#FASHIONFAB: Snoopy in Style NYC Exhibition
Opening ahead of Fashion Week and the US Open, Snoopy in Style NYC is a 16,000-square-foot exhibition hosted by Peanuts in New York’s Meatpacking District. Opening to the public on September 2 from 10am – 6pm, the exhibition will feature never-before-seen looks for Snoopy and Woodstock dolls and artifacts from Peanuts creator Charles M. Schulz’s connection to New York City, tennis, and his personal friendship with Billie Jean King.
The exhibition unfolds across ten immersive zones, each inviting visitors into the world of Schulz (also known as Sparky) and Peanuts, exploring his enduring influence on culture. The Snoopy in Style NYC exhibition was curated by The Charles M. Schulz Museum and Research Center, featuring a gift shop by Sarah Andelman, the founder of colette (Paris, 1997-2017) and the consultancy Just an Idea. The shop will include a robust collection of Peanuts merchandise for sale including products from Aurora, Chinatown Market, C.O. Bigelow, Courting Tennis, Hotel Olympia, Inciardi Prints, Leblon Delienne, LeSportsac, L/UNIFORM, Pintrill, Sugarfina, Whatever! Makes You Happy, and many others. Also featured is Moleskine’s Hot Stamp Cart where guests can purchase Snoopy in Style Moleskine notebooks to get embossed with bespoke character art.
While Snoopy in Style NYC features dozens of design houses that are prominent today, the concept for this exhibition originated when Sparky was alive. Previous exhibitions have been featured at the Louvre in Paris in 1990, and featured the likes of Chanel, Hermès, Dior, Armani and Givenchy. This year, a spectrum of brands have designed custom-made pieces for Snoopy and Woodstock plush dolls, including adidas, American Eagle, AREA, ASHLYN, BODE, Chinatown Market, Christopher John Rogers, Coach, Collina Strada, Daveed Baptiste, GAPStudio designed by Zac Posen, Gelato Pique, Gloria Steinem | Gloria’s Foundation, Hotel Olympia, Jeff Hamilton, Kith, Levi’s®, LUAR, L/UNIFORM, Madhappy, Michael Kors Collection, New York or Nowhere, Omega, Public School New York, Robert Wun, Sandy Liang, STAPLE, Tanner Fletcher, threeASFOUR, TIER, Tommy Hilfiger, Tory Burch, Willy Chavarria, and ZANKOV.
Fashion has long been woven into the world of Peanuts. Charlie Brown’s zigzag shirt became one of the most recognizable looks, while characters like Lucy and Sally gradually evolved their wardrobes with changing styles over the decades. Most notably, in the 1970s, Sparky shifted their attire from dresses to pants to represent changing times.
The exhibition also shines a spotlight on Sparky’s lifelong respect for sport. Visitors will discover how tennis influenced his personal life, the comic strip, and even women’s rights. The exhibition explores his close friendship with Billie Jean King and his advocacy for Title IX and Women’s Sports Foundation.
Generations of trailblazing women have also found inspiration in the world of Peanuts. Through characters like Lucy, Peppermint Patty, Marcie, and Sally, Sparky created girls who were confident, athletic, and intelligent, helping reshape how female characters were portrayed in popular culture.
EXHIBITION DETAILS:
Open to the public: September 2–26
Hours: 10am – 6pm
Address: 25 Little West 12th Street, New York, New York 10014
Free Admission
Opening ahead of Fashion Week and the US Open, Snoopy in Style NYC is a 16,000-square-foot exhibition hosted by Peanuts in New York’s Meatpacking District. Opening to the public on September 2 from 10am – 6pm, the exhibition will feature never-before-seen looks for Snoopy and Woodstock dolls and artifacts from Peanuts creator Charles M. Schulz’s connection to New York City, tennis, and his personal friendship with Billie Jean King.
Fashion has long been woven into the world of Peanuts. Charlie Brown’s zigzag shirt became one of the most recognizable looks, while characters like Lucy and Sally gradually evolved their wardrobes with changing styles over the decades. Most notably, in the 1970s, Sparky shifted their attire from dresses to pants to represent changing times.
Generations of trailblazing women have also found inspiration in the world of Peanuts. Through characters like Lucy, Peppermint Patty, Marcie, and Sally, Sparky created girls who were confident, athletic, and intelligent, helping reshape how female characters were portrayed in popular culture.
EXHIBITION DETAILS:
Open to the public: September 2–26
Hours: 10am – 6pm
Address: 25 Little West 12th Street, New York, New York 10014
Free Admission
#RHOA: Cynthia Bailey Hits The Stage At Atlanta Pride For First Live Performance Of New Single ‘The Peach Life’ As ‘RHOA’ Cast Shows Support
Cynthia Bailey is officially bringing “The Peach Life” to the stage! The Real Housewives of Atlanta star performed her new single, “The Peach Life,” live for the first time during Atlanta Pride. Cynthia hit the stage in a shimmering gold look as she debuted the track in front of the crowd, marking a new chapter for the longtime model, entrepreneur and reality TV personality.
LISTEN HERE: https://www.youtube.com/shorts/OxjTXcfF0kk
Cynthia also had some familiar faces there to support her. Several of her RHOA castmates reportedly showed up for the performance, joining the festivities as Cynthia gave fans their first live taste of her new song.
“The Peach Life” leans into Cynthia’s longtime connection to Atlanta and, of course, the iconic peach associated with RHOA. Her Atlanta Pride performance comes as she continues promoting the single and showing fans another side of herself outside of reality television.
What do y’all think of Cynthia Bailey’s new music era? Are you feeling “The Peach Life”?
Cynthia also had some familiar faces there to support her. Several of her RHOA castmates reportedly showed up for the performance, joining the festivities as Cynthia gave fans their first live taste of her new song.
“The Peach Life” leans into Cynthia’s longtime connection to Atlanta and, of course, the iconic peach associated with RHOA. Her Atlanta Pride performance comes as she continues promoting the single and showing fans another side of herself outside of reality television.
What do y’all think of Cynthia Bailey’s new music era? Are you feeling “The Peach Life”?
#NewMusic from Daley Feat With Marsha Ambrosius “Headlights”
UK soul singer-songwriter Daley has officially released his newest single, “Headlights,” a powerful vocal showcase that reunites him with acclaimed R&B songstress Marsha Ambrosius. The artists, who have previously collaborated together on “Alone Together”, join forces once again for the latest offering from Daley’s highly anticipated forthcoming studio album, Strange Nature, scheduled for release on September 18.
The release of “Headlights” and the reunion with Ambrosius marks the beginning of a significant new chapter for the Manchester-born vocalist. The upcoming album arrives after an eight-year hiatus, a period deeply shaped by personal loss, structural shifts within the music industry, and profound self-reflection.
Discussing the thematic foundation of the project, Daley explained the nuanced meaning behind the album’s title:
“Ideally, I wanted the title of my first album in some years to reflect growth, an internal flourishing, all of these positive, optimistic things. But in my soul, I knew that was only half of the reality of the process. Love, beauty, and optimism often existed alongside uncertainty, self-doubt, sadness, and things I couldn’t control.”
He emphasized that accepting this duality allowed him to lift a creative weight, noting that the strange parts of life are equal parts beautiful and ugly. “Through the entire process, I moved through heartbreak, to temptation, to manifestation… and found a way to make it make sense.”
Over the past decade, Daley has built an international reputation as one of the UK’s most emotionally resonant contemporary vocalists, earning critical recognition from the Grammys, MOBO Awards, BET, and Soul Train Awards. His catalog includes high-profile collaborations with musical heavyweights such as Stevie Wonder, Pharrell Williams, Gorillaz, Jill Scott, and Jessie J.
The release of “Headlights” and the reunion with Ambrosius marks the beginning of a significant new chapter for the Manchester-born vocalist. The upcoming album arrives after an eight-year hiatus, a period deeply shaped by personal loss, structural shifts within the music industry, and profound self-reflection.
Discussing the thematic foundation of the project, Daley explained the nuanced meaning behind the album’s title:
“Ideally, I wanted the title of my first album in some years to reflect growth, an internal flourishing, all of these positive, optimistic things. But in my soul, I knew that was only half of the reality of the process. Love, beauty, and optimism often existed alongside uncertainty, self-doubt, sadness, and things I couldn’t control.”
He emphasized that accepting this duality allowed him to lift a creative weight, noting that the strange parts of life are equal parts beautiful and ugly. “Through the entire process, I moved through heartbreak, to temptation, to manifestation… and found a way to make it make sense.”
Over the past decade, Daley has built an international reputation as one of the UK’s most emotionally resonant contemporary vocalists, earning critical recognition from the Grammys, MOBO Awards, BET, and Soul Train Awards. His catalog includes high-profile collaborations with musical heavyweights such as Stevie Wonder, Pharrell Williams, Gorillaz, Jill Scott, and Jessie J.
LISTEN HERE:
With Strange Nature, Daley enters a renewed creative era with a sharpened sense of artistic freedom. While still firmly rooted in soul, the new project pushes his sound into richer, experimental territory, embracing cinematic textures and fearless vocal expression prioritized over fleeting trends or algorithms.
Coinciding with the album rollout, Daley is set to embark on a massive 27-city US tour, kicking off on September 16. Full routing, ticketing details, and additional information are available at www.Daley.com.
With Strange Nature, Daley enters a renewed creative era with a sharpened sense of artistic freedom. While still firmly rooted in soul, the new project pushes his sound into richer, experimental territory, embracing cinematic textures and fearless vocal expression prioritized over fleeting trends or algorithms.
Coinciding with the album rollout, Daley is set to embark on a massive 27-city US tour, kicking off on September 16. Full routing, ticketing details, and additional information are available at www.Daley.com.
#HipHopNews: Kid Cudi Responds To Criticism Of Ye Support After Chicago Stage Reunion
The pair, whose relationship spans two decades, performed "Father Stretch My Hands, Pt. 1" and "Ghost Town," plus "Pursuit of Happiness (Nightmare)," at Soldier Field this weekend
Kid Cudi‘s reunion on stage with Kanye West in Chicago — which marked the pair’s first live performance together in years — was celebrated by many hip-hop fans, but not everyone was thrilled by the enthusiasm for Ye.
Ye brought Cudi out for three songs toward the end of his three-hour set at Soldier Field on Friday (Sept. 4), the guest-filled second night of two homecoming concerts. The two rappers, whose relationship spans two decades (Yeezy signed Cudi to G.O.O.D. Music in 2008, a few years after meeting him), delivered “Father Stretch My Hands, Pt. 1” and “Ghost Town,” plus “Pursuit of Happiness (Nightmare),” in one of the show’s most unforgettable moments.
Following the show, Cudi reacted to several positive comments coming through on social, from fans reveling in the surprise appearance — which appeared to be a reconciliation between the once-frequent collaborators, who’d even released a joint album in 2019 (Kids See Ghosts).
He also responded to criticism of realigning with Ye.
It’d been a minute since anyone had seen the pair together in public, as Cudi had distanced himself from Ye in recent years amid the star’s erratic rants, antisemitic remarks and hate speech, for which West has since apologized. This wasn’t their first fallout.
Cudi quoted a post from New York radio personality Peter Rosenberg on X this weekend; Rosenberg expressed disappointment that “a lot of people I love are being openly lame about Kanye” on his feed during West’s weekend in Chicago. Rosenberg continued, “I am not saying no one deserves forgiveness or empathy but this man sang Heil Hitler ONE YEAR AGO.”
“I understand ur frustration Peter, I f—s w u, but I dont really care if ur disappointed in me,” Cudi wrote in response on X on Saturday (Sept. 5).
“That man is my brother,” Cudi said of Ye. “U dont have a relationship w him like I do. Damn near 2 decades of art and friendship. U not family. So I get it. Ive been around Ye, and I can honestly say talking to him now is how it use to be when I first signed to him, but even better. He was dealing w mental health struggles for years and now hes good. Everyone deserves some grace when they family. I was the hardest on him out of anybody. I held him accountable. He apologized and it was sincere. But like I said, u not family so I get it.”
Rosenberg replied, “well i wasnt disappointed in you @KiDCuDi (i meant fans) but if you saw me running out to support an artist a year after they made a song called “all hail the klan” you would prolly feel a way. I am ALL for forgiveness and empathy but this man is being hailed as a HERO … f that. go get real help and sit down for a few years then lets talk before im going to run to put money in ur pocket.”
In 2025, Kid Cudi spoke of his fractured relationship with Ye in an interview with CBS, noting that West had said some things that “there was no coming back from.” He added, “I’m done with you. And it breaks my heart because I loved Kanye. I really loved him. He was part of my life changing and at some point, he was a really good friend, but the man that he has become … I just don’t know that guy anymore.”
Ye, who suffers from bipolar disorder, apologized for his actions in early 2026, referencing his mental health struggle. In a full-page ad taken out in the Wall Street Journal in January, Ye wrote, “You don’t think you’re sick. You think everyone else is overreacting. You feel like you’re seeing the world more clearly than ever, when in reality you’re losing your grip entirely … One of the difficult aspects of having bipolar type-1 are the disconnected moments — many of which I still cannot recall — that led to poor judgment and reckless behavior that oftentimes feels like an out-of-body-experience. I regret and am deeply mortified by my actions in that state, and am committed to accountability, treatment and meaningful change. It does not excuse what I did, though. I am not a Nazi or an antisemite. I love Jewish people.”
Over the summer, Cudi revealed they were rebuilding their friendship.
After this weekend’s reunion with Ye on stage, he wrote on X, “Tn was just another epic night on a list with many other epic nights w my big bro,” adding, “love u Chicago.”
In another note posted after performing at Soldier Field, Cudi said, “Love u big bro. Family s—tt.”
Kid Cudi‘s reunion on stage with Kanye West in Chicago — which marked the pair’s first live performance together in years — was celebrated by many hip-hop fans, but not everyone was thrilled by the enthusiasm for Ye.
Ye brought Cudi out for three songs toward the end of his three-hour set at Soldier Field on Friday (Sept. 4), the guest-filled second night of two homecoming concerts. The two rappers, whose relationship spans two decades (Yeezy signed Cudi to G.O.O.D. Music in 2008, a few years after meeting him), delivered “Father Stretch My Hands, Pt. 1” and “Ghost Town,” plus “Pursuit of Happiness (Nightmare),” in one of the show’s most unforgettable moments.
Following the show, Cudi reacted to several positive comments coming through on social, from fans reveling in the surprise appearance — which appeared to be a reconciliation between the once-frequent collaborators, who’d even released a joint album in 2019 (Kids See Ghosts).
He also responded to criticism of realigning with Ye.
It’d been a minute since anyone had seen the pair together in public, as Cudi had distanced himself from Ye in recent years amid the star’s erratic rants, antisemitic remarks and hate speech, for which West has since apologized. This wasn’t their first fallout.
Cudi quoted a post from New York radio personality Peter Rosenberg on X this weekend; Rosenberg expressed disappointment that “a lot of people I love are being openly lame about Kanye” on his feed during West’s weekend in Chicago. Rosenberg continued, “I am not saying no one deserves forgiveness or empathy but this man sang Heil Hitler ONE YEAR AGO.”
“I understand ur frustration Peter, I f—s w u, but I dont really care if ur disappointed in me,” Cudi wrote in response on X on Saturday (Sept. 5).
“That man is my brother,” Cudi said of Ye. “U dont have a relationship w him like I do. Damn near 2 decades of art and friendship. U not family. So I get it. Ive been around Ye, and I can honestly say talking to him now is how it use to be when I first signed to him, but even better. He was dealing w mental health struggles for years and now hes good. Everyone deserves some grace when they family. I was the hardest on him out of anybody. I held him accountable. He apologized and it was sincere. But like I said, u not family so I get it.”
Rosenberg replied, “well i wasnt disappointed in you @KiDCuDi (i meant fans) but if you saw me running out to support an artist a year after they made a song called “all hail the klan” you would prolly feel a way. I am ALL for forgiveness and empathy but this man is being hailed as a HERO … f that. go get real help and sit down for a few years then lets talk before im going to run to put money in ur pocket.”
In 2025, Kid Cudi spoke of his fractured relationship with Ye in an interview with CBS, noting that West had said some things that “there was no coming back from.” He added, “I’m done with you. And it breaks my heart because I loved Kanye. I really loved him. He was part of my life changing and at some point, he was a really good friend, but the man that he has become … I just don’t know that guy anymore.”
Ye, who suffers from bipolar disorder, apologized for his actions in early 2026, referencing his mental health struggle. In a full-page ad taken out in the Wall Street Journal in January, Ye wrote, “You don’t think you’re sick. You think everyone else is overreacting. You feel like you’re seeing the world more clearly than ever, when in reality you’re losing your grip entirely … One of the difficult aspects of having bipolar type-1 are the disconnected moments — many of which I still cannot recall — that led to poor judgment and reckless behavior that oftentimes feels like an out-of-body-experience. I regret and am deeply mortified by my actions in that state, and am committed to accountability, treatment and meaningful change. It does not excuse what I did, though. I am not a Nazi or an antisemite. I love Jewish people.”
Over the summer, Cudi revealed they were rebuilding their friendship.
After this weekend’s reunion with Ye on stage, he wrote on X, “Tn was just another epic night on a list with many other epic nights w my big bro,” adding, “love u Chicago.”
In another note posted after performing at Soldier Field, Cudi said, “Love u big bro. Family s—tt.”
Sherri Shepherd Will Play Aladdin's Genie on Broadway
The View host will become the first woman to play the Genie in the Disney hit.
Emmy-winning talk show host, comic, and actor Sherri Shepherd—best known for co-hosting The View and subsequently hosting her own syndicated talk show Sherri—will join the Broadway company of Aladdin next month.
Shepherd will step into the role of the Genie for a limited run, October 16, 2026–January 3, 2027. Current Genie Caleb A. Barnett will remain in the company as the Genie standby during Shepherd’s run. Shepherd will also be the first woman to play the Genie in the Disney hit, which has historically cast men in the role of Aladdin's wise-cracking mentor. James Monroe Iglehart created the role on Broadway, winning a Tony for his performance.
“Joining Aladdin on Broadway is an absolute dream come true—and an incredible honor,” said Shepherd in a statement. “The Genie is such an iconic character, and I’m beyond excited to bring my own energy, humor, heart, and a little bit of magic to this role. I hope audiences see themselves in this Genie and leave the theatre feeling so much joy and inspired to believe in the impossible. To step on that stage as the first woman to ever play the Genie is something I don’t take lightly. I'm ready to rub the lamp, unleash some magic, and have the time of my life on Broadway.”
“Throughout her career, Sherri has represented delight, wit, and loving good humor, making her the perfect entertainer to play the life force that is the Genie,” added Disney Theatrical Group Managing Director Andrew Flatt and Executive Producer Anne Quart. “We can’t wait to see what happens when Sherri’s authentic, brilliant comic energy meets the joyous escape of Aladdin. Audiences are going to adore her take on this iconic role.”
On Broadway, Shepherd made history as the first African American actress to portray the Evil Stepmother in Cinderella. Her other theatre credits include the Off-Broadway shows Love, Loss, and What I Wore; and Joy Behar's My First Ex-Husband. Her extensive television credits include 30 Rock, Friends, Sex Lives of College Girls, HARLEM, Mr. Iglesias, Trial & Error, Everybody Loves Raymond, The Jamie Foxx Show, and Less Than Perfect. Her film credits include Tyler Perry’s STRAW, Brian Banks, Precious, Ride Along 2, and Beauty Shop. Her upcoming Lifetime film, Angel in the Rubble, premieres September 12.
The current Broadway cast is led by Rodney Ingram in the title role, Barnett as the Genie, Sonya Balsara as Jasmine, and Dennis Stowe as Jafar. The show also features Jacob Ben-Shmuel as Omar, Colt Prattes as Kassim, JC Montgomery as Sultan, Don Darryl Rivera as Iago, and Ryan Gregory Thurman as Babkak. Caleb A. Barnett, Wes Hart, and Marcus M. Martin stand by for several principals.
Aladdin recently became the 14th longest-running show in Broadway history. There have been 11 productions on four continents welcoming over 22 million guests.
The stage production, which expands the 90-minute film into a two-act format, has music by Alan Menken, lyrics by the late Howard Ashman and Tim Rice, and a book and additional lyrics by Chad Beguelin. Casey Nicholaw directs and choreographs.
Aladdin opened at the New Amsterdam March 20, 2014, following previews that began February 26. The musical was nominated for five 2014 Tony Awards, including Best Musical. James Monroe Iglehart won the Tony for his performance as the Genie.
Aladdin is designed by Tony-winning scenic designer Bob Crowley, Tony-winning lighting designer Natasha Katz, Tony-winning costume designer Gregg Barnes, and sound designer Ken Travis.
The production was originally produced by Thomas Schumacher. The creative team also includes illusion designer Jim Steinmeyer, hair designer Josh Marquette, and makeup designer Milagros Medina-Cerdeira. The music team is headed by music supervisor and music director Michael Kosarin, who also created the vocal and incidental music arrangements, joined by orchestrator Danny Troob and dance music arranger Glen Kelly. John MacInnis is the associate choreographer, Jason Trubitt is the production supervisor, and Myriah Bash is the general manager.
The musical is produced by Disney Theatrical Group, under the direction of Andrew Flatt and Anne Quart.
Emmy-winning talk show host, comic, and actor Sherri Shepherd—best known for co-hosting The View and subsequently hosting her own syndicated talk show Sherri—will join the Broadway company of Aladdin next month.
Shepherd will step into the role of the Genie for a limited run, October 16, 2026–January 3, 2027. Current Genie Caleb A. Barnett will remain in the company as the Genie standby during Shepherd’s run. Shepherd will also be the first woman to play the Genie in the Disney hit, which has historically cast men in the role of Aladdin's wise-cracking mentor. James Monroe Iglehart created the role on Broadway, winning a Tony for his performance.
“Joining Aladdin on Broadway is an absolute dream come true—and an incredible honor,” said Shepherd in a statement. “The Genie is such an iconic character, and I’m beyond excited to bring my own energy, humor, heart, and a little bit of magic to this role. I hope audiences see themselves in this Genie and leave the theatre feeling so much joy and inspired to believe in the impossible. To step on that stage as the first woman to ever play the Genie is something I don’t take lightly. I'm ready to rub the lamp, unleash some magic, and have the time of my life on Broadway.”
“Throughout her career, Sherri has represented delight, wit, and loving good humor, making her the perfect entertainer to play the life force that is the Genie,” added Disney Theatrical Group Managing Director Andrew Flatt and Executive Producer Anne Quart. “We can’t wait to see what happens when Sherri’s authentic, brilliant comic energy meets the joyous escape of Aladdin. Audiences are going to adore her take on this iconic role.”
On Broadway, Shepherd made history as the first African American actress to portray the Evil Stepmother in Cinderella. Her other theatre credits include the Off-Broadway shows Love, Loss, and What I Wore; and Joy Behar's My First Ex-Husband. Her extensive television credits include 30 Rock, Friends, Sex Lives of College Girls, HARLEM, Mr. Iglesias, Trial & Error, Everybody Loves Raymond, The Jamie Foxx Show, and Less Than Perfect. Her film credits include Tyler Perry’s STRAW, Brian Banks, Precious, Ride Along 2, and Beauty Shop. Her upcoming Lifetime film, Angel in the Rubble, premieres September 12.
The current Broadway cast is led by Rodney Ingram in the title role, Barnett as the Genie, Sonya Balsara as Jasmine, and Dennis Stowe as Jafar. The show also features Jacob Ben-Shmuel as Omar, Colt Prattes as Kassim, JC Montgomery as Sultan, Don Darryl Rivera as Iago, and Ryan Gregory Thurman as Babkak. Caleb A. Barnett, Wes Hart, and Marcus M. Martin stand by for several principals.
Aladdin recently became the 14th longest-running show in Broadway history. There have been 11 productions on four continents welcoming over 22 million guests.
The stage production, which expands the 90-minute film into a two-act format, has music by Alan Menken, lyrics by the late Howard Ashman and Tim Rice, and a book and additional lyrics by Chad Beguelin. Casey Nicholaw directs and choreographs.
Aladdin opened at the New Amsterdam March 20, 2014, following previews that began February 26. The musical was nominated for five 2014 Tony Awards, including Best Musical. James Monroe Iglehart won the Tony for his performance as the Genie.
Aladdin is designed by Tony-winning scenic designer Bob Crowley, Tony-winning lighting designer Natasha Katz, Tony-winning costume designer Gregg Barnes, and sound designer Ken Travis.
The production was originally produced by Thomas Schumacher. The creative team also includes illusion designer Jim Steinmeyer, hair designer Josh Marquette, and makeup designer Milagros Medina-Cerdeira. The music team is headed by music supervisor and music director Michael Kosarin, who also created the vocal and incidental music arrangements, joined by orchestrator Danny Troob and dance music arranger Glen Kelly. John MacInnis is the associate choreographer, Jason Trubitt is the production supervisor, and Myriah Bash is the general manager.
The musical is produced by Disney Theatrical Group, under the direction of Andrew Flatt and Anne Quart.
DaBaby’s No Knife Chicken & Waffles Restaurant Opens With Long Lines
DaBaby opened No Knife Chicken & Waffles in North Charlotte, turning his viral cooking videos into a Southern comfort food restaurant.
DaBaby turned his viral cooking videos into a brick-and-mortar restaurant when he opened No Knife Chicken & Waffles in North Charlotte on September 6.
The rapper, whose real name is Jonathan Kirk, launched the Southern comfort food spot at 700 Atando Avenue, marking his first major venture into Charlotte’s food scene.
The restaurant concept stems from DaBaby’s “Cooking with Kirk” social media series, where he refers to himself as “No Knife” while preparing meals.
What started as online content has now become a physical space where fans can experience the food firsthand.
The opening day drew massive crowds, with lines wrapping around the street as the community showed up to support the Charlotte native.
DaBaby has a history of supporting his community beyond music.
He’s previously organized community events and festivals in the Charlotte area, and this restaurant continues that pattern of reinvestment in his hometown.
The opening also signals a broader shift for DaBaby, who’s balancing his rap career with business ventures that keep him connected to Charlotte.
DaBaby turned his viral cooking videos into a brick-and-mortar restaurant when he opened No Knife Chicken & Waffles in North Charlotte on September 6.
The rapper, whose real name is Jonathan Kirk, launched the Southern comfort food spot at 700 Atando Avenue, marking his first major venture into Charlotte’s food scene.
The restaurant concept stems from DaBaby’s “Cooking with Kirk” social media series, where he refers to himself as “No Knife” while preparing meals.
What started as online content has now become a physical space where fans can experience the food firsthand.
The opening day drew massive crowds, with lines wrapping around the street as the community showed up to support the Charlotte native.
DaBaby has a history of supporting his community beyond music.
He’s previously organized community events and festivals in the Charlotte area, and this restaurant continues that pattern of reinvestment in his hometown.
The opening also signals a broader shift for DaBaby, who’s balancing his rap career with business ventures that keep him connected to Charlotte.
Coco Gauff wins to complete star-studded US Open quarter-final line-up
Coco Gauff kept her bid to become world No 1 on track as she won an all-American clash to reach the US Open quarter-finals.
Gauff joked afterwards that she was “used to being the young American” but the two-time grand slam champion had the greater experience against 18-year-old Iva Jovic, the 14th seed.
22-year-old Gauff, bidding for a second Flushing Meadows title, overpowered Jovic 6-1 6-4 on a balmy bank holiday night in New York.
Her win means all of the top six women’s seeds have made the quarter-finals in New York for the first time since 1998 - in start contrast to the men’s tournament, where only three of the top 10 remain.
The women’s quarter-final line-up features six grand slam champions, the reigning Olympic champion, a former US Open semi-finalist in Emma Navarro and former runner-up in New York, Jessica Pegula.
A jittery start from the 2023 winner gifted 18-year-old Jovic a break in the first game with a double fault. But Jovic’s nerves were also on show as Gauff raced away with the next six games to take the first set.
Jovic finally held serve at the start of the second but three spectacular Gauff hustles, turning desperate defence into all-out attack, secured a break for 3-2.
The youngster managed to hit straight back, but was then broken to love as Gauff took control before serving out to win in an hour and 33 minutes.
Gauff, yet to drop a set so far, said: “Iva’s an incredible player, an incredible talent, she plays beyond her years. I’m used to being the younger American!”
She is through to the quarter-finals for the first time since winning the tournament in 2023, having lost in the fourth round in the last two editions, and would become world No 1 if she wins the title and second seed Elena Rybakina fails to make the semi-finals.
An impressive victory set up a meeting with French Open champion Mirra Andreeva, whom Gauff has beaten in all five of their career meetings.
Andreeva was forced to come from behind to grind out a win over 24th seed Anastasia Potapova, who fell and injured her knee at 0-15 down in the final game of the match and was in tears as her Russian opponent won the next three points to seal the win, 5-7 6-4 6-3.
Fifth seed Andreeva said: “Anastasia is my good friend and seeing what a battle we had and seeing her fall like that in the last game, it's not easy.
“I told her that she's been playing amazing and having one of her best seasons. I'm sure she'll come back even stronger - she's a warrior and an even better fighter than me.”
Two-time former champion Naomi Osaka revealed she is carrying an Achilles injury after she was knocked out 6-1 6-4 by Australian Open champion Rybakina.
The Kazakh will become world No 1 if she reaches the semi-finals and faces Olympic champion Qinwen Zheng for a spot in the last four.
“Yesterday I got an ultrasound, and then I got an ultrasound again just now,” said the 28-year-old from Japan.
“I’m probably going to go get an MRI, because honestly, I don’t really know too much about what’s going on.”
Gauff joked afterwards that she was “used to being the young American” but the two-time grand slam champion had the greater experience against 18-year-old Iva Jovic, the 14th seed.
22-year-old Gauff, bidding for a second Flushing Meadows title, overpowered Jovic 6-1 6-4 on a balmy bank holiday night in New York.
Her win means all of the top six women’s seeds have made the quarter-finals in New York for the first time since 1998 - in start contrast to the men’s tournament, where only three of the top 10 remain.
The women’s quarter-final line-up features six grand slam champions, the reigning Olympic champion, a former US Open semi-finalist in Emma Navarro and former runner-up in New York, Jessica Pegula.
A jittery start from the 2023 winner gifted 18-year-old Jovic a break in the first game with a double fault. But Jovic’s nerves were also on show as Gauff raced away with the next six games to take the first set.
Jovic finally held serve at the start of the second but three spectacular Gauff hustles, turning desperate defence into all-out attack, secured a break for 3-2.
The youngster managed to hit straight back, but was then broken to love as Gauff took control before serving out to win in an hour and 33 minutes.
Gauff, yet to drop a set so far, said: “Iva’s an incredible player, an incredible talent, she plays beyond her years. I’m used to being the younger American!”
She is through to the quarter-finals for the first time since winning the tournament in 2023, having lost in the fourth round in the last two editions, and would become world No 1 if she wins the title and second seed Elena Rybakina fails to make the semi-finals.
An impressive victory set up a meeting with French Open champion Mirra Andreeva, whom Gauff has beaten in all five of their career meetings.
Andreeva was forced to come from behind to grind out a win over 24th seed Anastasia Potapova, who fell and injured her knee at 0-15 down in the final game of the match and was in tears as her Russian opponent won the next three points to seal the win, 5-7 6-4 6-3.
Fifth seed Andreeva said: “Anastasia is my good friend and seeing what a battle we had and seeing her fall like that in the last game, it's not easy.
“I told her that she's been playing amazing and having one of her best seasons. I'm sure she'll come back even stronger - she's a warrior and an even better fighter than me.”
Two-time former champion Naomi Osaka revealed she is carrying an Achilles injury after she was knocked out 6-1 6-4 by Australian Open champion Rybakina.
The Kazakh will become world No 1 if she reaches the semi-finals and faces Olympic champion Qinwen Zheng for a spot in the last four.
“Yesterday I got an ultrasound, and then I got an ultrasound again just now,” said the 28-year-old from Japan.
“I’m probably going to go get an MRI, because honestly, I don’t really know too much about what’s going on.”
Stevie Wonder Announces New Tour Honoring His Greatest Masterpiece
The trek opens next month in Birmingham, England, on Oct. 13 before moving through Paris, Copenhagen, Oslo, Stockholm, Hannover, Cologne, Amsterdam, Dublin, London, Manchester and Glasgow. Wonder then crosses back to the United States for five stops in November and December, including Madison Square Garden in New York, United Center in Chicago, Capital One Arena in Washington and Intuit Dome in Los Angeles, plus two nights at the Fox Theatre in Detroit.
General tickets for the US shows, aside from Detroit, go on sale Thursday at 10 a.m. local time through Ticketmaster. Detroit tickets follow on Sept. 15 at 10 a.m. local time. No public presale has been announced for any of the US dates.
Fans across the UK and Europe get first access sooner. A presale opens Wednesday, with general tickets following Friday at 10 a.m. local time in each market.
Songs in the Key of Life landed in 1976 as a sprawling double album that fused soul, jazz, gospel and funk into one of the most acclaimed records of its era. Performing it front to back is no small commitment. It runs long, shifts styles by the song and asks a live band to match arrangements built in a studio over months.
This isn’t the first time Wonder has taken on that challenge. He staged a similar full album run in 2014, working through more than a dozen North American cities with Madison Square Garden among the stops that time as well. Twelve years later, returning to the same material for its 50th anniversary reads less like a nostalgia lap and more like a marker of how long the album’s influence has held.
The new run stretches from mid October through just before the holidays, closing out in Los Angeles on Dec. 19.
Stevie Wonder is taking his 1976 masterpiece back on the road. The music icon announced an 18 date tour built around a full live performance of Songs in the Key of Life, marking 50 years since the album’s release and giving fans on two continents a chance to hear the record from start to finish.
The trek opens next month in Birmingham, England, on Oct. 13 before moving through Paris, Copenhagen, Oslo, Stockholm, Hannover, Cologne, Amsterdam, Dublin, London, Manchester and Glasgow. Wonder then crosses back to the United States for five stops in November and December, including Madison Square Garden in New York, United Center in Chicago, Capital One Arena in Washington and Intuit Dome in Los Angeles, plus two nights at the Fox Theatre in Detroit.
General tickets for the US shows, aside from Detroit, go on sale Thursday at 10 a.m. local time through Ticketmaster. Detroit tickets follow on Sept. 15 at 10 a.m. local time. No public presale has been announced for any of the US dates.
Fans across the UK and Europe get first access sooner. A presale opens Wednesday, with general tickets following Friday at 10 a.m. local time in each market.
Songs in the Key of Life landed in 1976 as a sprawling double album that fused soul, jazz, gospel and funk into one of the most acclaimed records of its era. Performing it front to back is no small commitment. It runs long, shifts styles by the song and asks a live band to match arrangements built in a studio over months.This isn’t the first time Wonder has taken on that challenge. He staged a similar full album run in 2014, working through more than a dozen North American cities with Madison Square Garden among the stops that time as well. Twelve years later, returning to the same material for its 50th anniversary reads less like a nostalgia lap and more like a marker of how long the album’s influence has held.
The new run stretches from mid October through just before the holidays, closing out in Los Angeles on Dec. 19.
Susan Sarandon Says Her Political Views Have Cost Her Roles in Hollywood
Susan still gets some roles, including her part in The Echo Chamber, and she was at the Venice Film Festival over the weekend to support that film.
During a press conference on Sunday (September 6), Susan talked about her public support for Palestine.
“I’ve still had movies taken away recently because there are agencies that are telling people not to hire me still. But that’s the power structure. I think within the people, certainly internationally, I feel welcome,” she told Deadline. “So it depends. If it’s a major studio, I think there is, not just with me but with other people, that have been told that that is impossible in terms of being able to do this film.”
Susan says that the director of The Echo Chamber “didn’t listen to the warnings.”
Susan also talked about the narrative in the U.S. about the conflict between Palestine and Israel.
“I think that the narrative has completely changed in terms of the historical relevance of Palestine and the ties of Zionists with America and our politics, that has been a major revelation for people,” she said. “How much money the United States gives to Israel? Nobody really understood that. And also, now we have voted to combine the army of the United States with the army of Israel. So there’s a lot of things that people are aware of now.”
Susan Sarandon is incredibly outspoken about her political views and she says she has lost Hollywood roles because of her activism.
The iconic actress, 79, is one of the most legendary Hollywood icons out there right now, with an Academy Award to her name, along with seven Emmy nominations and ten Golden Globe nominations.Susan still gets some roles, including her part in The Echo Chamber, and she was at the Venice Film Festival over the weekend to support that film.
During a press conference on Sunday (September 6), Susan talked about her public support for Palestine.
“I’ve still had movies taken away recently because there are agencies that are telling people not to hire me still. But that’s the power structure. I think within the people, certainly internationally, I feel welcome,” she told Deadline. “So it depends. If it’s a major studio, I think there is, not just with me but with other people, that have been told that that is impossible in terms of being able to do this film.”
Susan says that the director of The Echo Chamber “didn’t listen to the warnings.”
Susan also talked about the narrative in the U.S. about the conflict between Palestine and Israel.
“I think that the narrative has completely changed in terms of the historical relevance of Palestine and the ties of Zionists with America and our politics, that has been a major revelation for people,” she said. “How much money the United States gives to Israel? Nobody really understood that. And also, now we have voted to combine the army of the United States with the army of Israel. So there’s a lot of things that people are aware of now.”
Miss Texas’ Regan Hutsell Won Miss America 2027also talks about Her Decision to Wear Natural Hair
The winner of Miss America 2027 has been crowned!
The pageant took place on Sunday night (September 6) and was streamed live on YouTube. The event was hosted in West Palm Beach, Florida and featured delegates from all 50 states, in addition to the District of Columbia, Puerto Rico, and the US Virgin Islands.
Miss Texas, Regan Hutsell, was crowned the winner with Miss Louisiana, Shelby Bordelon, named first runner-up.Regan Hutsell has received praise for wearing her natural hair
Regan, 25, is a professional dancer who has performed as a Radio City Rockette and in international ballet groups.
While competing in the pageant, Regan made the decision to wear her natural hair.
“When I first started [competing], I didn’t know what I was going to do with my hair,” she told People. “I didn’t know if I was going to straighten it, I didn’t know if I was going to wear it natural. I had straightened my hair a few years ago, and it didn’t bounce back. And coming to this point in my life where I decided, no, I’m going to wear it curly; I’m going to wear it as is.”
“I think it’s important now to be able to show little girls who might be watching at home that they can exist as themselves with their own natural hair, with their own natural beauty, whatever that means to them, that feels a little bit different or a little bit outside of what maybe the stereotypical normal is,” she said.
The winner, first runner-up and second runner-up will each be eligible for a full-tuition graduate scholarship at Hood College toward an eligible graduate degree or certificate program.
The winner succeeds Cassie Donegan, who won the Miss America 2026 title while representing New York and received a $50,000 tuition scholarship.
The pageant took place on Sunday night (September 6) and was streamed live on YouTube. The event was hosted in West Palm Beach, Florida and featured delegates from all 50 states, in addition to the District of Columbia, Puerto Rico, and the US Virgin Islands.
Miss Texas, Regan Hutsell, was crowned the winner with Miss Louisiana, Shelby Bordelon, named first runner-up.Regan Hutsell has received praise for wearing her natural hair
Regan, 25, is a professional dancer who has performed as a Radio City Rockette and in international ballet groups.
While competing in the pageant, Regan made the decision to wear her natural hair.
“When I first started [competing], I didn’t know what I was going to do with my hair,” she told People. “I didn’t know if I was going to straighten it, I didn’t know if I was going to wear it natural. I had straightened my hair a few years ago, and it didn’t bounce back. And coming to this point in my life where I decided, no, I’m going to wear it curly; I’m going to wear it as is.”
“I think it’s important now to be able to show little girls who might be watching at home that they can exist as themselves with their own natural hair, with their own natural beauty, whatever that means to them, that feels a little bit different or a little bit outside of what maybe the stereotypical normal is,” she said.
The winner, first runner-up and second runner-up will each be eligible for a full-tuition graduate scholarship at Hood College toward an eligible graduate degree or certificate program.
The winner succeeds Cassie Donegan, who won the Miss America 2026 title while representing New York and received a $50,000 tuition scholarship.
Scott Evans Launches Celebrity Competition Show ‘House Guest Game Night’
“Some of the best conversations happen when people stop performing and simply start having fun,” Evans told Gaye Magazine.
“That’s exactly what House Guest Game Night is about. It’s a chance to connect, laugh, compete and get to know people beyond the headlines.”
The inaugural season features a lineup that includes “Love Island USA” couple Serena Page and Kordell Beckham, Leslie Jones, Lil Rel Howery, Bresha Webb and Kendrick Sampson, with additional artists, athletes and creators joining the competition.
Evans launched the original “House Guest” in June 2024, building the show around casual conversations with celebrities including Keke Palmer, Bob the Drag Queen, Niecy Nash-Betts and others. EURweb previously covered Tina Knowles’ appearance on “House Guest”, where she shared Beyoncé’s homemade jalapeño cocktail recipe with Evans.
The series has since won a Webby Award for Interview, Talk & After-Show, Series & Channels and earned NAACP Image Award nominations for Outstanding Talk Show and Outstanding Host.
The new spinoff isn’t replacing the original show. New episodes of “House Guest” and “House Guest Game Night” will premiere on alternating weeks.
For Evans, the expansion builds on his goal of creating entertainment that moves celebrities beyond familiar interview questions and headlines. With “Game Night,” competition becomes the icebreaker, giving guests room to joke around, react spontaneously and potentially show audiences something they haven’t seen before.
“House Guest Game Night” will be available on YouTube, Spotify and Apple Podcasts beginning Sept. 10.
TV host and producer Scott Evans is expanding his celebrity interview franchise with “House Guest Game Night,” a new competition spinoff premiering Sept. 10 on his YouTube channel.
Instead of relying on traditional sit-down interviews, the new series brings celebrities together for an evening of spontaneous games, unexpected challenges, competition and conversation — all designed to reveal a different side of its guests.“Some of the best conversations happen when people stop performing and simply start having fun,” Evans told Gaye Magazine.
“That’s exactly what House Guest Game Night is about. It’s a chance to connect, laugh, compete and get to know people beyond the headlines.”
The inaugural season features a lineup that includes “Love Island USA” couple Serena Page and Kordell Beckham, Leslie Jones, Lil Rel Howery, Bresha Webb and Kendrick Sampson, with additional artists, athletes and creators joining the competition.
Evans launched the original “House Guest” in June 2024, building the show around casual conversations with celebrities including Keke Palmer, Bob the Drag Queen, Niecy Nash-Betts and others. EURweb previously covered Tina Knowles’ appearance on “House Guest”, where she shared Beyoncé’s homemade jalapeño cocktail recipe with Evans.
The series has since won a Webby Award for Interview, Talk & After-Show, Series & Channels and earned NAACP Image Award nominations for Outstanding Talk Show and Outstanding Host.
The new spinoff isn’t replacing the original show. New episodes of “House Guest” and “House Guest Game Night” will premiere on alternating weeks.
For Evans, the expansion builds on his goal of creating entertainment that moves celebrities beyond familiar interview questions and headlines. With “Game Night,” competition becomes the icebreaker, giving guests room to joke around, react spontaneously and potentially show audiences something they haven’t seen before.
“House Guest Game Night” will be available on YouTube, Spotify and Apple Podcasts beginning Sept. 10.
50 Cent Responds to Mark Curry After He Said the Diddy Doc Paid Him $69
50 Cent responds to Mark Curry with a joke, a pair of eyeball emojis and a Cash App handle he made up on the spot. After Curry posted a video saying he made After Curry posted a video saying he made $69 off the Netflix documentary “Sean Combs: The Reckoning” and never got the production credit he says he was promised, 50 reposted it with a caption telling Curry to chill and asking for his Cash App, then naming the handle “$Diddytouchedyour….” and tagging his 50centaction page.
Curry had laid out a real complaint before that response landed. He said “Come With Me,” the 1998 Godzilla soundtrack record he helped write, was discussed in the documentary and viewed more than 50 million times, and that he saw $69 from it because there was no sync license attached. A sync license is the agreement that pays a songwriter when their music gets used in a film or TV show. Curry says he was told none was needed because he was only talking about the song rather than performing it. He called the whole thing terrible and said securing that license was the obvious move if anybody actually wanted money going to victims.
Then he got to the credit. Curry says he was told he would receive a production credit, and he says he worked accordingly, bringing in talent and getting people he wrote about in his book to sit down on camera. He says the promise included being grandfathered into the deal if the project ever sold. His summary of how it ended: worse than any deal he ever had with Puff.
He also says the documentary hurt his book. His position is that people saw him telling his story on Netflix and figured there was nothing left to buy.
Mark Curry Says He Made Just $69 From Song Featured in ‘Sean Combs: The Reckoning’
The timing is the part 50 Cent responds to Mark Curry over. Curry posted this days after “The Reckoning” won an Emmy at the Creative Arts ceremony on September 5, taking Outstanding Picture Editing for a Nonfiction Program. 50 was not in the room. He was in Canada, and he posted about it anyway with a caption asking if anybody still thought he was taking an L. Curry watched that happen and said out loud that it is crazy for a man to win an award off another man’s story while the man the story is about gets no credit.
The Cash App name is not a random insult either. It is a direct shot at what Curry has said publicly about his years around Sean Combs, which is the same testimony that helped make the documentary what it is. Curry was in the first teaser. His voice is one of the first things anybody heard about the project. Turning that into a punchline is a choice, and 50 Cent knows exactly what kind of choice it is.
What he did not do is answer the question underneath all of it. When 50 announced the project back in 2023, the stated arrangement was that proceeds G Unit Film and Television received would go to victims of sexual assault and rape. Curry says he has been waiting close to a year to see where any of that money actually landed and has gotten nothing back. A Cash App joke is not an accounting.
“The Reckoning” dropped December 2 and pulled 21.8 million views in six days, which makes it one of the biggest documentary launches Netflix has had. Combs is currently serving a 50 month sentence after his conviction last year on two counts of transportation to engage in prostitution, with a projected release date in May 2028.
Curry had laid out a real complaint before that response landed. He said “Come With Me,” the 1998 Godzilla soundtrack record he helped write, was discussed in the documentary and viewed more than 50 million times, and that he saw $69 from it because there was no sync license attached. A sync license is the agreement that pays a songwriter when their music gets used in a film or TV show. Curry says he was told none was needed because he was only talking about the song rather than performing it. He called the whole thing terrible and said securing that license was the obvious move if anybody actually wanted money going to victims.
Then he got to the credit. Curry says he was told he would receive a production credit, and he says he worked accordingly, bringing in talent and getting people he wrote about in his book to sit down on camera. He says the promise included being grandfathered into the deal if the project ever sold. His summary of how it ended: worse than any deal he ever had with Puff.
He also says the documentary hurt his book. His position is that people saw him telling his story on Netflix and figured there was nothing left to buy.
Mark Curry Says He Made Just $69 From Song Featured in ‘Sean Combs: The Reckoning’
The timing is the part 50 Cent responds to Mark Curry over. Curry posted this days after “The Reckoning” won an Emmy at the Creative Arts ceremony on September 5, taking Outstanding Picture Editing for a Nonfiction Program. 50 was not in the room. He was in Canada, and he posted about it anyway with a caption asking if anybody still thought he was taking an L. Curry watched that happen and said out loud that it is crazy for a man to win an award off another man’s story while the man the story is about gets no credit.
The Cash App name is not a random insult either. It is a direct shot at what Curry has said publicly about his years around Sean Combs, which is the same testimony that helped make the documentary what it is. Curry was in the first teaser. His voice is one of the first things anybody heard about the project. Turning that into a punchline is a choice, and 50 Cent knows exactly what kind of choice it is.
What he did not do is answer the question underneath all of it. When 50 announced the project back in 2023, the stated arrangement was that proceeds G Unit Film and Television received would go to victims of sexual assault and rape. Curry says he has been waiting close to a year to see where any of that money actually landed and has gotten nothing back. A Cash App joke is not an accounting.
“The Reckoning” dropped December 2 and pulled 21.8 million views in six days, which makes it one of the biggest documentary launches Netflix has had. Combs is currently serving a 50 month sentence after his conviction last year on two counts of transportation to engage in prostitution, with a projected release date in May 2028.
AND FINALLY FROM “THE CRAZY PEOPLE SHOPPING AT WALMART” FILES
Daytime in Walmart
Imagine Walmart at night.
AND NOW Meet: Rich
It's Rich! You can see more HERE
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Enjoy!
HAVE A GREAT DAY ALL!!!
EFREM
