during the incident.
According to CNN’s Isabel Rosales, Eatherly livestreamed the dispute. In audio obtained by the network, Eatherly claims he did not fire until Fox allegedly began physically attacking him. “Officers note that in the surveillance video that they witnessed, this never turned physical until [Eatherly] pulled out his gun,” Rosales said, per Mediaite.
Eatherly faces multiple felony charges, including attempted murder, aggravated assault, reckless endangerment with a deadly weapon, and employing a firearm during a dangerous felony. During Friday’s hearing, Judge Reid Poland III cited the seriousness of the allegations and public safety concerns in setting the high bond amount. His next bond hearing is scheduled for May 21, with a preliminary hearing set for May 26.
Chud the Builder has built his online presence through livestreams featuring racist remarks directed at Black people, often intended to provoke reactions. Multiple videos circulating online show him referring to Black people as “chimps” and using the N-word during public encounters.
The bond decision marks the latest development in a case that began with a confrontation outside the Montgomery County Courthouse and escalated into gunfire involving Eatherly and another man. A fundraising campaign launched for the injured man identifies him as Joshua Fox, a 31-year-old Army veteran who served six years. Fox’s family says he was shot during the incident and is now recovering while facing significant medical and financial challenges.
According to Clarksville Now and CNN, the clash allegedly began as a verbal dispute between Eatherly and Fox before escalating further. Investigators said surveillance footage shows Eatherly reaching toward a firearm in his jacket pocket before the encounter became physical. Authorities said he then fired multiple shots, striking Fox several times.
Fox was airlifted to Vanderbilt University Medical Center, where he underwent emergency surgery. Prosecutors said the shooting occurred Wednesday outside the courthouse where Eatherly had appeared for an unrelated civil matter. Authorities also said Eatherly sustained a graze wound to his own arm during the incident.
According to CNN’s Isabel Rosales, Eatherly livestreamed the dispute. In audio obtained by the network, Eatherly claims he did not fire until Fox allegedly began physically attacking him. “Officers note that in the surveillance video that they witnessed, this never turned physical until [Eatherly] pulled out his gun,” Rosales said, per Mediaite.
Eatherly faces multiple felony charges, including attempted murder, aggravated assault, reckless endangerment with a deadly weapon, and employing a firearm during a dangerous felony. During Friday’s hearing, Judge Reid Poland III cited the seriousness of the allegations and public safety concerns in setting the high bond amount. His next bond hearing is scheduled for May 21, with a preliminary hearing set for May 26.
Chud the Builder has built his online presence through livestreams featuring racist remarks directed at Black people, often intended to provoke reactions. Multiple videos circulating online show him referring to Black people as “chimps” and using the N-word during public encounters.
AND FINALLY FROM “THE CRAZY PEOPLE SHOPPING AT WALMART” FILES
Courtesy of P.O.Wm
Enjoy!
Throwback Monday
I don’t know what it is about this video but it seems so peaceful and innocent compared to the ads we have today
AND NOW Meet: Alex
It's Alex! You can see more HERE
DISCLAIMER: WE DO NOT OWN any images posted on this blog. All images are found online or submitted.
Enjoy!
HAVE A GREAT DAY ALL!!!
EFREM
No comments:
Post a Comment