8/25/26

The Daily Buzz For Aug 26☕📰☕

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#RHOA: Pinky Cole Calls Out Claudia Jordan’s ‘Right Couch’ Pregnancy Tease
Pinky Cole is speaking out about Claudia Jordan's pregnancy tease ahead of the Real Housewives of Atlanta reunion. The Season 17 newcomer had hoped to keep her news private until the big reveal. Instead, Jordan's "right couch" clue sent RHOA fans into detective mode weeks before the reunion aired. Cole now says the hint bothered her, even though Jordan never named her.

Pinky Cole explains why Claudia Jordan's RHOA pregnancy tease bothered her before the reunion aired
During Kandi Burruss' Speak on It, Cole admitted Jordan's comment got under her skin. "She didn't [say my name], but it did bother me," Cole said. "And it bothered me because, girl, you just said 'the right couch.'"

Claudia Jordan made the original comment in June while discussing The Real Housewives of Atlanta. She said a pregnant cast member sat on the right side of Andy Cohen at the reunion.
That couch included Pinky, Shamea Morton, K. Michelle, and Kelli Potter. Cole said fans could use the "process of elimination" after considering what they already knew about the women.

Cole also understood why Shamea remained a possibility because her family-planning journey played out on the show. In fact, Shamea later revealed that her surrogate was pregnant as Season 17 ended with two baby announcements.
Still, the Claudia Jordan pregnancy tease frustrated Cole. She said she had deliberately kept a low profile because she wanted to enjoy the news privately.

"I love a good tease, but damn!" Cole said. She joked that Jordan could at least have suggested the mystery woman might sit on either couch.
Cole also wondered how Jordan learned the information. Rather than blaming a castmate, she suggested someone around the reunion set may have noticed her pregnancy and shared the news.
The mystery officially ended during Part 1 of the RHOA reunion. Cole confirmed that she and her husband, Derrick Hayes, are expecting their fourth child in December.
For Pinky Cole, however, the timing mattered. Her issue was not that Jordan named her. Instead, she felt the couch clue made her private news much easier to uncover.

#NewMusic from Coco Jones Releases New Single “Love Me Through”

GRAMMY® Award-winning R&B singer, songwriter, and actress Coco Jones has officially released her newest single, “Love Me Through,” via High Standardz/Def Jam Recordings. The track arrives alongside a deeply personal visualizer offering fans an exclusive look into a meaningful new chapter in her life.

“Love Me Through” pairs a catchy, magnetic melody with Jones’s signature ethereal vocals. The track captures the essence of unconditional love and the choice to embrace every side of a relationship, highlighted by the intimate lyrics: “Good, bad, and ugly / But he’s still gon’ love me.”

The accompanying visualizer brings this heartfelt sentiment to life, featuring exclusive footage from Jones’s recent wedding. The visual serves as a celebration of choosing a partner through every season of life, supplementing the inside look into her nuptials that she recently shared with VOGUE and through her YouTube mini-documentary series.

The new single continues to build out an exciting new creative era for Jones, defined by underlying themes of self-love, confidence, and vulnerability. “Love Me Through” arrives on the heels of her recently released singles, “Body So Tea” and “LUVAGIRL.”
The  music follows a monumental year for the artist. Earlier this year, Jones commanded one of the world’s largest stages, delivering a powerful and moving rendition of “Lift Every Voice and Sing” at the Super Bowl.

LISTEN HERE: 

Jones has firmly transcended “rising star” status to become a leading voice in contemporary R&B and a massive crossover cultural force. Her undeniable momentum stems from the massive success of her debut album, Why Not More?, which earned her an 8th career GRAMMY nomination. Upon its release in 2025, the project secured several major chart milestones:

She subsequently released the deluxe edition, WHY NOT MORE? (MORE!)—featuring the standout Alicia Keys collaboration “Other Side of Love”—and embarked on a completely sold-out tour across the US and Europe.
Beyond her  musical dominance, Jones continues to expand her impressive acting portfolio. Her current and upcoming onscreen endeavors include:
Starring in Malcolm D. Lee’s psychological thriller Strung (currently streaming on Peacock).
Returning as the beloved Hilary Banks in the fourth and final season of Peacock’s Bel-Air.
Starring in the highly anticipated upcoming romantic comedy That’s Her.
“Love Me Through” and its accompanying visualizer are available now across all major digital streaming platforms.

#HipHopNews: #RIP Legendary Hip Hop Collective Funky 4 Plus 1 More’s Keith Keith Passes Away At 64
Hip Hop has lost another member of its foundational generation.Keith Caesar, better known as Keith Keith of the legendary Bronx collective Funky 4 + 1, passed away Friday, Aug. 21, at the age of 64. According to his family, Caesar died from medical complications. He remained a lifelong Bronx resident and was living in the Frederick Douglass Houses in Morris Heights at the time of his passing. 

For younger Hip Hop fans who may not immediately recognize Keith Keith’s name, understanding Funky 4 + 1’s place in the culture puts his contribution into perspective.
Before rap albums went platinum, before music videos, major endorsement deals and stadium tours, Funky 4 + 1 was helping establish what a Hip Hop group could even look and sound like.

The pioneering crew included Keith Keith alongside Sha-Rock, K.K. Rockwell, Jazzy Jeff, Lil’ Rodney C, DJ Breakout and DJ Baron, with Rahiem also part of the group’s earlier lineup before joining Grandmaster Flash and the Furious Five. The group emerged from the Bronx during Hip Hop’s formative years and became one of the first crews to take the music from parks and neighborhood parties onto commercially released records. 

Keith Keith was there for one of the culture’s most important early recordings, “Rappin’ and Rocking the House,”released through Enjoy Records in 1979. The group later moved to Sylvia Robinson’s Sugar Hill Records and released its signature record, “That’s the Joint,” in 1980. Keith Caesar is among the credited writers on the song. 

But Funky 4 + 1’s biggest historical moment arrived on Valentine’s Day 1981.
On Feb. 14, the group appeared on Saturday Night Live at the invitation of Blondie frontwoman Debbie Harry, becoming the first Hip Hop group to perform on national television. With much of America still unfamiliar with rap music, Keith Keith and the crew performed “That’s the Joint” on one of television’s biggest stages. 

Think about what that meant at the time. Hip Hop wasn’t yet a billion-dollar industry. There was no Yo! MTV Raps, BET’s Rap City or internet capable of taking a Bronx freestyle around the world overnight. When Funky 4 + 1 stepped onto that SNL stage, they were introducing millions of Americans to a culture that was still largely being built block by block in New York City.

The group’s importance also extended to Sha-Rock, whose presence as one of Hip Hop’s earliest female MCs helped establish from the beginning that women weren’t visitors to this culture—they were among its architects.
“That’s the Joint” would continue traveling long after the group separated, eventually being sampled by artists including the Beastie Boys and De La Soul. In 2008, VH1 ranked the record among its 100 Greatest Hip Hop Songs. 
Born Feb. 15, 1962, Caesar grew up with four siblings and is survived by his brother Kevin Caesar, known as Caesar the Poet. 

As Hip Hop’s pioneering generation continues to age, preserving these names becomes even more important. Keith Keith and Funky 4 + 1 were doing this before anybody knew how far Hip Hop could go.

They didn’t inherit the culture.They helped build it. We send our condolences to the Caesar family, the Funky 4 + 1 family and everyone who knew and loved one of the Bronx’s original microphone pioneers.

Rest In Peace Keith “Keith Keith” Caesar.

#RIPDollyParton, Country Music Legend, Dies at 80

Legendary singer-songwriter Dolly Parton has died at age 80. Parton shared an update on her health on Friday, Aug. 21, acknowledging her recent decline after the March 2025 death of her husband, Carl Dean.

"As I've shared in video messages throughout the past year, I am dealing with some health issues that I just didn't pay attention to when I was watching over Carl. You know, this isn't the first time I've had to manage something like this. Back in the early '80s, I was down for several months with female issues, and I was struggling with my weight at the time too, so it's not like I haven't been through hard times with my health," Parton told PEOPLE.

She added: "But I think because we live in a 24/7 world with social media, everything gets magnified in ways it wasn't years ago. I used to joke that I was the Queen of the Tabloids, but now I guess I can say I'm the Queen of Social Media AI! Seriously, though, even though I'm still healin', I'm still workin'! You know me — as I've often said — I've dreamed myself into a corner and I still have so many things I want to achieve, so I'm gonna keep on working as long as I can to see everything come to life."

With a distinguished career that lasted decades, Parton is the best-selling female country music artist of all time, having sold more than 160 million albums worldwide. Her debut album was 1967's Hello, I'm Dolly, and she went on to release a slew of hits, including "I Will Always Love You," "9 to 5" and "Jolene."

Parton was born in Pittman Center, Tenn., in 1946. She had 11 siblings, and the family was poor. "We never actually starved, but sometimes we never had quite enough to eat," she told PEOPLE in 1977. At age 6, she began playing her first guitar and singing in her grandfather's church. She started writing songs a year later.
Though she was known for her glamor as an adult, she told PEOPLE in 2003 that growing up, "I had freckles and a gap in my teeth. Everything was homemade or hand-me-downs. . . . I always wanted to be prettier. I got to fixin' myself up. I wanted my clothes tight, my makeup bright, my nails long, my lips red. I got into it." Over her career, she received considerable attention for her dramatic appearance, but she was always the first one to make a joke of it.

After her high school graduation, she moved to Nashville in 1964. She played in clubs and wrote songs for other artists. She told PEOPLE in 2012, "My songs got me out of the mountains and took me everywhere I've wanted to go." Her big break came when country star Porter Wagoner hired her to be his sidekick on The Porter Wagoner Show. He helped her land a record deal, but her early successes were all duets with her costar.

"I'll always be a country musician because I'm a country girl," she told PEOPLE in 1975. "My style is my soul and my feelings. I'll tell the world in my songs what I wouldn't have told my mother."
In 1971, she had her first country No. 1 with "Joshua." "Coat of Many Colors," released the same year, reached No. 4. Then in 1973, she released "Jolene," which was a country No. 1 and also charted on Billboard's Hot 100.

Parton stopped appearing on the TV show in 1974, and she wrote "I Will Always Love You" as a goodbye to her creative partner, Wagoner. "When I got ready to go, it was not a good scene. So I went home and that song just came to me. The next morning I said, 'This is how I feel.' Tears were rolling down his face," she told PEOPLE in 2012.

The song topped the country chart twice, but it became a megahit when Whitney Houston recorded it for the 1992 film The Bodyguard. She told PEOPLE in 2015 about the first time she heard Houston's version of the song on the radio. "It was a worldwide thing. It was in a movie; it was No. 1. I thought, 'Wow. I wrote that little song,' " she said. "That's when I felt my worth as a songwriter. I thought, 'This is my gift, and I'm going to do the best I can with it.' "
Parton continued to enjoy success with hits like "Light of a Clear Blue Morning," "Here You Come Again," "Two Doors Down," "It's All Wrong, But It's All Right" and "You're the Only One."

By the end of the '70s, Parton's ambitions reached beyond Nashville; some worried she was leaving country music behind. She said in 1977, "I want people to know there is a lot more to me — good or bad — than they've seen so far. All I'm askin' is a chance to prove it. . . . . I'm not leavin' Nashville. Roots are important to me, and my roots are here."
Parton's movie career began in 1980 when she starred in 9 to 5 with Lily Tomlin and Jane Fonda. Her theme song for the movie became her first No. 1 single on the Hot 100. The costars became lifelong friends, and Parton later made a guest appearance on their Netflix TV series Grace and Frankie.

In 1982, she played a madam in The Best Little Whorehouse in Texas alongside Burt Reynolds. "I make a better whore than a secretary," she told PEOPLE in 1982. Parton also starred in 1984's Rhinestone with Sylvester Stallone, 1989's Steel Magnolias and 2012's Joyful Noise.
In 1987, Parton released the critically acclaimed album Trio with Linda Ronstadt and Emmylou Harris. She told PEOPLE in 2003 that they "were like sisters," explaining, "We didn't always agree, but we had a great sound. Our first Trio album was one of the greatest pieces of music I've ever been involved in."

During her career, Parton won an Emmy, 11 Grammy awards, 10 Country Music Association awards, seven Academy of Country Music awards, three American Music awards and earned two Academy Award nominations, as well as an honorary Oscar. She was one of only seven female artists to win the Country Music Association's Entertainer of the Year award.
The music icon was also inducted into the Country Music Hall of Fame in 1999. During the memorable ceremony, she performed her hit song "Coat of Many Colors." Parton's close friend and "Islands in the Stream" duet partner Kenny Rogers presided over her induction.

Parton's vibrant life was adapted into a musical titled Dolly: A True Original Musical that premiered in Nashville in July 2025 with plans of transferring to Broadway in 2026.
"I wanted to see it done while I'm still around, to be able to oversee it and make sure that it's done properly in a way that I would want to see it, rather than to wait till I'm gone and let somebody else decide how they think it should be done," she said in a press conference announcing the show's premiere.
She also wrote the score for the Broadway adaptation of 9 to 5, for which she received a Tony nomination. In 2005 she received the National Medal of Arts, and in 2006 she received Kennedy Center Honors. In November 2022, she was inducted into the Rock and Roll Hall of Fame.

Parton frequently collaborated with younger artists, including Beyoncé and Sabrina Carpenter. She was also the godmother of Miley Cyrus. For the singer who once said, "Don't get so busy making a living that you forget to make a life," maintaining her personal life was very important.
"I've told her some things that I think are valuable and that she uses, but I'd rather live [as] an example," Parton told PEOPLE of her relationship with Cyrus. "[I'd rather] be an example rather than just try to tell somebody to do this, do that because I don't think that's right. Everybody's different."

She owned the Dollywood amusement park located in the Great Smoky Mountains of Tennessee. She was also heavily involved in philanthropy, most notably her Imagination Library, which mails one book a month to children from birth until kindergarten. She was inspired in part by her father, who never learned to read or write.
Parton married Carl Thomas Dean in May 1966. Dean opted to stay out of the spotlight but encouraged his wife. "He's always supporting me as long as I don't try to drag him in on it," Parton told PEOPLE. "He's always been my biggest fan behind the scenes, but he's at home. I don't think they're probably showing much of this on TV, and if they do, he might see it."

"I always joke and laugh when people ask me what's the key to my long marriage and lasting love," Parton told PEOPLE in 2018. "I always say 'Stay gone!' and there's a lot of truth to that. I travel a lot, but we really enjoy each other when we're together and the little things we do."
Dean died on March 3, 2025. Parton announced his death on Instagram writing, "Carl and I spent many wonderful years together. Words can't do justice to the love we shared for over 60 years."
Days after his death, Parton paid tribute to her late husband with a song titled "If You Hadn't Been There."

"Carl and I fell in love when I was 18 and he was 23, and like all great love stories, they never end," she wrote on Instagram announcing the song alongside a rare throwback photo of the couple.
Parton reflected on their love story and her grief in a November 2025 PEOPLE cover story.
"Ours is a great old love story. Most people don't stay that close that long," Parton said of Dean at the time. "That's a loss. Nobody can ever know that unless you've experienced it yourself. He will always be in my heart and in my memories."

Parton was set to return to Las Vegas in December 2025 for a residency at The Colosseum at Caesars Palace — her first extended run in the city in more than 30 years — but in September of that year, she announced that the dates had been postponed due to "health challenges."
"As many of you know, I've been dealing with some health challenges, and my doctors tell me that I must have a few procedures. As I joked with them, it must be time for my 100,000 check-up, although it's not the usual trip to see my plastic surgeon!," she said in a statement shared to Instagram. "In all seriousness, given this, I am not going to be able to rehearse and put together the show that I want you to see, and the show that you deserve to see. You pay good money to see me perform, and I want to be at my best for you.
Despite the setback, Parton reassured her fans at the time writing, "And don't worry about me quittin' the business because God hasn't said anything about stopping yet. But, I believe He is telling me to slow down right now so I can be ready for more big adventures with all of you."

She later canceled the residency in May 2026, saying in an Instagram video that she was "responding really well to meds and treatments" and "improving every day."

Years prior, Parton told PEOPLE that even after decades in the industry there were still dreams she had left to fulfill.
"I just hope I live long enough to do more things," she said. "That's the only thing that worries me, that I may run out of time before I see so many of my dreams come true. I wake up with new dreams all the time. But I put them in a place where they can continue, even after I'm gone."

In a November 2025 cover story, Parton opened up to PEOPLE about her then-upcoming 80th birthday.
"People say, 'Well, you're going to be 80 years old.' Well, so what? Look at all I've done in 80 years. I feel like I'm just getting started," she says. "I know that sounds stupid, but unless my health gives way, which right now I seem to be doing fine . . . I think there's a lot to be said about age. If you allow yourself to get old, you will. I say, 'I ain't got time to get old!' I ain't got time to dwell on that. That's not what I'm thinking about."

She also reflected on her impact and intentions in the industry. "I'm at that point in my life where I just want to be able to do good things that can be carried on. I'm proud of my legacy so far, and I hope to just continue to do things that might be of use to other people," Parton told PEOPLE at the time.
"You know, I have just been going so fast my whole life," Parton added in the same interview. "And I just start thinking, 'How in the world did I even have a life? How did I even get it done?' I really realized when I was putting this book together just how much I had sacrificed in my life. I never had children, so at least I didn't have a guilty feeling. I'm thankful that I got to see my dreams come true."

Master P Responds to Backlash Over Slavery Comments: ‘You Can’t Twist the Truth’
Master P is responding to criticism over his recent comments about slavery, saying his message about moving forward and closing the racial wealth gap is being misrepresented.
The No Limit Records founder faced backlash after a clip from an interview with Forbes circulated across social media on Friday. In the clip, Master P argued that Black Americans shouldn't continue "going back to" or "harping on" slavery, suggesting that constantly focusing on the past can contribute to what he described as a "negative mindset."

Master P says he doesn’t harp on slavery while opening up about trying to get the negative mindset out of the culture, as he addresses Black people who are still harping on slavery and says he can’t change the past, but he can change the future.
As the remarks spread across social media, some viewers accused the New Orleans mogul of minimizing the lasting effects of slavery and systemic racism.

Master P has now pushed back against that interpretation.
"For the ones in the back that can't hear," he said in a response video. "Stop making them false narratives. I love my people."
He then clarified that his larger point wasn't about ignoring history, but instead focusing on what can be done to improve the future.
"That's what I mean about we can't change the past but we can change the future by bridging the wealth gap," he continued. "That's what Master P said, you can't twist the truth."
Master P responds to recent backlash he received‼️🧐
“I love my people, and when you talk about slavery, our ancestors have been through so much. We are not going to forget them and will keep bringing awareness, but we have to bridge the wealth gap.”

P also shared his response on Instagram and reposted the original Forbes interview clip with another message emphasizing business and personal responsibility.
"You got to have integrity, do good business…and doors will open," he wrote.
During the original interview, Master P similarly argued that integrity and strong business practices can create opportunities.
"You just gotta have integrity and do good business, and these doors will open up," he said.

His comments quickly sparked debate, particularly over whether acknowledging the continuing effects of slavery and discrimination should be considered dwelling on the past.
"He can't hear and refuses to understand that the only way to bridge the wealth gap is through reparations; that's why US Slavery, Jim Crow, legal segregation, and the government's role in those practices and policies are always part of the conversation," one X user wrote.
Another critic offered a more concise response: "Remembering is not harping tho smh Black celebrities are trippy."

He can't hear and refuses to understand that the only way to bridge the wealth gap is through reparations; that's why US Slavery, Jim Crow, legal segregation, and the government's role in those practices and policies are always part of the conversation.  No one wants to harp on Show more
Master P's perspective is rooted in a success story he's frequently discussed throughout his career. After growing up in New Orleans' Calliope Projects, he transformed No Limit Records into a music empire before expanding into numerous businesses and philanthropic efforts.

The rapper and entrepreneur has frequently encouraged financial literacy, ownership and entrepreneurship within the Black community, themes that appear to be at the center of his latest remarks.

Dr. Dre’s Stance on A.I. Draws Criticism: “It’s a new tool”

The superproducer says creative people should embrace the controversial technology.
Dr. Dre offered his take on the emergence of A.I. and the controversy surrounding the technology. In an interview with The New York Times, the legendary producer blasted critics of artificial intelligence, saying that he feels the truly creative will simply see it as a tool.

“I think the only people that see it as a threat are the people who have trouble creating,” Dr. Dre said in the interview, which was alongside Jimmy Iovine. 
Young Guru, Hip-Hop’s Tech-Forward Innovator, Shares His Concerns with AI

“I had a discussion with a few people a few days ago,” Dre said. “They were against A.I. and I’m like, ‘OK, you sound like the person that would have been against the drum machine when it came out.’ Or synthesizers, right? It’s a new tool for creativity. Some people are afraid of learning new things.”

Dre revealed that he’s using A.I. tech in music.
 “[It’s] a tool to see what it would do with what I just did.” Iovine added, “So is Timbaland — another brilliant producer. By the way, there’s a lot of closet AI producers out there.”
Dre’s words echo similar sentiments from producers like Timbaland and Rick Rubin. But many blasted the hitmaker for supporting A.I. 
“It’s the exact same script,” wrote Audiomack co-founder Brian “Z” Zisook on X. “They’re all reading from the EXACT SAME SCRIPT.” 
And Dre’s fellow West Coast superproducer DJ Quik had the opposite take. In an interview with The Shade Room, Quik criticized the use of A.I. to make music. 
“It’s a total violation of culture. It’s appropriation,” Quik said. “You can’t recreate somebody that’s still here doing what they do.”

Enes Kanter Freedom Turns WNBA Trans Debate Into Courtside Showdown
Enes Kanter Freedom’s removal adds fresh fuel to the WNBA fight over gender rules, free speech and player politics.
Enes Kanter Freedom got kicked out of a WNBA game Sunday after a courtside dispute turned his shirt into the league’s newest political flashpoint.
The former NBA center sat courtside in black, with his shirt reading, “WOMAN. Noun. Adult human female.”
Natasha Cloud walked toward Freedom after a late-third-quarter basket like she was ready to scrap, while video showed him rise, open his arms and step onto the floor.

Security and Sky players separated them before Freedom was escorted out of Wintrust Arena, according to the Associated Press’s account of the game.
Freedom told OutKick he believed security targeted him because of his message: “I told her, ‘First of all, please don’t touch me because I didn’t do anything wrong. I can get myself out of the game,’” he said. “And the second, I was like, ‘Do you guys realize that you guys are only kicking me out of this game because I support women and I try to protect women?’”

No transgender woman is known to have played in the WNBA, yet Freedom had already challenged its rules by declaring for the 2027 draft.
The dispute had already spread well beyond policy language after Indiana guard Sophie Cunningham said transgender women should not compete in women’s sports.
Rapper Boosie then pushed Hip-Hop directly into the argument after AllHipHop documented the growing fight.
“PLEASE KEEP THEM JUWANNA MANS OUT THE WNBA‼️U WAS MADE A MAN TO PLAY AGAINST ONE 💯GO TRY OUT FOR THE NBA N MATCH UP AGAINST WEMBY‼️AT THIS POINT YALL R HATING ON WOMENS SPORTS‼️”

That rhetoric is colliding with the WNBA’s larger culture war over race, sexuality and politics around Caitlin Clark, Angel Reese and other stars. Earlier this month, WNBA security told fans in Atlanta to cover shirts carrying both pro-transgender and anti-transgender messages before the league reversed course.
“The WNBA is aware of interactions at (Sunday) night’s game in Atlanta in which fans were asked by league security to cover their shirts. This should not have happened.”

Cloud answered the latest confrontation by posting support for transgender people, while Sky coach Tyler Marsh defended her as someone who protects teammates and others.
Marsh told reporters, “If you come to a game you should probably come to enjoy the basketball,” adding that WNBA players had earned that focus.

Washington Post Ordered to Rehire Columnist Karen Attiah

Karen Attiah, a longtime columnist for The Washington Post and the lone Black staffer for the publication’s opinion desk, was fired after social media posts regarding Charlie Kirk. A private arbitrator examined the matter and found that the Post had no grounds to fire Karen Attiah and has been ordered to reinstate not only her former position but lost back pay and benefits.

As reported by the Associated Press, an arbitrator determined that Karen Attiah’s firing from the Post over her posts on the Bluesky social media platform were not grounds for her to lose her role at the paper.
In last Thursday’s ruling, it was added that along with the Post not having due cause to fire Attiah, they most also restore her lost wages and benefits.

Attiah was among many public and private figures who reacted to Kirk’s September 2025 slaying at Utah Valley University. Kirk, 31, had become a right-wing firebrand known for putting forth messages promoting Christian values, family, and turning a critical eye at Black and other minorities with reportedly divisive and contradictory messaging.

Via Bluesky, Attiah mused on the reaction to Kirk’s death from targets of his frequent critiques that many in right-wing and conservative media found offensive and tasteless considering the manner in how Kirk died.
Attiah has not made a full public statement but did take to social media to celebrate the news and promised to expound on the findings. After she was fired by the Post on September 11 for gross misconduct, Attiah launched an independent column dedicated to her work as a writer and thought leader.

Read Karen Attiah’s latest Substack column regarding The Washington Post row here https://karenattiah.substack.com/p/the-washington-post-fired-me-i-foughtand

Serayah Ends Engagement with Joey Bada$$, Accuses Him of ‘Repeated Infidelity’
Serayah has announced that she and fiancé Joey Bada$$ have broken up.
On Monday (August 24), the 31-year-old singer and Empire actress revealed that she has broken off her engagement to the 31-year-old rapper, whose real name is Jo-Vaughn Virginie Scott, alleging instances of “repeated infidelity” led to their split.

“There comes a point in a woman’s life when choosing herself is no longer an option, it becomes necessary,” Serayah began in a statement on Instagram. “After much thought, I have made the difficult decision to end my engagement and relationship with the father of my child, Joey.”

“I loved deeply, believed wholeheartedly in the life we were building, and wanted nothing more than to protect our family,” she continued. “Unfortunately, I also had to face a painful truth: there had been repeated infidelity throughout our relationship, including during some of the most vulnerable and meaningful moments of my life. I share this not for sympathy, retaliation, or to publicly tear anyone down. I share it because too many women are taught to question themselves before they question what is happening right in front of them.”

Serayah and Joey first met in 2021 at a mutual friend’s birthday party. They began dating in 2022 and got engaged in July 2025, about a month after they welcomed their son.

Also in her message, Serayah shared some words of inspiration with others who may going through a similar situation.
“If your intuition is telling you something is wrong, listen to it,” she wrote. Don’t make yourself smaller to keep someone else comfortable. Don’t compromise your values because you’re afraid of losing the future you imagined. And don’t allow someone else’s choices to become a referendum on your worth.”

“Love should not require you to abandon yourself,” Serayah added. “I will always respect the fact that we share a beautiful son, and my priority will be protecting his peace, privacy and relationship with both of his parents. For that reason, I won’t be discussing the intimate details of our relationship publicly beyond what I have shared here.”
Serayah concluded her message with, “This chapter did not end the way I prayed it would. But endings can also be beginnings.”

Mary Mary’s Tina Campbell Says She Earns Less Than $5K A Month While Expenses Total Nearly $12K Amid Divorce

Mary Mary singer Tina Campbell says she brings in just under $5,000 a month — while reporting nearly $12,000 in monthly expenses — as her divorce from estranged husband Teddy Campbell moves forward.
According to court documents obtained by TMZ, the 52-year-old gospel singer reported working about 20 hours per week and earning approximately $4,976 per month. Her reported monthly expenses total $11,933, including $4,100 for rent, $1,800 for groceries, $2,200 for utilities and $1,308 in auto-related expenses. She also listed $400 in charitable contributions, among other costs.

Tina reportedly listed Teddy’s monthly income at approximately $7,500 from his work as a drummer. Teddy filed for divorce in April after nearly three decades together, though Tina listed their date of separation as August 2024. The pair married in August 2000.
As part of the divorce proceedings, Tina has asked the court to terminate Teddy’s ability to receive spousal support. She is also seeking legal and physical custody of their two children, with Teddy receiving visitation.

#HISTORIC: New Padres owners José E. Feliciano and Kwanza Jones vow to pursue San Diego's first championship
New San Diego Padres owners José E. Feliciano and Kwanza Jones entered their introductory news conference Monday to the rhythm of an upbeat song about the team written and performed by Jones herself, a professional singer.
That might be a baseball first, but Feliciano and Jones are much more focused on accomplishing another historic first — a championship for a team that has never won it all.

"We need to win a World Series," Feliciano said. "It's that simple, and that's what we're going to do."
Feliciano and Jones, who are married, exuded energy and excitement in their first public appearance since securing their purchase of controlling ownership in the Padres earlier this month at an MLB-record valuation of $3.9 billion. Feliciano is a private equity billionaire whose investment firm owns English soccer club Chelsea, but the Padres are his team alongside Jones, his partner in business, philanthropy and life.

Jones said the couple will throw all of its considerable passion into consistent success for the Padres, but also into the improvement of life for people and communities across San Diego and in nearby Baja California.
"José and I have built a life on understanding (how to work) together, and we are all in," Jones said. "It's not lip service. We take it as a baseline that in everything we do, we're all in. We're absolutely committed to this organization, and we are absolutely overjoyed. If you heard (the lyrics in the song), we're gonna win. We're gonna win it all! We hope it's sooner rather than later."

Feliciano and Jones are taking over the Padres during the most successful stretch in the history of a franchise that has never won it all. General manager A.J. Preller's teams have made the playoffs four times in the past six seasons, and the current group has streaked into playoff position again by winning 21 of its last 28 games.

The new owners praised the lively fan base that packs Petco Park for every home game, and they paid tribute to former owner Peter Seidler, whose aggressive pursuit of winning is still energizing San Diego even after his death in 2023.
"We want to continue that legacy that Peter left — to dream big, to do the impossible, right?" Feliciano said. "The impossible becomes possible when somebody does it, so let's do it. ... We are taking on this legacy at a great time, but I think there's always more that you can do. You can always leave the world a slightly better place than you found it. That's our aim."

The new owners also are aware of the obstacles to building a contender in a division and a sport currently dominated by the back-to-back champion Los Angeles Dodgers and their seemingly bottomless budget. Dodgers owner Mark Walter joined Feliciano's company in its purchase of Chelsea in 2022.
San Diego is considered a smaller market in the majors despite a local population topping 3 million, and the Padres are currently without a local media-rights deal.

Feliciano indicated his support for CEO Erik Greupner and Preller, who has long used his top prospects as currency to acquire veterans for immediate success. Feliciano also didn't say whether he wanted to emulate Seidler's ultra-aggressive spending, which has left San Diego with several veterans locked into massive long-term contracts.
"We have been blessed with a team in a city that is supporting us in a way that is allowing us to invest back in that team, in the stadium and in the city," Feliciano said. "And we're committed to doing that. We are going to live within our means, and that could mean different things in different years. But again, we want to win, and we're going to continue supporting that goal in many different ways, and that means at some moments we're going to be aggressive, but we're always going to do it with the long-term health of the team in mind."

The new owners later took the field at Petco Park during batting practice before the Padres hosted the Pittsburgh Pirates — an appropriate opponent for lifelong baseball fan Feliciano, who chose No. 21 for his new Padres jersey in honor of Roberto Clemente, a personal hero and fellow Puerto Rican.

"The Padres are one of the pillars of this city and this community," Feliciano said. "We're looking forward to engaging in many ways."
Jones spoke extensively about her desire to make the Padres even more important to the greater San Diego community. She also said her song was partly inspired by Fernando Tatis Jr.'s sensational, grand slam-denying catch against the Mets last week.

She asked Feliciano to provide backing vocals, but he declined.
"My only musical talent is my name," said a grinning Feliciano, who uses his middle initial to distinguish himself from the famous Puerto Rican singer.

49ers Owner Jed York Arrested in Ohio Prostitution Bust, Pleads No Contest
San Francisco 49ers majority owner Jed York was arrested Sunday morning in East Palestine, Ohio as part of a prostitution operation, then appeared in court the following day and walked out with a no-contest plea, a one-day sentence, and $1,150 in fines.
York, whose legal name is John Edward York, was taken into custody at approximately 9:35 a.m. ET at the Wheat Hill Mobile Home Community off state Route 170, according to KRON4. The Mahoning Valley Human Trafficking Task Force led the operation, with the East Palestine Police Department assisting.

After the arrest, York was booked into Columbiana County Jail and posted a $5,000 bond. A mugshot was released through the Columbiana County Sheriff's Office.
San Francisco 49ers owner Jed York pleaded no contest to criminal charges after being arrested on suspicion of engaging in prostitution in Ohio over the weekend, according to court documents.

The State of Ohio amended the one count of engaging in prostitution to a disorderly Show more
He ultimately faced two misdemeanors: disorderly conduct and possessing criminal tools. A judge sentenced him to one day in jail on each count, to be served concurrently, with credit for time already served, per the New York Post.

York was ordered to pay $150 for the disorderly conduct charge and $1,000 for possessing criminal tools. A court transaction statement confirmed both fines had been paid. The court also ordered $160 seized during the case forfeited to the Mahoning Valley Human Trafficking Task Force and directed that York's cell phone be returned to him, per TMZ.
York, 46, grew up in Youngstown, Ohio, about 30 miles north of East Palestine, and graduated from Cardinal Mooney High School there. He was named CEO of the 49ers in 2008 and became the franchise's principal owner in 2024 after acquiring enough shares from his mother. He is also a co-owner of Leeds United.

Kids TV Star Raquel Lee Bolleau Sues Disney, Alleges She Was Raped by Employee at Age 14
Raquel Lee Bolleau is suing Disney.The former child star, who worked on productions including Malcolm & Eddie, The Amanda Show, andThe Proud Family, is suing Disney for alleged sexual assault and rape by an adult employee when she was filming 2001’s The Poof Point at age 14.
The lawsuit alleges that Disney put her in close contact with the alleged assaulter repeatedly, and told her to “bond” with him amid filming back in 2001 in Utah, per documents obtained by TMZ.

The lawsuit alleges that the unnamed man gave Raquel alcohol in his hotel room, insisted she return alone after getting drunk, and then raped and sexually assaulted her. She also claims that crew members saw her showing up to set throughout production sick, vomiting and smelling like alcohol, but did not intervene.
Raquel claims he also assaulted her in first class on a flight back to California while she flew without her guardian.
He also allegedly “regularly whispered sexually explicit and harassing comments” into her ear while on set and “used hugs to get close to her,” per THR, and that the alleged harassment was done “in plain view of the cast and crew and could be heard by the sound technicians managing the cast’s microphones.”

She also says in the suit that Disney executives blamed her, and that one called her “out of control.” She also alleges an exec told her mom that she had “a demon inside her.”
She also says that “Disney threatened to, and did, cancel” her role in an upcoming production as well.
Raquel claims she’s endured years of emotional and psychological harm, and is suing Disney for negligence. She is asking for unspecified damages.

Disney declined to comment, while her lawyer Doug Wigdor and his colleague Jane Kim said to THR: “Over the last decade, countless child actors have come forward to bravely share their experiences of abuse by adults in entertainment. As former government prosecutors, our message to the entertainment industry is simple: This conduct is inexcusable, and those involved — directly or indirectly — must be held accountable.”
She notably appeared in 2024’s Quiet on Set: The Dark Side of Kids TV as well, in which she reflected on being a Black performer on The Amanda Show. She then spoke out on TikTok about the docuseries experience, claiming the producers of the documentary didn’t invite her to a discussion afterward.

“This industry has done nothing but hurt me left and right from since I was a child…I don’t care to be on nobody’s set…I can’t do it anymore. I’ve given it all I can…I’m gonna get back to my family, my businesses, that’s what I’m focused on. Because this industry…y’all can have it,” she said.

Target Says It Is Deeply Sorry After Pulling a Kids Halloween Costume That Was Blackface
Target apologized Monday and pulled a children’s Halloween costume that was blackface, plain and simple.
The product was listed as the “Kids’ Glows Under Blacklight Circus Clown Halloween Costume Bodysuit,” sold for $25 through Target’s Hyde & EEK! Boutique collection. It featured a black hood with a large exaggerated smile printed across it, paired with orange and black striped pants, a small hat, and black gloves. That is the visual language of minstrelsy, the blackened face and the oversized grinning mouth that white performers used to caricature Black people for more than a century.
Shoppers started circulating screenshots over the weekend. By Sunday, the product page was gone and Target’s site returned a message saying it was currently unavailable. The apology came Monday.
The company posted the statement to its corporate site and its own news account. Target said it got this wrong as a company and is deeply sorry, that the costume is offensive and should never have been part of its assortment, and that it is no longer for sale. It also said it knows this is especially hurtful for its Black guests, team members, and partners, and that removing the costume is a first step while the company looks at how this happened and what needs to change.

Give them this much: the statement names who was hurt. A lot of corporate apologies do not.
But the question the apology does not answer is the one people are actually asking. This was not a listing someone typed up in five minutes. It was designed, manufactured, photographed, written up, priced, and merchandised into a seasonal collection. It had promotional images shot for it. Every one of those steps involved a person, and none of them stopped it.
There is no evidence anyone at Target set out to make a racist product. That is somehow the worse version. It means the imagery moved through an entire retail pipeline without registering as a problem to a single person along the way.
And that is exactly the point Black shoppers made when they walked away from this company.
Black consumers boycotted Target after it rolled back its diversity, equity, and inclusion commitments following Trump’s return to the White House. The argument then was that DEI was not a press release, it was infrastructure. It meant people in the building whose job included looking at a product before it shipped and saying this is a problem.
Target dismantled that, and this is what came through the gap. A costume like this does not survive a room with people in it who recognize minstrel imagery on sight. It got to the website because nobody in the process was positioned to stop it, and the company had already made clear that being positioned to stop it was no longer a priority.

The boycott worked, at least on the balance sheet. Executives publicly acknowledged that customer traffic and sales came under pressure. Earlier this year Target announced it was cutting roughly 500 positions across distribution centers and regional offices. Before all of this, the company had already taken criticism over its handling of its 2023 Pride Collection.
So here is where Target stands. It cut the function designed to catch things like this, lost the customers who warned them what would happen, spent a year and a half trying to win them back, and then put a minstrel costume on its website for children.
Target says it is looking closely at how this happened. Everybody already knows how it happened.

AND FINALLY FROM “THE CRAZY PEOPLE SHOPPING AT WALMART” FILES
Thief Impersonating a Walmart employee
Instead of jail time they should force him to work at Walmart for however many years he would have been incarcerated as a punishment 😂

AND NOW Meet: Jonathan  
It's Jonathan! You can see more HERE
 
DISCLAIMER: WE DO NOT OWN any images posted on this blog. All images are found online or submitted.
 
Enjoy!

HAVE A GREAT DAY ALL!!!
EFREM

8/24/26

The Daily Buzz For Aug 25☕📰☕

FOLLOW US ON BLUESKY!

#MAGFAB: Charles Melton for GQ Korea - September 2026
Hot!

#RHOA: K. Michelle Trashes ‘Lying’ Shamea Morton and Threatens to Spill Dirt
K. Michelle took her feud with Shamea Morton beyond the RHOA reunion and issued a sharp warning. The singer accused Shamea of lying and hinted that she held damaging information.
Their friendship had already fallen apart before cameras captured the fallout on Real Housewives of Atlanta. However, K. Michelle Shamea feud took another turn after Shamea accused her of attempted violence.

K. Michelle fires a direct warning at Shamea Morton to stop pushing her after their off-camera feud
K. Michelle addressed their off-camera confrontation in a video shared by @theneighborhoodtalk. She recalled challenging Shamea about information they had previously discussed.
"[I told Shamea], 'I know what you told me,' and she's like, 'No, no, no, no,'" Michelle recalled. She admitted she had consumed "one cup of Jack Daniels" before their heated exchange.

Michelle said anger quickly took over during their argument. "You're a little lying something, like you would do anything to people," she said.
She continued, "You make up stuff. You forget what you said." Michelle also accused Shamea of apologizing only after causing damage. The RHOA star then suggested she could expose information about her former friend. "Because, honey, I can vindicate some things," she said cryptically.

Michelle appeared reluctant to reveal everything she allegedly knew. Still, her warning became considerably more direct as she continued.
"If you keep playing with me, I got a person I need to act," Michelle said. "I ain't no snitch, but don't push me."
The singer also rejected Shamea's RHOA reunion claim about a possible physical confrontation. Michelle said she merely pointed her finger while speaking passionately. She then tackled another controversy surrounding the Real Housewives of Atlanta season. Some viewers had accused cast members of colorism toward Shamea.

K. Michelle firmly rejected that interpretation during another video shared by @baddietvv. "Once you get messy and you got everyone mad at you and you can't keep up your lie, then it's colorist. No."
Michelle called Shamea "dangerous" and accused her of manipulation. She also claimed she possessed "proof" supporting her accusations.

Meanwhile, Shamea appeared to offer her own response on Instagram. She shared a quote about believing someone when others appeared to gang up against them. The message suggested that person "is probably a huge threat, and carries a spirit of truth." Neither woman appeared ready to wave a white flag.

#NewMusic from Q. Parker “Stare”
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Grammy Award-winning artist and self-proclaimed “Romance Dealer” Q Parker has officially released his sultry new single, “STARE,” alongside an accompanying lyric video. The track serves as the lead single from his highly anticipated forthcoming album, Evolution of Romance, Volume Two, which is slated to arrive this fall.

With “STARE,” Parker continues his dedicated mission to keep love and romance at the absolute center of contemporary R&B. The track builds upon his ongoing exploration of attraction, intimacy, and profound emotional connection, setting a mature tone for the upcoming project.
Anchored by his signature vocal runs and a polished, grown R&B aesthetic, the song offers a fresh perspective on the undeniable chemistry that draws two people together.

LISTEN HERE: 

“There is nothing like when two individuals make eye contact and read each other’s  soul through their stare,” Parker shared regarding the inspiration behind the new track.
The single serves as a direct follow-up to Evolution of Romance, Volume One, expanding the musical narrative Parker has been actively cultivating through a series of themed songs and visuals centered around modern relationships. Volume Two promises to push that vision even further, cementing his commitment to creating intentional  music rooted in real connection.

“STARE” and its official lyric video are available to stream and view now across all major digital platforms.

#HipHopNews: Ja Rule Says He Was Never Signed to Murder Inc.
Ja Rule became one of the faces of the Murder, Inc. label in the late 1990s and early 2000s. The chart-topping rapper out of Queens scored countless hits for Murder, Inc. and forged an unbreakable bond with Inc founder, the late Irv Gotti. But during a recent appearance on Earn Your Leisure, Ja reminded everyone that he was never technically signed to the label — although he was clearly instrumental in its rise. 

"I took [Irv] from $5,000 to $50,000 to $100,000 in six months,” Ja said. “And then I took him to $100,000 to $250,000 in another year … pushing the price up. Irv wasn't — that was me. That was my job.”
Tommy Mottola of Sony Music approached Irv to create what would become Murder Inc. Irv’s brother, Chris Gotti, was listed as a co-founder, but he shared that the label was born out of Irv’s production and management successes. 

"It wasn't like he went to Sony and said, 'Hey, give me a record deal,'" Chris explained in an interview with Angie Martinez.
Murder Inc. would go on to sign artists such as Ashanti, Lloyd, Charli Baltimore, and more. Ja Rule, however, wasn't signed to Murder Inc. He was signed to Def Jam.

“I was Murder Inc., you know what I mean?” Ja Rule said. “I didn’t never really feel like a Def Jam artist, per se, because I did everything Murder Inc., you know what I mean? So that’s the way we built it, and that’s the way we moved it. And then it felt right because that’s how D (DMX) was moving with Ruff Ryders and that’s how Jay-Z was moving with Roc-A-Fella.”

Sean Grayson, former Illinois deputy convicted of killing Sonya Massey, dies in prison, lawyer says
Sean Grayson, a former Illinois sheriff’s deputy whose fatal shooting of Sonya Massey inside her home became a flashpoint over police use of force, died Sunday while serving a 20-year prison sentence.
Grayson’s attorney, Daniel Fultz, confirmed that his client died earlier Sunday but declined to provide any further details.

Grayson, 32, was convicted of second-degree murder in October in the fatal shooting of Massey, a 36-year-old Black woman who had reported a possible prowler outside her Springfield-area home. Body camera video of the July 2024 encounter showed Massey crouching in her kitchen and apologizing moments before Grayson shot her in the face.
He was sentenced in January to the maximum 20 years in prison.
Grayson had been diagnosed with colon cancer before Massey’s killing, and his attorneys said at his sentencing that the disease had spread to his liver and lungs. In May, only months into his sentence, he sought medical release under an Illinois law for prisoners with terminal illnesses or serious medical conditions. The Illinois Prisoner Review Board denied his request last month.

Massey called 911 early on July 6, 2024, to report someone prowling outside her home. Grayson and another Sangamon County sheriff’s deputy responded.
Video showed Grayson directing Massey to remove a pot of hot water from the stove. As she held the pot, Massey told the deputies, “I rebuke you in the name of Jesus.”
Grayson threatened to shoot her, drew his handgun and ordered her to drop the pot. Massey apologized and ducked behind a kitchen counter before Grayson fired three times.

The other deputy, Dawson Farley, later testified that he did not consider Massey a threat and drew his own weapon only after Grayson did.
Grayson was fired after the shooting and charged with first-degree murder. Jurors convicted him of the lesser charge of second-degree murder after Grayson argued that he feared Massey would throw the hot water at him.
Massey’s killing drew national attention and protests and raised questions about how Grayson had moved through several law enforcement agencies before being hired by the Sangamon County Sheriff’s Office.

Illinois lawmakers later passed the Sonya Massey Act, requiring law enforcement agencies to more closely review an applicant’s previous employment records before hiring an officer.
The Justice Department also opened a civil rights investigation after Massey’s death and later reached an agreement with Sangamon County, its sheriff’s office and other agencies requiring changes to policing and emergency response. Those changes included additional training for interactions with people with behavioral health disabilities and development of a mobile crisis response program.

Busta Rhymes Settles $6M Legal War With Ex-Assistant For Jaw-Dropping Amount In Major Win
Busta Rhymes closes in on ending Dashiel Gables’ case with a $25,000 agreement covering wage claims and wider workplace allegations.
Busta Rhymes will pay former assistant Dashiel Gables $25,000 to end their court fight over pay and claims of abuse at work.
New court papers finally put a number on the deal after both sides agreed to settle earlier this year. Gables will receive two payments of $12,500, with half treated as wages and the other half covering the remainder of the deal.
The money is due after a federal judge signs off on the pay part of the case. The papers name Trevor Smith, Busta’s legal name, along with Starbus LLC and Conglomerate Entertainment as the sides making the payment.
That $25,000 total is far below the roughly $6 million Gables once sought over his short time working for Busta.

AllHipHop previously reported that Gables worked as Busta’s personal assistant from around July 2024 until the job ended in January 2025.
Gables claimed he often worked 15 to 18 hours each day, seven days a week, while earning a flat $200 daily rate. He said those long days followed him on tour and included food runs, personal errands and other jobs for Busta.
The case grew more serious after Gables accused Busta of punching him several times inside a Brooklyn building on January 10, 2025.

Gables said the argument involved work, a late food order and his phone after his daughter tried to reach him. He claimed the alleged attack left marks on his face, sent him for medical care and ended the job that same day.
One of the strangest claims involved a clogged toilet and another assistant who worked around Busta during the same period.
Gables alleged Busta ordered that worker to clear the toilet with a bare hand after saying it had not been cleaned right.
Other claims accused Busta of yelling at workers, spitting on staff, making threats and treating people around him in harsh ways.

Busta denied the claims, saying Gables made them up after their brief working relationship failed and his job ended.
Busta later sued Gables, alleging that his former assistant had spread false claims that damaged his reputation and business ties. He said the case cost him at least two brand deals while the fight moved through a federal court in New York.
The new deal ends that two-way fight without a trial to decide whether either side proved their claims. It also says neither side admits doing anything wrong, so the $25,000 payment is not a ruling against Busta.

Once Gables gets the full amount, he must drop the lawsuit for good and cannot bring the same claims again.
The deal also says Gables must give up his pay claims and return private work records tied to his job.
Gables also says he got all money owed for the hours he worked before signing the deal.
That matters because long hours and the loss of overtime pay were a big part of his case from the start. Busta and Gables signed the $25,000 deal on May 27, 2026, putting the agreement in writing after those talks.
The court still must approve the pay deal before the final papers can be filed and the case can fully close.

Chris Brown’s Tour Money Gets Seized For Housekeeper’s $13 Million Judgment
Chris Brown is about to watch a significant chunk of his tour earnings go straight to his former housekeeper after a Los Angeles judge sided with her in a brutal legal battle.
Maria Avila won the right to collect from his concert income to satisfy a $13 million judgment stemming from a vicious dog attack at his Tarzana home back in December 2020.

The ruling means that as his R&B stadium tour with Usher continues raking in massive revenue, portions of those profits will be diverted to cover what he owes her.
The backstory here is intense. Avila was taking out trash at Brown’s property when a 200-pound Caucasian shepherd named Hades attacked her without warning.
The dog tore away significant portions of her skin, leaving her with permanent facial scarring, partial vision loss, nerve damage, and severe emotional trauma.

Her sister, who witnessed the entire attack, received $885,000 for emotional distress, while Avila’s husband got $50,000. The jury awarded Avila $12.9 million, rounded to $13 million, after finding Brown liable for the incident.
Brown had testified that he warned Avila about the dogs and that Hades was a security animal, not a personal pet.
He also claimed she should have avoided the property unless accompanied by his security team.

The jury rejected his defense entirely. According to TMZ, Brown objected to the court’s decision to tap his tour income, but the judge wasn’t moved by his arguments.
The timing couldn’t be worse for Brown financially.
His R&B tour with Usher has already pulled in $153.4 million across 20 shows, with hundreds of thousands of tickets sold.
Brown’s career touring revenue is approaching a historic $1 billion milestone, so there’s definitely money flowing in to satisfy this judgment.

Meghan Markle’s Netflix ‘Gentlemen’ Casting Pulled After Intense UK Backlash

Meghan’s reported casting in season three of Guy Ritchie’s Netflix series The Gentlemen has been pulled after backlash in the UK grew too intense to move past. The reversal came less than 24 hours after Variety and The Hollywood Reporter first reported she was in early talks to join the show, meaning this entire storyline played out and collapsed within a single news cycle.

Reports first surfaced Friday that Meghan was in advanced discussions to join the crime comedy, with a role reportedly being written specifically for her ahead of a still unconfirmed third season. By Saturday morning, Brown said the offer was already off the table, describing the public reaction in Britain as too fierce to justify continuing. She didn’t mince words about what it meant going forward, warning that the collapse doesn’t bode well for any broader UK acting comeback for the Duchess.

Here’s the piece of this story that’s easy to miss if you only look at the casting news in isolation. This isn’t the first sign that Netflix has been quietly pulling back from its relationship with Meghan. Earlier this year, the streamer withdrew as an investor in her lifestyle brand As Ever and declined to renew her cooking series With Love Meghan for a third season, a move that reportedly left Netflix sitting on roughly $10 million in unsold inventory, including jams, teas and $64 candles that never found buyers.

Around that same time, Netflix’s own leadership, co-CEO Ted Sarandos and chief content officer Bela Bajaria, reportedly unfollowed Meghan on Instagram, a small but telling gesture in an industry where social media dynamics often mirror real business ones. Seen against that backdrop, the Gentlemen casting reversal looks less like an isolated incident and more like the latest chapter in a relationship that’s been cooling for months.

The timing here matters. Brown had previously reported that the potential Gentlemen role was a significant factor behind Meghan and Prince Harry’s decision to relocate their family, including children Archie and Lilibet, back to Britain after six years in California.
King Charles was informed of the move last week, and the family is expected to settle outside London. With the acting opportunity that reportedly helped motivate the move now gone, the couple’s return raises fresh questions about what exactly Meghan’s professional footing in the UK looks like going forward.

Meghan hasn’t taken on a scripted role since wrapping seven seasons on Suits in 2017, before stepping back from acting entirely to marry Prince Harry. Her screen credits since then have leaned toward documentaries, lifestyle programming and brief cameos, including an upcoming appearance as herself in the Amazon comedy Close Personal Friends alongside Brie Larson and Jack Quaid. The Gentlemen would have marked her first real return to scripted television in nearly a decade, which is part of why its collapse carries more weight than a typical casting rumor falling through.

Representatives for Meghan, Guy Ritchie and Netflix have not responded to requests for comment on the reported withdrawal. The Gentlemen’s second season is set to premiere on Netflix September 3, though the show still hasn’t been officially renewed for a third season, meaning the role Meghan was reportedly being considered for may not even exist yet in any confirmed form.

Judge denies Karmelo Anthony's appeal for a new trial in killing of Austin Metcalf
A judge has denied Karmelo Anthony's request for a new trial in the murder of Austin Metcalf after his new defense team called for it in the wake of his conviction earlier this summer.
Judge Michael Chitty rendered his decision Saturday after testimony stretched into Friday evening. The decision could have a major impact on how people perceive the justice system in Texas.

Anthony was convicted of murdering 17‑year‑old Austin Metcalf after stabbing him during a Frisco ISD track meet in April 2025. A Collin County jury rejected his self‑defense claim and found he intentionally stabbed Metcalf during an altercation. 
"We respect, and expected, the court's decision denying the motion for a new trial," Collin County District Attorney Greg Willis said in a statement. "The jury's guilty verdict stands, and we remain confident in the process. Every defendant has the right to appeal, and our thoughts and prayers remain with the Metcalf family in the painful wake of last week's hearing."

Russell Wilson, one of Anthony's attorneys, expressed disappointment with Chitty's decision.  
"We respectfully disagree with the ruling and remain firmly committed to protecting our client's rights," Wilson said. "We believe the issues raised in our motion are substantial and deserve meaningful appellate review. The denial of our motion does not end this case. We will continue the appeal in the Fifth Court of Appeals and pursue every legal remedy available to our client.

"Our commitment to our client has not changed. We will continue to advocate vigorously on his behalf through every lawful avenue available."
Friday's testimony followed a whirlwind day earlier, during which new background information was revealed about both Anthony and Metcalf.
Two attorneys took the witness stand who are best friends in life but on opposite sides of the case.  At one point, their exchange actually got heated over whether Anthony received a fair trial.

Anthony returned to the courtroom where he sat beside his defense attorneys, who continued to present their case that his murder trial was so unconventional, the guilty verdict and 35-year sentence should be thrown out.
The witness they used to prove that point was Toby Shook, one of Anthony's trial attorneys, who told the judge that prosecutors put them in a corner. 
Shook says the plan was for Anthony to take the stand in his own defense, but that prosecutors were going to severely limit what he could be asked because of a private gentleman's agreement not to bring up anything from the backgrounds of the defendant or the victim.

Both sides made the agreement because Metcalf and Anthony have troubled histories or violent behavior. 
Anthony's background, which CBS News Texas first revealed publicly last night, was read in the courtroom when the state presented its case. 
In closing arguments, defense attorney Russell Wilson said a heated argument between prosecutors and Anthony's lawyers caused Anthony to lose trust in the state, contributing to his decision not to testify.
Prosecutor Bill Wirskye, the state's only witness, said there was never an agreement preventing Anthony from taking the stand. Wirskye, who is acting as lead counsel in this hearing and also prosecuted Anthony in the murder trial, said the unusual rules were necessary because of threats, intense public pressure, and misinformation about the case. His argument: the restrictions protected the trial.

Wirskye outlined a history of high‑profile trials he says were compromised by threats and outside agitators. He claims that justified a murder trial that relied on private pre‑trial hearings, a tightly controlled courtroom, and a gentleman's agreement to keep the backgrounds of Anthony and Austin Metcalf out of public view.
But the defense says those measures went too far and that the lack of public access violated federal law.
During Thursday's opening statements, the gloves came off between the defense and prosecutors as they exposed the violent backgrounds of both Anthony and Austin Metcalf.

The defense said that during the first murder trial against Anthony, the private off-the-record agreements made it impossible for him to have a fair trial.
It was revealed Thursday that there was a private off-record agreement to keep the sordid backgrounds of both Anthony and Austin Metcalf from the jury and the public so that the murder trial would focus solely on what happened under the tent at the Frisco high school track meet last year. 
CBS News Texas learned new details about Austin Metcalf and his twin brother Hunter Metcalf's background from court documents that included a graffiti incident, his use of racial slurs, bullying and assault allegations.

But the never-before-released details of Anthony's teen years in Louisiana up to the day of his arrest for murder are also disturbing, which include threatening texts, stalking, and assault allegations.

John Cusack Shows Support for Mark Ruffalo After Addressing Antisemitic Claims From Paramount
John Cusack is standing by Mark Ruffalo‘s side.The 60-year-old Say Anything actor took to his Twitter/X account on Saturday (August 22) to show support for the Spider-Man: Brand New Day actor after he hit back at claims from Paramount that he was antisemitic.

John reposted Mark‘s statement in response to Paramount and wrote, “Solidarity – well said.”
Paul Walter Hauser took to his Instagram account on Sunday (August 23), showing his support for Mark as well.
“MARK RUFFALO If you think that Mark Ruffalo is antisemitic, you are an actual moron,” he wrote in a screenshot posted on his account.

In the caption, Paul shared a red heart emoji, followed by “Mark. Focus on an actual harmful person, not the guy who everyone in Hollywood knows is hyper-intelligent, empathetic and talented. Find a new target, dude.”

Previously, Mark called out the Ellison family over the Paramount-Warner Bros merger, comparing Larry Ellison, Oracle’s former CEO and a billionaire with a controlling stake in Paramount that is being managed by his son, David Ellison, to a “classic Oligarch.”
A spokesperson for Paramount then responded to Mark‘s message saying the company is “troubled when antisemitic tropes are invoked in purported service of a business dispute. Words like ‘genocide’ and ‘apartheid,’ applied to a corporate transaction, aren’t just wrong — they’re a bridge too far, and they cheapen the very real suffering those words are meant to describe. This doesn’t deserve a response in kind — and to be clear, we don’t tolerate prejudice of any kind, against anyone,” per Variety.

Sterling K. Brown Reveals His Mother Hasn’t Been Able to Speak Since 2018 After ALS Diagnosis
Sterling K. Brown is reflecting on his time filming the later episodes of This Is Us and how it compares to his real-life as he helps his mother, Aralean navigate her needs while living with ALS.
During a recent episode of the That Was Us rewatch podcast with Chris Sullivan, Mandy Moore, and special guest Lydia Stori, a caregiving advocate, Sterling talked about how there were times when he and his character Randall had a lot in common.

On the show, Randall was dealing with his mom, Rebecca Pearson (Moore), having Alzheimer’s, while in real life Sterling was helping his mom amid her diagnosis.
“My mom has ALS, and there’s a point in time while we were shooting the show, and I remember going into the writers’ room and saying, ‘I don’t know which of my moms will pass away first,’ between my mom versus my TV mom,” he shared (via People), going on to note the “strange parallels” between himself and his television character, along with the fights they both had with their siblings.

Sterling shared that he and his siblings had to decide on the best way to “honor” Aralean‘s wishes, especially as she has been unable to speak since a few months after being diagnosed, though “her mind is still present.”
“And if it takes us a bit longer to get the information, then it takes us a little bit longer. But making sure each step of the journey, we are honoring what she wants,” he said.

#RIPShelleyFabares, 'Donna Reed Show' and 'One Day at a Time' star, dies at 82
Actress Shelley Fabares, known for her television roles as Francine Webster on the 1975 sitcom "One Day at a Time," Mary Stone on "The Donna Reed Show," and her Billboard Hot 100 song "Johnny Angel," died Sunday in Los Angeles surrounded by her loved ones. She was 82.

In a statement to The Times, a family friend shared the news of the star's death.
"To her family and friends, Shelley was a source of love, strength, laughter, and comfort… whose warmth, generosity, humor, and grace made an enduring difference in the lives of everyone who knew her," the statement read. "She had a remarkable ability to make people feel welcomed, valued, and cared for."

The family did not disclose the cause of death. Fabares was born in Santa Monica in 1944. She began her acting career at the age of 3 and became a household name playing teenager Mary Stone on "The Donna Reed Show" from 1958 to 1963. Fabares frequently praised her on-screen mother Donna Reed, calling her a "second mother."
Fabares went on to star alongside Elvis Presley in three films: "Girl Happy," "Spinout" and "Clambake."
By the 1970s, Fabares transitioned back to television, starring in the 1971 TV drama "Brian's Song" and appearing in "The Little People" and "The Practice." She ended the decade on Norman Lear's "One Day at a Time," starring as Francine Webster opposite Bonnie Franklin.

Fabares later starred as Christine Armstrong on the ABC sitcom "Coach," earning two Primetime Emmy nominations during the show's nine-season run.
After her 1980 divorce from music producer Lou Adler, Fabares remarried "MASH" actor Mike Farrell in 1984. The pair eventually sold their Sherman Oaks honeymoon home they bought in 1985. They moved to Studio City to better accommodate Fabares' mother, who was suffering from Alzheimer's disease.
Fabares spent her final years taking care of her mother and advocating for more funding for research into the crippling disease.

She is survived by her husband and daughter, Erin.

OREO Just Dropped A Chicken & Waffles Cookie
OREO is taking its flavor experiments somewhere few cookie lovers probably expected with a new Chicken & Waffles cookie that brings fried chicken and maple syrup flavor into one of America’s most recognizable snacks. The unexpected creation is one of three limited-edition OREO flavors arriving nationwide this month, joining Banana Pudding and Deep Fried. All three are part of the brand’s new “Twist, Lick, Vote” campaign, which lets customers decide which cookie deserves another nationwide run in 2027.

The cookies officially hit retailers across the U.S. on August 24, while presale and TikTok Shop availability began August 17
Chicken & Waffles is easily the release most likely to have shoppers doing a double take. OREO says the cookie features a signature waffle texture embossment along with dual-layered creme infused with sweet and savory notes. The goal is to deliver the recognizable combination of fried chicken and maple syrup in every bite.

In other words, this is not simply a maple-flavored cookie with a wild name. OREO is intentionally attempting to capture both sides of the classic chicken and waffles pairing.

“For decades, our consumers have supported our wildest, most creative flavor endeavors, and now we want to elevate that relationship from a simple product drop into a dynamic, two-way conversation,” said Matt Foley, Vice President, OREO. “By dropping three incredibly distinct flavors at once, Banana Pudding, Deep Fried, and Chicken & Waffles, we are giving our community true agency to help decide the future of our product lineup. We know our fans are incredibly passionate about their favorite flavors, and we can’t wait to see which of these cookies they choose to bring back in 2027.”

The other two contenders stay closer to familiar dessert territory.
Banana Pudding OREOs feature vanilla wafer cookies wrapped around a dual-layered creme with sweet banana and vanilla pudding flavors. Deep Fried OREOs are inspired by the popular fried treat, using fried dough-flavored cookies with layers of dark chocolate and fried dough-flavored creme.

Still, OREO says the three concepts went through an extensive development process rather than simply being created for shock value.
“Our 2026 Mondelez State of Snacking report proved that ‘delicious, ’fun’ and ‘tasty’ are some of the leading benefits in social conversations. To meet that demand, we knew we had to bring our next bold flavor innovation to life through playful, yet unexpected flavor combinations,” explained Rohit Sakhamuri, Senior Brand Manager, OREO Innovation. “At the OREO brand, delivering on complex flavors requires a rigorous, insights-driven R&D process. We tasked our team with simultaneously developing three unique flavors based on today’s evolving snacking trends. Through over a year of meticulous research, we successfully transformed cultural fascination into a delicious reality, achieving the sensory balance our fans expect.”

OREO says its team spent more than a year simultaneously developing the three flavors.
Now, consumers get the final say.
Voting opened August 17 and runs through October 12. Fans can scan the QR code on any of the limited-edition packages or visit OREO’s voting website to choose which flavor they want back. The winning cookie will be announced October 13 and will return to the nationwide OREO lineup for a limited time in 2027.

Every eligible vote also automatically enters consumers into a sweepstakes for a chance to win a year’s supply of original OREO cookies.
The campaign essentially turns the three new releases into a nationwide taste test. Instead of OREO deciding which experimental creation deserves another shot, shoppers get to determine the winner.

That makes Chicken & Waffles the biggest wildcard of the bunch.
Banana pudding already fits comfortably into dessert territory, while deep-fried OREOs are familiar to anyone who has spotted the battered and fried cookies at fairs and festivals. Chicken and waffles asks consumers to go one step further by accepting fried chicken flavor inside a cream-filled cookie.

Whether people find that delicious, confusing, or completely out of pocket could be exactly what makes it stand out from the competition.
All three flavors will be available at grocery and retail stores nationwide beginning August 24 for a limited time and while supplies last.
By October, OREO fans will have decided whether Chicken & Waffles was simply one of the brand’s wildest 2026 experiments or strange enough, and tasty enough, to earn another trip to the cookie aisle in 2027.

Dallas Cowboys Star CeeDee Lamb’s Home Burglarized Amid Training Camp in California
CeeDee Lamb’s Texas home was reportedly burglarized while the Dallas Cowboys wide receiver was attending training camp ahead of the 2026-2027 NFL season
The Fort-Worth Star Telegram reported on Saturday, August 22, that Lamb’s house had been broken into on July 30, while the athlete, 27, was at the Cowboys’ training camp in Oxnard, California.

While Lamb was not home at the time of the reported robbery, the outlet cited local police records which claimed that nearly $300,000 worth of property, including four luxury bags, were stolen during the alleged break-in.
Per the police record, there are no known suspects at the time of publication. An investigation remains ongoing.
Lamb has not publicly addressed the reported incident. Us reached out to a rep for the football player for comment.

AND FINALLY FROM “THE CRAZY PEOPLE SHOPPING AT WALMART” FILES
Modern Love?
Always enough money for meth, never enough money for wipes

AND NOW Meet: Daddy Niven
It's Niven! You can see more HERE
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HAVE A GREAT DAY ALL!!!
EFREM

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