#MAGFAB: Chase Infiniti for Essence Magazine - March 2026
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#RHOA: Meet the RHOA Season 17 Cast Whose Lives Are "Wilder Than Ever"
The Real Housewives of Atlanta is returning for Season 17 with a serving of fresh peaches and fierce vibes.
The newly revealed RHOA Season 17 cast includes Porsha Williams, Phaedra Parks, Drew Sidora, Shamea Morton Mwangi, Angela Oakley, and Kelli Ferrell, along with newcomers Pinky Cole and K. Michelle. The women are joined once again by fan-favorite friend Cynthia Bailey.
The RHOA Season 17 trailer already teased some of the explosive drama to come, but the official announcement for the new season provides even more intel on what to expect from each cast member as they navigate a mix of fun and drama that gets "wilder than ever."
"With fan favorites and new faces joining the mix, friendships are pushed to their limits," the Feb. 24 announcement teased. "Atlanta is hotter, bolder, and more unpredictable than ever, and keeping it peachy is the ultimate challenge."
Get even more juicy details and check out the ladies' official cast photos, below.
Porsha Williams' official bio for RHOA Season 17
Porsha Williams during The Real Housewives of Atlanta Season 17.
Porsha steps into a new era of her life, and now that her divorce is final, she's approaching relationships and dating with an open mind. She embraces all of life's possibilities, including not one but two potential love interests that she's ready to introduce to the group. When it comes to her sister friends, while some bonds remain rocky, she's committed to keeping a positive mindset … or at least giving it her best shot.
Phaedra Parks official bio for RHOA Season 17
The Real Housewives of Atlanta is returning for Season 17 with a serving of fresh peaches and fierce vibes.
The newly revealed RHOA Season 17 cast includes Porsha Williams, Phaedra Parks, Drew Sidora, Shamea Morton Mwangi, Angela Oakley, and Kelli Ferrell, along with newcomers Pinky Cole and K. Michelle. The women are joined once again by fan-favorite friend Cynthia Bailey.
The RHOA Season 17 trailer already teased some of the explosive drama to come, but the official announcement for the new season provides even more intel on what to expect from each cast member as they navigate a mix of fun and drama that gets "wilder than ever."
"With fan favorites and new faces joining the mix, friendships are pushed to their limits," the Feb. 24 announcement teased. "Atlanta is hotter, bolder, and more unpredictable than ever, and keeping it peachy is the ultimate challenge."
Get even more juicy details and check out the ladies' official cast photos, below.
Porsha Williams' official bio for RHOA Season 17
Porsha Williams during The Real Housewives of Atlanta Season 17.
Porsha steps into a new era of her life, and now that her divorce is final, she's approaching relationships and dating with an open mind. She embraces all of life's possibilities, including not one but two potential love interests that she's ready to introduce to the group. When it comes to her sister friends, while some bonds remain rocky, she's committed to keeping a positive mindset … or at least giving it her best shot.
Phaedra Parks official bio for RHOA Season 17
Phaedra returns with her signature wit and razor‑sharp reads. As she steps back into the circle, she's open to mending fences with Angela and proving she's still cool and unbothered by it all, while still having fun in the dating pool. Though her businesses keep her booked and busy, the lawyer in her is always on and ready to come to the rescue, even as she juggles the adventures of raising two teenage sons.
Drew Sidora's official bio for RHOA Season 17
Drew keeps positive vibes while she works through the next stage of her life. She is keeping her dating roster open but is still guarded on how much she wants to share with the ladies. While she handles new unexpected conflicts, Drew finds herself balancing her acting and music career, all while having her most important job as a mom. With romance, career moves, and friendships all in the spotlight, she proves she's ready for love, life, and everything that comes with it.
Shamea's Morton official bio for RHOA Season 17
Shamea is ready for a major pivot, investing in herself like never before and launching her own rum company. Known as a triple threat, Shamea finds that stepping into entrepreneurship proves more challenging than expected. Lingering tensions with Porsha and clashes with Drew create ongoing drama. Amidst it all, her fertility journey continues.
Angela Oakley's official bio for RHOA Season 17
Angela speaks her truth and holds the ladies accountable. Coming off last season, she and husband Charles Oakley are stronger than ever as she navigates life and family challenges in the wake of her mother's passing. She's also still working to repair her fractured friendships from last season and rise above old wounds with Phaedra. While dealing with explosive rumors, and the drama that comes with it, Angela continues to make her career moves, proving that she's committed to building something all her own.
Kelli Ferrell's official bio for RHOA Season 17
Kelli balances motherhood, her career, dating, and Atlanta drama like a pro. With her oldest daughter heading off to college, Kelli faces a new chapter as she continues to expand her business with the opening of her second restaurant location. Between heated conflicts and defending herself against salacious rumors from within the group and her personal life, she proves she can juggle it all and come out even stronger.
K. Michelle's official bio for RHOA Season 17
Kimberly "K. Michelle" is not new to the A, but she's true to it and this season she's ready to make her mark. The award‑winning, Billboard‑charting artist and newlywed arrives with a renewed sense of purpose as she builds new bonds with the ladies. Known for her powerhouse presence in R&B, she's now breaking barriers in country music, pursuing her lifelong dream all while balancing a thriving career, a new home, her son, and a fresh chapter in love. Through it all, she proves she can juggle every high and low with equal parts of grace, grit, and unforgettable style.
Pinky Cole's official bio for RHOA Season 17
Cynthia Bailey's official bio for RHOA Season 17
Cynthia returns as a friend, balancing her business ventures while keeping the group centered. With friendships constantly tested and drama unfolding at every turn, she proves to be a steady, calming force in the heart of the storm.
When does Season 17 of RHOA premiere?
The Real Housewives of Atlanta returns for Season 17 on Sunday, April 5 at 8 p.m. ET/PT on Bravo. Episodes will be available to stream next day on Peacock.
#MusicNews: Jimmy Jam and Terry Lewis bring “Nothing But Hits” to Las Vegas residency
Five-time Grammy Award-winning producers Jimmy Jam and Terry Lewis are bringing more than four decades of chart-topping music to Las Vegas this spring with a limited residency at Voltaire at The Venetian Resort Las Vegas.
The legendary songwriting and production duo will debut their show “Nothing But Hits” on select dates April 17-18, 22 and 24-26, offering audiences a rare opportunity to hear the stories behind some of the most influential songs in modern R&B and pop.
With 42 No. 1 songs on the Billboard charts and more than 100 gold, platinum and diamond albums connected to their work, Jam and Lewis have helped shape the soundtrack of multiple generations.
A legacy rooted in the Minneapolis sound
Both producers are closely tied to the Minneapolis sound, a musical movement that emerged in the late 1970s blending funk, rock, new wave and synth-pop influences. The sound was pioneered by artists such as Prince and became closely associated with Minneapolis venues including First Avenue.
Jam and Lewis first gained recognition as members of The Time, one of the signature acts of the Minneapolis music scene, before launching a production career that would transform R&B and pop music.
Their catalog includes hits written and produced for artists such as Janet Jackson, Michael Jackson, Mary J. Blige, Mariah Carey, Boyz II Men, New Edition, Chaka Khan and Toni Braxton.
Their work with Janet Jackson helped define some of the most iconic albums in R&B history, including Control, which celebrates its 40th anniversary this year.
For the residency, Jam and Lewis will be joined by special guest vocalists Ruben Studdard, winner of American Idol, and Shanice, who rose to national attention on Star Search.
Backed by a live band, the show will feature performances of songs Jam and Lewis wrote and produced, along with behind-the-scenes stories about the artists and recording sessions that helped define their career.
“We’ve been blessed to do many things in our careers, but we’ve never had the opportunity to perform our five-decade catalog of hits live,” Jam said in a statement announcing the residency.
Lewis added that the show will combine storytelling with live music, creating an experience that walks audiences through the soundtrack of their lives.
Tickets for the limited residency are available through the Voltaire website. The performances mark the duo’s Las Vegas debut and will take place inside the theater space at The Venetian Resort.
For fans of the Minneapolis sound and the decades of music shaped by Jam and Lewis, the residency offers a rare opportunity to experience the stories and songs behind some of the most influential hits in R&B and pop history.
The legendary songwriting and production duo will debut their show “Nothing But Hits” on select dates April 17-18, 22 and 24-26, offering audiences a rare opportunity to hear the stories behind some of the most influential songs in modern R&B and pop.
With 42 No. 1 songs on the Billboard charts and more than 100 gold, platinum and diamond albums connected to their work, Jam and Lewis have helped shape the soundtrack of multiple generations.
A legacy rooted in the Minneapolis sound
Both producers are closely tied to the Minneapolis sound, a musical movement that emerged in the late 1970s blending funk, rock, new wave and synth-pop influences. The sound was pioneered by artists such as Prince and became closely associated with Minneapolis venues including First Avenue.
Jam and Lewis first gained recognition as members of The Time, one of the signature acts of the Minneapolis music scene, before launching a production career that would transform R&B and pop music.
Their catalog includes hits written and produced for artists such as Janet Jackson, Michael Jackson, Mary J. Blige, Mariah Carey, Boyz II Men, New Edition, Chaka Khan and Toni Braxton.
Their work with Janet Jackson helped define some of the most iconic albums in R&B history, including Control, which celebrates its 40th anniversary this year.
For the residency, Jam and Lewis will be joined by special guest vocalists Ruben Studdard, winner of American Idol, and Shanice, who rose to national attention on Star Search.
Backed by a live band, the show will feature performances of songs Jam and Lewis wrote and produced, along with behind-the-scenes stories about the artists and recording sessions that helped define their career.
“We’ve been blessed to do many things in our careers, but we’ve never had the opportunity to perform our five-decade catalog of hits live,” Jam said in a statement announcing the residency.
Lewis added that the show will combine storytelling with live music, creating an experience that walks audiences through the soundtrack of their lives.
Tickets for the limited residency are available through the Voltaire website. The performances mark the duo’s Las Vegas debut and will take place inside the theater space at The Venetian Resort.
For fans of the Minneapolis sound and the decades of music shaped by Jam and Lewis, the residency offers a rare opportunity to experience the stories and songs behind some of the most influential hits in R&B and pop history.
#HipHopNews: Cypress Hill Returns With New Spanish-Language Track “Wacha Trucha”
A month after Bad Bunny brought Latin hip-hop to the national stage at the Super Bowl, legendary rap group Cypress Hill dropped their first single since last year- and did it all in Spanish.
The hip-hop pioneers released their new single and music video titled “Wacha Trucha” featuring Mexican rapper Alemán on Friday. The track serves as the first official single from Cypress Hill’s upcoming album, a project performed entirely in Spanish that aims to highlight the group’s Latin roots and reconnect with their cultural heritage.
The song’s title reflects a phrase commonly used in Mexican slang that encourages people to stay alert and aware of their surroundings. In the track, Cypress Hill and Alemán deliver street-oriented lyrics centered on resilience, unity, and cultural pride. The artists use imagery such as gritty Southern California iconic landmarks and photos of “F*** ICE” to make not-so-subtle political statements, framing the song as a reminder that Latin and Chicano culture is not a passing trend but a lasting legacy shaped by history, community, and determination, according to the group’s official website.
In a statement about the release, Cypress Hill frontman B-Real described “Wacha Trucha” as more than just a song, calling it a cultural statement that reflects the ongoing global rise of Latin rap. He added that the upcoming Spanish-language album represents a “homecoming” for the group and a direct connection to their community.
B-Real states on the group’s website:
“We’re living through a powerful moment for Latin rap on a global scale, and we wanted to contribute something that reflects history, resilience, and evolution. This Spanish-language album represents a homecoming and a direct connection to our culture and our people.”
The collaboration with Alemán also highlights the growing connection between Mexican and Chicano rap scenes, bridging generations and audiences across borders. Production on the track comes from DJ Flict, a Grammy-nominated producer known for working with artists such as Snoop Dogg, Lauryn Hill, and Wiz Khalifa.
The video can be viewed here: CYPRESS HILL RELEASES “WACHA TRUCHA” WITH ALEMÁN | Cypress Hill | Official Website
A month after Bad Bunny brought Latin hip-hop to the national stage at the Super Bowl, legendary rap group Cypress Hill dropped their first single since last year- and did it all in Spanish.
The hip-hop pioneers released their new single and music video titled “Wacha Trucha” featuring Mexican rapper Alemán on Friday. The track serves as the first official single from Cypress Hill’s upcoming album, a project performed entirely in Spanish that aims to highlight the group’s Latin roots and reconnect with their cultural heritage.
The song’s title reflects a phrase commonly used in Mexican slang that encourages people to stay alert and aware of their surroundings. In the track, Cypress Hill and Alemán deliver street-oriented lyrics centered on resilience, unity, and cultural pride. The artists use imagery such as gritty Southern California iconic landmarks and photos of “F*** ICE” to make not-so-subtle political statements, framing the song as a reminder that Latin and Chicano culture is not a passing trend but a lasting legacy shaped by history, community, and determination, according to the group’s official website.
In a statement about the release, Cypress Hill frontman B-Real described “Wacha Trucha” as more than just a song, calling it a cultural statement that reflects the ongoing global rise of Latin rap. He added that the upcoming Spanish-language album represents a “homecoming” for the group and a direct connection to their community.
B-Real states on the group’s website:
“We’re living through a powerful moment for Latin rap on a global scale, and we wanted to contribute something that reflects history, resilience, and evolution. This Spanish-language album represents a homecoming and a direct connection to our culture and our people.”
The collaboration with Alemán also highlights the growing connection between Mexican and Chicano rap scenes, bridging generations and audiences across borders. Production on the track comes from DJ Flict, a Grammy-nominated producer known for working with artists such as Snoop Dogg, Lauryn Hill, and Wiz Khalifa.
The video can be viewed here: CYPRESS HILL RELEASES “WACHA TRUCHA” WITH ALEMÁN | Cypress Hill | Official Website
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Terence Howard Shares Why He Believes He Was Fired From The ‘Iron Man’ Franchise
Terence Howard shared that he threatened to knock out a film producer’s teeth, and it may have gotten him fired from Iron Man 2.
Appearing on the PBD Podcast, Howard recalled a conversation he had with Joel Silver, a film producer, at the 2007 Venice Film Festival.
Howard was promoting the film The Brave One, in which he starred along with Jodie Foster. During an interview, Howard was asked if we didn’t receive top billing.
Howard then spoke to Silver about the matter, and the conversation quickly went south.’
”Joel Silver came and had a conversation with me. He’s like, ‘The reason your name isn’t above the titles is because you’re not the star of this thing, it’s Jodie. And if you get nominated for an Oscar, it’s going to be for Supporting Actor, not Best Actor, ” Howard recalled.
“I was like, ‘Thank you for telling me that, now I understand. But, you have to remember that I’m a man just like you,” he continued. ‘And if you ever talk to me in that way again, I’m going to knock your teeth out of your mouth.’ “
Ironically, Susan Downey, Robert Downey Jr’s wife, was a co-producer of The Brave One with Silver. Because of this relationship, Howard believes he was excommunicated from the Marvel Cinematic Universe.
“Eight months later, I lost Iron Man,” Howard said. “And I’m sure that all of those things played their part.”
Howard originally played James “Rhodey” Rhodes, Robert Downey Jr’s friend in Iron Man. When the sequel, Iron Man 2, was released, Howard was replaced by Don Cheadle.
According to Entertainment Weekly, Favreau was not pleased with Howard’s performance in the first film. Also, he “intended to significantly cut down the role, which would mean a pay cut for Howard.” After the fallow Howard described being replaced by Cheadle as the “surprise of a lifetime.”
Because of his “aggression” and a “need to be a man,” Howard said he lost Iron Man and other roles. Eventually, he received some advice from Denzel Washington.
“He told me, ‘Look at your hands, your fists are all balled up,’” Howard recalled. “‘All of these producers are trying to open your hand so they can put money in it. But you won’t do it; you keep your hands all tight. And you’re blowing it.’”
Appearing on the PBD Podcast, Howard recalled a conversation he had with Joel Silver, a film producer, at the 2007 Venice Film Festival.
Howard was promoting the film The Brave One, in which he starred along with Jodie Foster. During an interview, Howard was asked if we didn’t receive top billing.
Howard then spoke to Silver about the matter, and the conversation quickly went south.’
”Joel Silver came and had a conversation with me. He’s like, ‘The reason your name isn’t above the titles is because you’re not the star of this thing, it’s Jodie. And if you get nominated for an Oscar, it’s going to be for Supporting Actor, not Best Actor, ” Howard recalled.
“I was like, ‘Thank you for telling me that, now I understand. But, you have to remember that I’m a man just like you,” he continued. ‘And if you ever talk to me in that way again, I’m going to knock your teeth out of your mouth.’ “
Ironically, Susan Downey, Robert Downey Jr’s wife, was a co-producer of The Brave One with Silver. Because of this relationship, Howard believes he was excommunicated from the Marvel Cinematic Universe.
“Eight months later, I lost Iron Man,” Howard said. “And I’m sure that all of those things played their part.”
Howard originally played James “Rhodey” Rhodes, Robert Downey Jr’s friend in Iron Man. When the sequel, Iron Man 2, was released, Howard was replaced by Don Cheadle.
According to Entertainment Weekly, Favreau was not pleased with Howard’s performance in the first film. Also, he “intended to significantly cut down the role, which would mean a pay cut for Howard.” After the fallow Howard described being replaced by Cheadle as the “surprise of a lifetime.”
Because of his “aggression” and a “need to be a man,” Howard said he lost Iron Man and other roles. Eventually, he received some advice from Denzel Washington.
“He told me, ‘Look at your hands, your fists are all balled up,’” Howard recalled. “‘All of these producers are trying to open your hand so they can put money in it. But you won’t do it; you keep your hands all tight. And you’re blowing it.’”
Jill Scott Reveals She Was Told to Lose Weight and Straighten Her Hair Early in Career
Grammy-winning singer and actress Jill Scott says she faced early pressure to change her appearance. The artist recently reflected on industry expectations that nearly altered her path.
Scott said someone early in her career warned her that her look could limit her success. The remark came when she was just beginning to establish herself in the music industry.
“I had somebody tell me in the beginning of my career that if I didn’t lose weight, or if I didn’t straighten my hair or whatever, that I’d never sell any records,” Scott said in a recent interview. “That sucked, but luckily I didn’t listen to them and decided to just continue to be myself.”
More than two decades later, Scott’s decision to ignore that advice appears validated. The Philadelphia-born singer has sold millions of records and earned widespread acclaim.
Scott rose to prominence with her 2000 debut album, Who Is Jill Scott? Words and Sounds Vol. 1. The project helped define the neo-soul movement and introduced listeners to her poetic songwriting and distinctive voice.
Her music often centers on themes of self-love, empowerment and authenticity. Those themes mirror the approach she took in her own career.
Scott said the pressure to alter her appearance reflected broader beauty standards in entertainment. Many artists, especially women, face expectations around body size and hair.
Instead of conforming, Scott said she leaned into her natural identity. That choice helped shape the persona fans embraced.
Her success eventually included chart-topping albums, acting roles and multiple awards. Over the years, Scott has appeared in film and television projects, including Tyler Perry’s Why Did I Get Married? franchise.
Scott has spoken before about the importance of confidence and representation. In interviews, she has criticized narrow beauty standards and praised women who embrace their natural bodies.
The singer argued that confidence and presence matter more than fitting a specific mold.
She once described women who carry themselves boldly as “walking goddesses,” emphasizing that beauty exists in many forms.
That message continues to resonate with fans. Scott’s work and public statements often encourage self-acceptance and individuality.
The singer is currently reflecting on her career as she releases new music after a lengthy break from albums. The upcoming project marks her first studio release in roughly a decade.
Looking back, Scott said ignoring industry pressure allowed her to build a career on her own terms.
Grammy-winning singer and actress Jill Scott says she faced early pressure to change her appearance. The artist recently reflected on industry expectations that nearly altered her path.
Scott said someone early in her career warned her that her look could limit her success. The remark came when she was just beginning to establish herself in the music industry.
“I had somebody tell me in the beginning of my career that if I didn’t lose weight, or if I didn’t straighten my hair or whatever, that I’d never sell any records,” Scott said in a recent interview. “That sucked, but luckily I didn’t listen to them and decided to just continue to be myself.”
More than two decades later, Scott’s decision to ignore that advice appears validated. The Philadelphia-born singer has sold millions of records and earned widespread acclaim.
Scott rose to prominence with her 2000 debut album, Who Is Jill Scott? Words and Sounds Vol. 1. The project helped define the neo-soul movement and introduced listeners to her poetic songwriting and distinctive voice.
Her music often centers on themes of self-love, empowerment and authenticity. Those themes mirror the approach she took in her own career.
Scott said the pressure to alter her appearance reflected broader beauty standards in entertainment. Many artists, especially women, face expectations around body size and hair.
Instead of conforming, Scott said she leaned into her natural identity. That choice helped shape the persona fans embraced.
Her success eventually included chart-topping albums, acting roles and multiple awards. Over the years, Scott has appeared in film and television projects, including Tyler Perry’s Why Did I Get Married? franchise.
Scott has spoken before about the importance of confidence and representation. In interviews, she has criticized narrow beauty standards and praised women who embrace their natural bodies.
The singer argued that confidence and presence matter more than fitting a specific mold.
She once described women who carry themselves boldly as “walking goddesses,” emphasizing that beauty exists in many forms.
That message continues to resonate with fans. Scott’s work and public statements often encourage self-acceptance and individuality.
The singer is currently reflecting on her career as she releases new music after a lengthy break from albums. The upcoming project marks her first studio release in roughly a decade.
Looking back, Scott said ignoring industry pressure allowed her to build a career on her own terms.
New Jack Swing Reconciliation: Teddy Riley Issues Public Apology to Keith Sweat
Legendary producer Teddy Riley has issued a public apology to singer Keith Sweat. The reconciliation follows a recent viral interview where Riley made striking claims regarding his work on Sweat’s multi-platinum debut album.
The tension began after Riley appeared on the We In Miami Podcast. During the sit-down, the New Jack Swing pioneer claimed he had never been paid for the hit records he produced on Keith Sweat’s 1987 landmark debut, Make It Last Forever.
Riley alleged that despite the album selling millions of copies and housing massive hits like “I Want Her,” he was still waiting on his due compensation. “Somebody gonna pay,” Riley stated in the clip, which quickly circulated across social media platforms like X (formerly Twitter).
Following the backlash and “negative press” surrounding the remarks, Riley took to his official Instagram to walk back the comments. While the specific details of their private conversation remain confidential, the apology signals a desire to preserve the legacy of one of R&B’s most influential eras.
Make It Last Forever is widely considered a foundational project for the New Jack Swing genre, blending hip-hop beats with soulful R&B vocals. The collaboration between Riley and Sweat defined the sound of the late ’80s and launched Sweat into superstardom.
Fans have expressed mixed reactions to the public spat, with some viewing it as a bid for attention and others hoping for a genuine resolution between the two icons. For now, it seems the “King of New Jack Swing” is focused on mending fences with his longtime collaborator.
The tension began after Riley appeared on the We In Miami Podcast. During the sit-down, the New Jack Swing pioneer claimed he had never been paid for the hit records he produced on Keith Sweat’s 1987 landmark debut, Make It Last Forever.
Riley alleged that despite the album selling millions of copies and housing massive hits like “I Want Her,” he was still waiting on his due compensation. “Somebody gonna pay,” Riley stated in the clip, which quickly circulated across social media platforms like X (formerly Twitter).
Following the backlash and “negative press” surrounding the remarks, Riley took to his official Instagram to walk back the comments. While the specific details of their private conversation remain confidential, the apology signals a desire to preserve the legacy of one of R&B’s most influential eras.
Make It Last Forever is widely considered a foundational project for the New Jack Swing genre, blending hip-hop beats with soulful R&B vocals. The collaboration between Riley and Sweat defined the sound of the late ’80s and launched Sweat into superstardom.
Fans have expressed mixed reactions to the public spat, with some viewing it as a bid for attention and others hoping for a genuine resolution between the two icons. For now, it seems the “King of New Jack Swing” is focused on mending fences with his longtime collaborator.
LeBron James Passes Kareem Abdul-Jabbar for Most Made Field Goals in NBA History
LeBron James added another historic milestone to his legendary career Thursday night. During the Los Angeles Lakers’ 120-113 loss to the Denver Nuggets, James knocked down a turnaround baseline jumper over Zeke Nnaji with 12.3 seconds left in the first quarter, marking the 15,838th made field goal of his career.
The basket pushed James past Kareem Abdul-Jabbar for the most made field goals in National Basketball Association history.
After the game, James reflected on the moment and the company his name now keeps in league history.
“Just to be able to link my name to being mentioned with some of the greatest to ever play this game has always been humbling and a pretty cool thing,” James said to ESPN. “I grew up watching, reading [about], idolizing a lot of the greats, and if I ever was able to be part of the NBA, I wanted to put myself in position that I can be named with some of the greats by doing something right. So, it’s pretty cool.
Ex-Michigan Coach Sherrone Moore Takes Plea Deal After Allegedly Entering Ex-Staffer’s Apartment to Assault Her
Former University of Michigan football coach Sherrone Moore will face misdemeanor sentencing next month after prosecutors agreed to drop the felony charge tied to a dispute with a former staff member.
Moore appeared in Washtenaw County court Friday with his wife, Kelli Moore, where attorneys confirmed a plea agreement had been reached. The deal allows the former coach to plead no contest to two misdemeanor offenses instead of proceeding to a hearing on more serious accusations.
As part of the agreement, Moore will plead no contest to malicious use of a telecommunications device in a domestic relationship and trespassing. Prosecutors dismissed the earlier charges, including felony third-degree home invasion along with misdemeanor allegations of st*lking and unlawful entry.
The case stems from a December 10 incident that occurred the same day Moore was dismissed from his position at the University of Michigan. University officials previously concluded he had engaged in an inappropriate relationship with a staff member, which investigators said lasted around two years.
According to police reports, Moore later went to the woman’s apartment after the relationship ended. The staff member told investigators he entered the residence and at one point picked up a butter knife while thr*atening to harm himself. Moore was arrested later that day and spent two nights in jail before being released on bond.
During the hearing, prosecutors explained that newly reviewed evidence changed how they viewed the case.
“After additional evidence has been presented, we do not believe there is sufficient proof to establish domestic violence,” First Assistant Prosecuting Attorney Kati Rezmierski told the court.
Moore confirmed he understood the legal consequences of a no contest plea, which results in a conviction without admitting guilt.
His attorney, Ellen Michaels, said the outcome supports the defense’s stance.
Moore left the courthouse without commenting. Sentencing is scheduled for April 14. The telecommunications charge carries a potential six-month jail sentence, while the trespassing count carries a maximum penalty of 30 days.
Ballet icon Misty Copeland details difficult recovery after major Hip surgery 'A journey of patience'
Misty Copeland has revealed the struggles she's faced after her major operation.
She shared a video on social media which showcased the retired dancer's healing journey
The combined clips displayed Misty taking small steps with a walker, getting her bandage taken off at the hospital, taking a stroll with a cane, doing floor stretches, partaking in physical therapy, and also getting to finally walk without any assistance.
She captioned the post: "Recovery, start to now. Since my hip replacement in December, it's been a journey of patience, small wins, and learning to trust my body again. From first steps with support to walking on my own, every phase has mattered."
Misty continued: "Healing isn't linear but it's built on consistency, support, and resilience. I'm so proud of how far I've come. I'm deeply grateful for the incredible outpouring of love, encouragement, and support that has carried me through every step of this journey. Her fans cheered her tremendous progress on and flocked to the comments."
One person wrote: "This is so lovely! And I love how you did self-care after your beautiful and incredible run of your wonderful career! I am watching your journey with joy and happiness and comfort to know how incredible of a person you are and again, the joy that you have brought to women of color and especially young little brown and black girls!!!!!!!!"
A second fan added: "No doubt you will be floating again in no time! Wishing you the best on your recovery. Hip and knee replacements today are INCREDIBLY successful and given your strength, you will be better than new!"
This wasn't the first time that the former ballerina has gotten candid about her difficult recovery.
On February 25, she shared a carousel on Instagram showcasing herself learning to walk again, hospital visits and relaxing in bed.
She captioned the post: "A few months ago, I stepped off the stage after my final bow with @abtofficial, closing one chapter and unknowingly preparing for the next. Not too long after that, I had hip replacement surgery."
Misty added: "Since then, I've been focused on healing — physically, mentally, and patiently. These were my first few days: learning to walk again, resting, and letting my body do the work. Recovery isn't glamorous, but every small step matters."
In October 2025, Misty made the decision to perform for the last time before taking a final bow and retiring at 43.
Moore appeared in Washtenaw County court Friday with his wife, Kelli Moore, where attorneys confirmed a plea agreement had been reached. The deal allows the former coach to plead no contest to two misdemeanor offenses instead of proceeding to a hearing on more serious accusations.
As part of the agreement, Moore will plead no contest to malicious use of a telecommunications device in a domestic relationship and trespassing. Prosecutors dismissed the earlier charges, including felony third-degree home invasion along with misdemeanor allegations of st*lking and unlawful entry.
The case stems from a December 10 incident that occurred the same day Moore was dismissed from his position at the University of Michigan. University officials previously concluded he had engaged in an inappropriate relationship with a staff member, which investigators said lasted around two years.
According to police reports, Moore later went to the woman’s apartment after the relationship ended. The staff member told investigators he entered the residence and at one point picked up a butter knife while thr*atening to harm himself. Moore was arrested later that day and spent two nights in jail before being released on bond.
During the hearing, prosecutors explained that newly reviewed evidence changed how they viewed the case.
“After additional evidence has been presented, we do not believe there is sufficient proof to establish domestic violence,” First Assistant Prosecuting Attorney Kati Rezmierski told the court.
Moore confirmed he understood the legal consequences of a no contest plea, which results in a conviction without admitting guilt.
His attorney, Ellen Michaels, said the outcome supports the defense’s stance.
Moore left the courthouse without commenting. Sentencing is scheduled for April 14. The telecommunications charge carries a potential six-month jail sentence, while the trespassing count carries a maximum penalty of 30 days.
Ballet icon Misty Copeland details difficult recovery after major Hip surgery 'A journey of patience'
Misty Copeland has revealed the struggles she's faced after her major operation.
She shared a video on social media which showcased the retired dancer's healing journey
The combined clips displayed Misty taking small steps with a walker, getting her bandage taken off at the hospital, taking a stroll with a cane, doing floor stretches, partaking in physical therapy, and also getting to finally walk without any assistance.
She captioned the post: "Recovery, start to now. Since my hip replacement in December, it's been a journey of patience, small wins, and learning to trust my body again. From first steps with support to walking on my own, every phase has mattered."
Misty continued: "Healing isn't linear but it's built on consistency, support, and resilience. I'm so proud of how far I've come. I'm deeply grateful for the incredible outpouring of love, encouragement, and support that has carried me through every step of this journey. Her fans cheered her tremendous progress on and flocked to the comments."
One person wrote: "This is so lovely! And I love how you did self-care after your beautiful and incredible run of your wonderful career! I am watching your journey with joy and happiness and comfort to know how incredible of a person you are and again, the joy that you have brought to women of color and especially young little brown and black girls!!!!!!!!"
A second fan added: "No doubt you will be floating again in no time! Wishing you the best on your recovery. Hip and knee replacements today are INCREDIBLY successful and given your strength, you will be better than new!"
This wasn't the first time that the former ballerina has gotten candid about her difficult recovery.
On February 25, she shared a carousel on Instagram showcasing herself learning to walk again, hospital visits and relaxing in bed.
She captioned the post: "A few months ago, I stepped off the stage after my final bow with @abtofficial, closing one chapter and unknowingly preparing for the next. Not too long after that, I had hip replacement surgery."
Misty added: "Since then, I've been focused on healing — physically, mentally, and patiently. These were my first few days: learning to walk again, resting, and letting my body do the work. Recovery isn't glamorous, but every small step matters."
In October 2025, Misty made the decision to perform for the last time before taking a final bow and retiring at 43.
Pixar Exec Pete Doctor Says They Cut 'Elio' LGBTQ Storyline Because It's a Movie 'Not Hundreds of Millions of Dollars of Therapy'
Pixar’s chief creative officerand director of films like Up, Inside Out, and Monsters, Inc., Pete Docter, has shared the real reason behind the removal of the LGBTQ storyline from the 2025 film Elio.
In a recent Pixar profile published by Wall Street Journal, the CCO said that the company didn’t want to expose younger viewers to subject matter their parents hadn’t discussed with them.
According to the outlet, Docter stated, “We’re making a movie, not hundreds of millions of dollars of therapy.”
The movie followed a young boy who turns to the stars in search of friends after being rejected by the kids his own age. It reportedly did not do well during test screenings, leading to a complete overhaul and the departure of the movie’s original director Adrian Molina.
America Ferrara was originally set to voice one of the lead characters, but dropped out, allegedly because Molina exited.
Here’s what The Hollywood Reporter previously said about the film’s story, based on what they heard from insiders: “Elio was initially portrayed as a queer-coded character, reflecting original director Adrian Molina’s identity as an openly gay filmmaker. Other sources say that Molina did not intend the film to be a coming out story, as the character is 11. But either way, this characterization gradually faded away throughout the production process as Elio became more masculine following feedback from leadership.”
Zoe Saldaña eventually took over America‘s role of Elio’s Aunt Olga.
When Madeline Sharafian and Domee Shi took over, they reportedly made significant changes, such as removing any indication that Elio might have been gay, including a scene that showed him with a pink bike and envisioning a life with his male crush.
During the same profile, Pixar leadership also announced planned sequels in development along with some original stories and their first-ever musical film.
In a recent Pixar profile published by Wall Street Journal, the CCO said that the company didn’t want to expose younger viewers to subject matter their parents hadn’t discussed with them.
According to the outlet, Docter stated, “We’re making a movie, not hundreds of millions of dollars of therapy.”
The movie followed a young boy who turns to the stars in search of friends after being rejected by the kids his own age. It reportedly did not do well during test screenings, leading to a complete overhaul and the departure of the movie’s original director Adrian Molina.
America Ferrara was originally set to voice one of the lead characters, but dropped out, allegedly because Molina exited.
Here’s what The Hollywood Reporter previously said about the film’s story, based on what they heard from insiders: “Elio was initially portrayed as a queer-coded character, reflecting original director Adrian Molina’s identity as an openly gay filmmaker. Other sources say that Molina did not intend the film to be a coming out story, as the character is 11. But either way, this characterization gradually faded away throughout the production process as Elio became more masculine following feedback from leadership.”
Zoe Saldaña eventually took over America‘s role of Elio’s Aunt Olga.
When Madeline Sharafian and Domee Shi took over, they reportedly made significant changes, such as removing any indication that Elio might have been gay, including a scene that showed him with a pink bike and envisioning a life with his male crush.
During the same profile, Pixar leadership also announced planned sequels in development along with some original stories and their first-ever musical film.
Dallas Cowboys QB Dak Prescott & Fiancée Sarah Jane Ramos Reportedly Split 1 Month Before Wedding
Dallas Cowboys quarterback Dak Prescott and fiancée Sarah Jane Ramos have split.
The couple were supposed to get married in about a month, but TMZ Sports is reporting that they have broken up ahead of their planned destination wedding in Italy.
According to the outlet, the pair were “rocky behind the scenes for months,” but their relationship finally ended after a significant argument unfolded during their bachelor and bachelorette parties in the Bahamas.
Sarah Jane is supposedly the one who called off the wedding.
Earlier in the week, TMZ said she shared a few photos from her bachelorette party on Instagram with the caption: “I truly believe you can get through anything in life as long as you have really great friends. I love these girls so much.”
She also shared a post about being excited to marry the “love of [her] life” at the end of February, but both posts have since been deleted.
Dallas Cowboys quarterback Dak Prescott and fiancée Sarah Jane Ramos have split.
The couple were supposed to get married in about a month, but TMZ Sports is reporting that they have broken up ahead of their planned destination wedding in Italy.
According to the outlet, the pair were “rocky behind the scenes for months,” but their relationship finally ended after a significant argument unfolded during their bachelor and bachelorette parties in the Bahamas.
Sarah Jane is supposedly the one who called off the wedding.
Earlier in the week, TMZ said she shared a few photos from her bachelorette party on Instagram with the caption: “I truly believe you can get through anything in life as long as you have really great friends. I love these girls so much.”
She also shared a post about being excited to marry the “love of [her] life” at the end of February, but both posts have since been deleted.
$2M bond for mom accused of killing Cleveland daughters found in suitcases
A Cleveland Municipal Court judge set bond at $2 million Friday morning for a 28-year-old woman accused of killing her two daughters and disposing of their bodies in suitcases.
Aliyah Henderson of Cleveland is charged with two counts of aggravated murder in connection with the deaths of her daughters, Amor Wilson, 10, and Mila Chatman, 8.
Henderson has no record of violence and no criminal history, but the judge who granted the bond said he was concerned about the safety of the community.
The case unfolded over several days this week. On Monday, a man walking his dog spotted a partially buried suitcase in a field near East 162nd Street and Midland Avenue. Authorities located a second suitcase nearby.
There was no indication of how long the bodies were in the field, and the cause of death was unknown.
On Wednesday, the Office of the Cuyahoga County Medical Examiner announced the girls were half-sisters. Later that day, police executed a warrant at a home in the 700 block of East 162nd Street, where Henderson was arrested and later booked into the Cuyahoga County Jail.
Cleveland police find bodies of two girls in suitcases on East SideMar. 4, 2026, 3:55 p.m.
Who were Amor and Mila? Vigil remembers Cleveland sisters found deadMar. 6, 2026, 6:57 p.m.
Another child, who was found unharmed inside the home, was placed in custody of the Department of Children & Family Services. Authorities did not confirm if the child was related to Henderson.
County spokeswoman Jennifer Ciaccia said the county could not offer any specific details related to the case and Henderson’s children.
“We are profoundly saddened by the deaths of these two young girls which is a tragedy for their families and our entire community,” she said. “Due to the active criminal investigation into these deaths as well as the confidentiality obligation of Ohio law, we are unable to disclose any further information at this time.”
Aliyah Henderson of Cleveland is charged with two counts of aggravated murder in connection with the deaths of her daughters, Amor Wilson, 10, and Mila Chatman, 8.
Henderson has no record of violence and no criminal history, but the judge who granted the bond said he was concerned about the safety of the community.
The case unfolded over several days this week. On Monday, a man walking his dog spotted a partially buried suitcase in a field near East 162nd Street and Midland Avenue. Authorities located a second suitcase nearby.
There was no indication of how long the bodies were in the field, and the cause of death was unknown.
On Wednesday, the Office of the Cuyahoga County Medical Examiner announced the girls were half-sisters. Later that day, police executed a warrant at a home in the 700 block of East 162nd Street, where Henderson was arrested and later booked into the Cuyahoga County Jail.
Cleveland police find bodies of two girls in suitcases on East SideMar. 4, 2026, 3:55 p.m.
Who were Amor and Mila? Vigil remembers Cleveland sisters found deadMar. 6, 2026, 6:57 p.m.
Another child, who was found unharmed inside the home, was placed in custody of the Department of Children & Family Services. Authorities did not confirm if the child was related to Henderson.
County spokeswoman Jennifer Ciaccia said the county could not offer any specific details related to the case and Henderson’s children.
“We are profoundly saddened by the deaths of these two young girls which is a tragedy for their families and our entire community,” she said. “Due to the active criminal investigation into these deaths as well as the confidentiality obligation of Ohio law, we are unable to disclose any further information at this time.”
White House Accused Of Blocking National Terror Bulletin On Iranian Threats
A heated dispute has emerged between the White House and the nation’s top intelligence agencies.
Reports have surfaced that the Trump administration is currently stopping the FBI, Homeland Security, and the National Counterterrorism Center from issuing a critical warning to local law enforcement about rising terror threats linked to the ongoing conflict with Iran.
The agencies were reportedly set to release a joint intelligence statement this past Friday. The goal was to alert state and local authorities to a heightened threat level on U.S. soil. However, a senior DHS official claims the White House stepped in at the last minute to put the brakes on the five-page report, titled ‘A Public Safety Awareness Report: Elevated threat in the United States during US-Iran conflict‘.
The document, which was intended for official use by police departments nationwide, reportedly details “elevated threats by the government of Iran to US military and government personnel and facilities, Jewish and Israeli institutions and their perceived supporters, and Iranian dissidents and other anti-regime activists in the United States.
The bulletin didn’t just focus on foreign agents; it also warned that “radicalized individuals with a variety of ideological backgrounds also may see this conflict or other geopolitical events as a justification for violence.”
While the White House hasn’t denied holding up the report, spokeswoman Abigail Jackson stated they are simply “coordinating closely with all government agencies to ensure information being disseminated is accurate, up to date, and has been properly vetted — even if that means taking additional time to review to ensure nothing is done in a vacuum.
But insiders at DHS aren’t buying that explanation. One official argued that the White House is now demanding to review any unclassified information concerning Iran before it hits the streets. The move is being viewed by some as an attempt to avoid admitting that foreign policy decisions are impacting safety at home.
“The White House is now inserting themselves. This can have a chilling effect on keeping state and local law enforcement informed about ongoing terrorist threats to the homeland posed by Iran,” the official said. “They don’t want anything getting out that says what they’re doing in Iran is raising the threat level at home.”
Usually, these types of briefings are sent out without political oversight to ensure they remain unbiased. As the official noted, “Intelligence products for law enforcement are supposed to be neutral, and fact based.”
This internal power struggle comes at a high-stakes moment for the Department of Homeland Security, arriving just one day after the firing of Secretary Kristi Noem.
With the administration tightening its grip on communications, many are concerned that the flow of vital safety information to local “boots on the ground” law enforcement is being compromised for political optics.
A heated dispute has emerged between the White House and the nation’s top intelligence agencies.
Reports have surfaced that the Trump administration is currently stopping the FBI, Homeland Security, and the National Counterterrorism Center from issuing a critical warning to local law enforcement about rising terror threats linked to the ongoing conflict with Iran.
The agencies were reportedly set to release a joint intelligence statement this past Friday. The goal was to alert state and local authorities to a heightened threat level on U.S. soil. However, a senior DHS official claims the White House stepped in at the last minute to put the brakes on the five-page report, titled ‘A Public Safety Awareness Report: Elevated threat in the United States during US-Iran conflict‘.
The document, which was intended for official use by police departments nationwide, reportedly details “elevated threats by the government of Iran to US military and government personnel and facilities, Jewish and Israeli institutions and their perceived supporters, and Iranian dissidents and other anti-regime activists in the United States.
The bulletin didn’t just focus on foreign agents; it also warned that “radicalized individuals with a variety of ideological backgrounds also may see this conflict or other geopolitical events as a justification for violence.”
While the White House hasn’t denied holding up the report, spokeswoman Abigail Jackson stated they are simply “coordinating closely with all government agencies to ensure information being disseminated is accurate, up to date, and has been properly vetted — even if that means taking additional time to review to ensure nothing is done in a vacuum.
But insiders at DHS aren’t buying that explanation. One official argued that the White House is now demanding to review any unclassified information concerning Iran before it hits the streets. The move is being viewed by some as an attempt to avoid admitting that foreign policy decisions are impacting safety at home.
“The White House is now inserting themselves. This can have a chilling effect on keeping state and local law enforcement informed about ongoing terrorist threats to the homeland posed by Iran,” the official said. “They don’t want anything getting out that says what they’re doing in Iran is raising the threat level at home.”
Usually, these types of briefings are sent out without political oversight to ensure they remain unbiased. As the official noted, “Intelligence products for law enforcement are supposed to be neutral, and fact based.”
This internal power struggle comes at a high-stakes moment for the Department of Homeland Security, arriving just one day after the firing of Secretary Kristi Noem.
With the administration tightening its grip on communications, many are concerned that the flow of vital safety information to local “boots on the ground” law enforcement is being compromised for political optics.
AND FINALLY FROM “THE CRAZY PEOPLE SHOPPING AT WALMART” FILES
Courtesy of P.O.Wm
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Geese Don’t Need Water When They Have a Walmart Parking Lot
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AND NOW Meet: Daddy Niven
It's! Niven, You can see more HERE
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HAVE A GREAT WEEK AHEAD ALL!!!
EFREM
