#MAGFAB: VARIETY ‘Actors on Actors’: Leonardo DiCaprio and Jennifer Lawrence Interview one another
In a new conversation for VARIETY’s “Actors on Actors” issue, Leonardo DiCaprio and Jennifer Lawrence discuss watching DiCaprio’s films and if he’s ever seen TITANIC, ONE BATTLE AFTER ANOTHER, DIE MY LOVE, and more.
Lawrence: Have you rewatched “Titanic”?
DiCaprio: No. I haven’t seen it before.
Lawrence: Oh, you should. I bet you could watch it now, it’s so good.
DiCaprio: I don’t really watch my films, do you?
Lawrence: No. I’ve never made something like “Titanic,” if I did I would watch it. Once I was really drunk, I put on “American Hustle.” I was like, “I wonder if I’m good at acting?” I put it on, and I don’t remember what the answer is.
Lawrence and DiCaprio on “One Battle After Another”:
Lawrence: The “One Battle After Another” is my favorite movie I’ve ever seen in my life.
Lawrence: You’re a really great actor and this was the greatest performance I’ve ever seen. What struck me, because I know you, is that this character Bob was the rawest I’ve ever seen you – but also really warm. It reminded me of your parents and their values. I know they were very counterculture. Was Bob built from you or did PTA just hand you a warm, amazing guy?
DiCaprio and Lawrence on “Die My Love”:
DiCaprio: Tell me about “Die My Love.” It reminded me of the French New Wave. I thought immediately of “A Woman Under the Influence,” which is one of my favorite performances and one of my favorite movies. You were fantastic in it. Why did you want this part?
Lawrence: Thanks. Martin Scorsese had read the book in his book club and he was like, “You should make this into a movie and star in it.” And then when I was reading it, I really couldn’t understand how it would be a movie. I felt like the author, Ariana Harwicz, was able to describe the indescribable grave depression of an identity crisis, but really poetically being lost in a forest and these visuals and metaphors. I couldn’t crack how to make it a movie, and I didn’t want to go back to Marty and be like, “I don’t get it, try someone else.” I think I realized that it’s poetry, it’s not a literal story. Then it clicked that Lynne Ramsey would be the only [director for this]. I think she’s a poet.
#RHOA: Brielle Biermann Reveals the Real Reason She & Kim Zolciak Didn't Spend Christmas Together
For the first time in her life, the RHOA daughter rang in the holiday away from her mother.
Kim Zolciak on Watch What Happens Live With Andy Cohen Season 22, Episode 127; Brielle Biermann attends Game Three of the Eastern Conference First Round Playoffs between the Boston Celtics and the Atlanta Hawks on April 21, 2023 in Atlanta, Georgia.
For the first time in nearly three decades, the mother and daughter rang in the holiday apart from each other. But don't worry; there’s no drama between the pair. Brielle explained the situation in a recent Instagram Story filmed from Kim’s new home in Georgia.
“I love coming to my mom’s house for ‘Christmas,’” The Real Housewives of Atlanta daughter said while she and her fiancé, Billy Seidl, were cooking in the kitchen.
So, why did Brielle put “Christmas” in airquotes? Well, she said the get-together was an early celebration, as she and Billy planned to spend the holiday outside of Atlanta.
“We leave tomorrow, and we’re gone for Christmas,” she said, before Kim shouted from the background, “First time, ever!”
Brielle looked confused for a moment and reminded her mom that she had visited her home many times before.
“This is not my first time here,” she said. “No, your first time not being here for Christmas,” Kim replied.
“Oh yeah. My first time not celebrating Christmas with my mom in 28 years,” Brielle continued. “So, you’re lucky you at least had at least 28 years with me.”
Brielle then shared a quick peek at the family’s at-home celebration, which included a home-cooked meal.
“We’re making dinner. Got the homemade sauce going, the meatballs, Billy’s on garlic bread,” she said. “And all Kim has to do is drink her wine.”
Brielle spent Christmas in Colorado alongside Billy and his parents, Randall and Janet Seidl. She made sure to document the getaway on Instagram, posting photos of her and her beau’s flight to Beaver Creek, their day on the slopes, and a cute video highlighting her bond with Billy’s mom.
“Trying on our outfits for tomorrow w mother in law,” she captioned a Story. “What does everybody think of my pre-ski ’fit for tomorrow?”
Brielle proceeded to model her black snowsuit, white helmet, and mirrored goggles before Janet jumped in the frame to show off her matching ski ensemble.
“OK, come on, let’s see!” Brielle told her future mother-in-law as they began to do a little dance.
Brielle went on to post photos and videos of a midnight mass Christmas Eve service, her cozy night in the cabin, and, of course, lots of delicious food.
Brielle and Billy got engaged in February 2024, less than a year after going Instagram official. The Don't Be Tardy daughter has since confirmed she and the pro-baseball player will tie the knot in his family’s hometown of Naples, Florida. Although Brielle has already secured a venue, she has not revealed the exact wedding date; however, she hinted at the big day in a December 1 Instagram Story featuring her and Billy’s engagement photo.
“Less than a year til we’re married!” she captioned the snap.
Kim Zolciak on Watch What Happens Live With Andy Cohen Season 22, Episode 127; Brielle Biermann attends Game Three of the Eastern Conference First Round Playoffs between the Boston Celtics and the Atlanta Hawks on April 21, 2023 in Atlanta, Georgia.
For the first time in nearly three decades, the mother and daughter rang in the holiday apart from each other. But don't worry; there’s no drama between the pair. Brielle explained the situation in a recent Instagram Story filmed from Kim’s new home in Georgia.
“I love coming to my mom’s house for ‘Christmas,’” The Real Housewives of Atlanta daughter said while she and her fiancé, Billy Seidl, were cooking in the kitchen.
So, why did Brielle put “Christmas” in airquotes? Well, she said the get-together was an early celebration, as she and Billy planned to spend the holiday outside of Atlanta.
“We leave tomorrow, and we’re gone for Christmas,” she said, before Kim shouted from the background, “First time, ever!”
Brielle looked confused for a moment and reminded her mom that she had visited her home many times before.
“This is not my first time here,” she said. “No, your first time not being here for Christmas,” Kim replied.
“Oh yeah. My first time not celebrating Christmas with my mom in 28 years,” Brielle continued. “So, you’re lucky you at least had at least 28 years with me.”
Brielle then shared a quick peek at the family’s at-home celebration, which included a home-cooked meal.
“We’re making dinner. Got the homemade sauce going, the meatballs, Billy’s on garlic bread,” she said. “And all Kim has to do is drink her wine.”
Brielle spent Christmas in Colorado alongside Billy and his parents, Randall and Janet Seidl. She made sure to document the getaway on Instagram, posting photos of her and her beau’s flight to Beaver Creek, their day on the slopes, and a cute video highlighting her bond with Billy’s mom.
“Trying on our outfits for tomorrow w mother in law,” she captioned a Story. “What does everybody think of my pre-ski ’fit for tomorrow?”
Brielle proceeded to model her black snowsuit, white helmet, and mirrored goggles before Janet jumped in the frame to show off her matching ski ensemble.
“OK, come on, let’s see!” Brielle told her future mother-in-law as they began to do a little dance.
Brielle went on to post photos and videos of a midnight mass Christmas Eve service, her cozy night in the cabin, and, of course, lots of delicious food.
Brielle and Billy got engaged in February 2024, less than a year after going Instagram official. The Don't Be Tardy daughter has since confirmed she and the pro-baseball player will tie the knot in his family’s hometown of Naples, Florida. Although Brielle has already secured a venue, she has not revealed the exact wedding date; however, she hinted at the big day in a December 1 Instagram Story featuring her and Billy’s engagement photo.
“Less than a year til we’re married!” she captioned the snap.
#MusicNews: Leona Lewis 'planning' to release first album in over 10 years in 2026
Leona Lewis is "planning" to release her first album in over 10 years in 2026.
The 40-year-old singer - who has felt "disconnected" in her job for many years - has not released an LP since 2015's I Am, and has focused on making Christmas songs.
She told The Sun newspaper's Bizarre column: "I’ve actually been in and out of the studio for the past couple of years. It’s been a real labour of love, and I’m planning to share music next year."
The three-time Grammy award nominee is currently performing her A Starry Night shows at Voltaire at The Venetian in Las Vegas, Nevada, which began in November and runs until January 2026.
And the Bleeding Love hitmaker does not have a tipple before or after the performances.
Leona - who has a three-year-old daughter called Carmel Allegra with her husband, Dennis Jauch - said: "I don’t really drink when I’m touring or doing a run of shows. I also have a toddler I’m running after, so drinking is the last thing on my mind right now.
"I’m very much in Christmas land at the moment, but the show is a nice blend of my original songs and favourite Christmas music."
The One More Sleep singer's Las Vegas shows are a family effort, and she was always adamant about flying above the crowd on a huge moon singing Fly Me to the Moon by Frank Sinatra.
Leona - who won The X Factor in 2006 - explained: "My husband produced the show and our little girl also had input into lots of it, so it’s a very family-friendly experience – a bit magical, a little ethereal and hopefully leaves people feeling uplifted.
"I wanted to sing Fly Me To The Moon during my set as it is a Vegas classic. It only felt right to actually fly on the moon."
Elsewhere, Leona recently said that she has a purpose in the music industry again since becoming a mum, and can now sing "from that place of being open again".
She is quoted by the Daily Star newspaper's Wired column as saying: "I started getting into the studio last year.
"I have been working on music and figuring out what I want to say. What do I want to sing about? How do I want to be intentional and not add to the noise, but, hopefully, just bring something authentic and very me?"
And Carmel gave Leona a source of inspiration.
She added: "I had a little girl a few years ago. So that has opened my world up in a lot of ways. I'm singing from that place of being open again."
Leona Lewis is "planning" to release her first album in over 10 years in 2026.
The 40-year-old singer - who has felt "disconnected" in her job for many years - has not released an LP since 2015's I Am, and has focused on making Christmas songs.
She told The Sun newspaper's Bizarre column: "I’ve actually been in and out of the studio for the past couple of years. It’s been a real labour of love, and I’m planning to share music next year."
The three-time Grammy award nominee is currently performing her A Starry Night shows at Voltaire at The Venetian in Las Vegas, Nevada, which began in November and runs until January 2026.
And the Bleeding Love hitmaker does not have a tipple before or after the performances.
Leona - who has a three-year-old daughter called Carmel Allegra with her husband, Dennis Jauch - said: "I don’t really drink when I’m touring or doing a run of shows. I also have a toddler I’m running after, so drinking is the last thing on my mind right now.
"I’m very much in Christmas land at the moment, but the show is a nice blend of my original songs and favourite Christmas music."
The One More Sleep singer's Las Vegas shows are a family effort, and she was always adamant about flying above the crowd on a huge moon singing Fly Me to the Moon by Frank Sinatra.
Leona - who won The X Factor in 2006 - explained: "My husband produced the show and our little girl also had input into lots of it, so it’s a very family-friendly experience – a bit magical, a little ethereal and hopefully leaves people feeling uplifted.
"I wanted to sing Fly Me To The Moon during my set as it is a Vegas classic. It only felt right to actually fly on the moon."
Elsewhere, Leona recently said that she has a purpose in the music industry again since becoming a mum, and can now sing "from that place of being open again".
She is quoted by the Daily Star newspaper's Wired column as saying: "I started getting into the studio last year.
"I have been working on music and figuring out what I want to say. What do I want to sing about? How do I want to be intentional and not add to the noise, but, hopefully, just bring something authentic and very me?"
And Carmel gave Leona a source of inspiration.
She added: "I had a little girl a few years ago. So that has opened my world up in a lot of ways. I'm singing from that place of being open again."
#HipHopNews: Max B Drops New Album ‘Public Domain 7’ Feat. A$AP Rocky, French Montana & More:
Max B has returned with his first album since being released from prison — and it’s a star-studded affair.
Public Domain 7: The Purge makes up for lost time, boasting 29 brand new songs from Bigavelli including collaborations with A$AP Rocky, French Montana, A Boogie Wit Da Hoodie, Lola Brooke, Red Café and the late Chinx.
In addition to original tracks, the project features freestyles over classic beats like Drake and JAY-Z‘s “Pound Cake,” Jeezy‘s “Get Ya Mind Right” and Gang Starr‘s “Skills.”
Public Domain 7: The Purge (Patient Zero Deluxe) is Max’s first new album since 2021’s Negro Spirituals, which was released during his 16-year stint behind bars for his role in a fatal robbery back in 2006.
After years of anticipation and numerous false starts, the Harlem rap legend was finally freed last month and was welcomed home by longtime friend and collaborator French Montana.
“CANT MAKE THIS UP! MY BROTHER REALLY CAME HOME ON MY B DAY! HAMDULILLAH! WALKED IT DOWN! NO MORE FREE YOU [wave emojis],” French wrote on Instagram alongside a heartfelt video of them reuniting in person.
The Coke Boys capo also shared a clip of him and Max in the studio working on a third installment of their fan-favorite Coke Wave mixtape series.
The project, titled Coke Wave 3.5 Narcos, is set to drop in January 9 and is supported by the recently released lead single, “Make America Wavy Again.”
In the meantime, stream Public Domain 7: The Purge (Patient Zero Deluxe) HERE:
Public Domain 7: The Purge makes up for lost time, boasting 29 brand new songs from Bigavelli including collaborations with A$AP Rocky, French Montana, A Boogie Wit Da Hoodie, Lola Brooke, Red Café and the late Chinx.
In addition to original tracks, the project features freestyles over classic beats like Drake and JAY-Z‘s “Pound Cake,” Jeezy‘s “Get Ya Mind Right” and Gang Starr‘s “Skills.”
Public Domain 7: The Purge (Patient Zero Deluxe) is Max’s first new album since 2021’s Negro Spirituals, which was released during his 16-year stint behind bars for his role in a fatal robbery back in 2006.
After years of anticipation and numerous false starts, the Harlem rap legend was finally freed last month and was welcomed home by longtime friend and collaborator French Montana.
“CANT MAKE THIS UP! MY BROTHER REALLY CAME HOME ON MY B DAY! HAMDULILLAH! WALKED IT DOWN! NO MORE FREE YOU [wave emojis],” French wrote on Instagram alongside a heartfelt video of them reuniting in person.
The Coke Boys capo also shared a clip of him and Max in the studio working on a third installment of their fan-favorite Coke Wave mixtape series.
The project, titled Coke Wave 3.5 Narcos, is set to drop in January 9 and is supported by the recently released lead single, “Make America Wavy Again.”
In the meantime, stream Public Domain 7: The Purge (Patient Zero Deluxe) HERE:
#BoxOfficeNews: ‘Marty Supreme’ Soars at Box Office With $28 Million, Marking A24’s Second-Biggest Debut Ever
Timothée Chalamet's latest film is already rewriting the record books for A24.
The Josh Safdie–directed sports dramedy Marty Supreme stormed the box office over the Christmas holiday, delivering the second best opening in the indie studio's history and cementing Chalamet's status as one of the most bankable stars in modern cinema.
According to box office data, Marty Supreme pulled in $28.3 million domestically across its five-day opening window from Christmas Eve through Sunday. That total came close to the current A24 record held by Civil War, per Variety.
The strong debut is particularly notable given the film's reported $60–70 million budget, making it the most expensive production A24 has ever released. In just five days, the studio recouped nearly half of that investment, a rare feat for an original, R-rated sports film.
In the film, Chalamet stars as Marty Mauser, a cocky and driven table tennis prodigy navigating ambition, hustling, and identity in 1950s New York City. The film also features an eclectic supporting cast including Gwyneth Paltrow, Odessa A'zion, Tyler, The Creator, Fran Drescher, Kevin O'Leary, Abel Ferrara, and others.
Critics embraced the film ahead of its release, with Marty Supreme earning a 95% Rotten Tomatoes score.
The record-setting opening came amid stiff competition. James Cameron's Avatar: Fire and Ash continued to dominate theaters in its second weekend, while new releases like Anaconda and Song Sung Blue crowded the holiday slate. Still, Marty Supreme emerged as the strongest newcomer, driven by word-of-mouth, strong reviews, and Chalamet's relentless promotional campaign.
In an interview with Complex, the film's casting director, Jennifer Venditti, explained how Tyler, the Creator landed his scene-stealing role.
"Tyler is just, like, it's timeless. He's perfect for this era," said Venditti. "In that scene, you know, when they're in the car, I feel like Tyler, when you meet him, he is joy personified. And that scene, it's like, that is him. I mean, that's what you feel like when you're around him."
Timothée Chalamet's latest film is already rewriting the record books for A24.
The Josh Safdie–directed sports dramedy Marty Supreme stormed the box office over the Christmas holiday, delivering the second best opening in the indie studio's history and cementing Chalamet's status as one of the most bankable stars in modern cinema.
According to box office data, Marty Supreme pulled in $28.3 million domestically across its five-day opening window from Christmas Eve through Sunday. That total came close to the current A24 record held by Civil War, per Variety.
The strong debut is particularly notable given the film's reported $60–70 million budget, making it the most expensive production A24 has ever released. In just five days, the studio recouped nearly half of that investment, a rare feat for an original, R-rated sports film.
In the film, Chalamet stars as Marty Mauser, a cocky and driven table tennis prodigy navigating ambition, hustling, and identity in 1950s New York City. The film also features an eclectic supporting cast including Gwyneth Paltrow, Odessa A'zion, Tyler, The Creator, Fran Drescher, Kevin O'Leary, Abel Ferrara, and others.
Critics embraced the film ahead of its release, with Marty Supreme earning a 95% Rotten Tomatoes score.
The record-setting opening came amid stiff competition. James Cameron's Avatar: Fire and Ash continued to dominate theaters in its second weekend, while new releases like Anaconda and Song Sung Blue crowded the holiday slate. Still, Marty Supreme emerged as the strongest newcomer, driven by word-of-mouth, strong reviews, and Chalamet's relentless promotional campaign.
In an interview with Complex, the film's casting director, Jennifer Venditti, explained how Tyler, the Creator landed his scene-stealing role.
"Tyler is just, like, it's timeless. He's perfect for this era," said Venditti. "In that scene, you know, when they're in the car, I feel like Tyler, when you meet him, he is joy personified. And that scene, it's like, that is him. I mean, that's what you feel like when you're around him."
Mamdani’s Official Swearing In Will Be At Abandoned Original City Hall Subway Station
Zohran Mamdani will be sworn in as mayor at midnight on Jan. 1 inside the old abandoned City Hall subway station, Streetsblog has learned — an official act that symbolically kicks off a new era with a tribute to an older one as well as shows a commitment to transit riders.
Mamdani said he views the station as a symbol for the aims of his upcoming administration, including the transformative politics that built the subway in the first place.
"When Old City Hall Station first opened in 1904 — one of New York’s 28 original subway stations — it was a physical monument to a city that dared to be both beautiful and build great things that would transform working peoples’ lives," Mamdani told Streetsblog in a statement. "That ambition need not be a memory confined only to our past, nor must it be isolated only to the tunnels beneath City Hall: It will be the purpose of the administration fortunate enough to serve New Yorkers from the building above.
"When I take my oath from the station at the dawn of the New Year, I will do so humbled by the opportunity to lead millions of New Yorkers into a new era of opportunity, and honored to carry forward our city’s legacy of greatness," he concluded.
Renowned as an architectural marvel, the old City Hall station was the first stop on the first subway ride back in 1904, but was closed to the public on New Year's 1945 after low ridership and larger trains combined to make it obsolete. The station looks markedly different from other stops on the subway system, having been built with chandeliers and skylights that once brought in light from City Hall Park (officials blacked them out during World War II).
Streetsblog had observed a group of city workers checking out the old station on Dec. 18, likely in preparation for the Jan. 1, but reporters were shooed away when they asked what the workers were doing.
The swearing-in will be a private ceremony attended by Mamdani's family, with Attorney General Letitia James on hand to deliver the oath of office. Mamdani will be ceremonially sworn in at a public ceremony at City Hall at 1 p.m., this time alongside incoming Comptroller Mark Levine and re-elected Public Advocate Jumaane Williams.
Sen. Bernie Sanders (D-Vermont) will conduct the ceremonial swearing-in at the daytime event, which will occur alongside a car-free "block party" on Broadway between Liberty and Murray streets.
The old City Hall station swearing-in will close the loop on an Instagram reel Mamdani posted on Election Day in November, shortly after he beat former Gov. Andrew Cuomo (again) and Republican Curtis Sliwa, which showed subway doors opening on the R/W City Hall station and played the message "The next and last stop is City Hall."
Mamdani said he views the station as a symbol for the aims of his upcoming administration, including the transformative politics that built the subway in the first place.
"When Old City Hall Station first opened in 1904 — one of New York’s 28 original subway stations — it was a physical monument to a city that dared to be both beautiful and build great things that would transform working peoples’ lives," Mamdani told Streetsblog in a statement. "That ambition need not be a memory confined only to our past, nor must it be isolated only to the tunnels beneath City Hall: It will be the purpose of the administration fortunate enough to serve New Yorkers from the building above.
"When I take my oath from the station at the dawn of the New Year, I will do so humbled by the opportunity to lead millions of New Yorkers into a new era of opportunity, and honored to carry forward our city’s legacy of greatness," he concluded.
Renowned as an architectural marvel, the old City Hall station was the first stop on the first subway ride back in 1904, but was closed to the public on New Year's 1945 after low ridership and larger trains combined to make it obsolete. The station looks markedly different from other stops on the subway system, having been built with chandeliers and skylights that once brought in light from City Hall Park (officials blacked them out during World War II).
Streetsblog had observed a group of city workers checking out the old station on Dec. 18, likely in preparation for the Jan. 1, but reporters were shooed away when they asked what the workers were doing.
The swearing-in will be a private ceremony attended by Mamdani's family, with Attorney General Letitia James on hand to deliver the oath of office. Mamdani will be ceremonially sworn in at a public ceremony at City Hall at 1 p.m., this time alongside incoming Comptroller Mark Levine and re-elected Public Advocate Jumaane Williams.
Sen. Bernie Sanders (D-Vermont) will conduct the ceremonial swearing-in at the daytime event, which will occur alongside a car-free "block party" on Broadway between Liberty and Murray streets.
The old City Hall station swearing-in will close the loop on an Instagram reel Mamdani posted on Election Day in November, shortly after he beat former Gov. Andrew Cuomo (again) and Republican Curtis Sliwa, which showed subway doors opening on the R/W City Hall station and played the message "The next and last stop is City Hall."
#RIPDonBryant, soul great who co-wrote 'I Can’t Stand the Rain,' has died at 83
Don Bryant, one of the last great Memphis soul singers and songwriters, has died. The co-author of a string of classic R&B hits for his wife, Ann Peebles — including “I Can’t Stand the Rain” — Bryant died on Dec. 26, following a series of health issues. He was 83.
A Hi Records artist in the '60s, a hit songwriter in the '70s and creative foil to Peebles for decades, Bryant returned to the spotlight over the last decade-plus, with a series of solo releases that earned him his first Grammy nomination at the age of 78.
In a statement announcing Bryant’s death, his family wrote: “Don loved sharing his music and songs with all of you and it gave him such great joy to perform and record new music. He was so appreciative of everyone who was part of his musical journey and who supported him along the way.”
Scott Bomar, the acclaimed film composer, record producer and Bo-Keys bandleader who helped midwife Bryant’s late-career comeback, noted that Bryant was “one of the greatest guys I’ve had the privilege to know, just a wonderful human being and an incredible talent.”
Bomar added: “Bryant was a fantastic performer, he connected with audiences unlike anyone I’ve ever seen before. He was an amazing songwriter. And his career in music stretched from the ‘50s to now. It was an honor to have the opportunity to work with him.”
Born in Memphis and raised in the bosom of the church, Bryant absorbed the gospel of his father’s group, The Four Stars of Harmony. “They would rehearse at our home sometimes,” Bryant recalled in a 2021 interview with The Commercial Appeal. “We’d gather 'round, my brothers and I, listening to them, and afterwards we’d try and imitate their sound. My brothers and I would harmonize together a lot. I just got deeper and deeper into it.”
A precocious talent, Bryant first began performing as a boy (the 2024 HBO documentary on Stax Records, "Soulsville USA," uncovered a remarkable clip of a young Bryant performing during a WDIA-sponsored concert). As a teenager Bryant sang with various vocal outfits, and began writing his own material in the late 1950s — his earliest tunes were cut by R&B outfit The 5 Royales and Memphis band leader Willie Mitchell.
Championed by WLOK disc jockey Dick “Cane” Cole, by 1964, Bryant had moved from singing gospel to "doing the secular thing, because that’s what everyone was listening to,” he recalled. “I was determined to do it, to have a career in music, because it was my love.”
Bryant’s next phase found him working closely with Hi Records star turned label head Willie Mitchell. Along with his group, the Four Kings, Bryant would play and tour as part of Mitchell’s roadshow and he eventually became the featured singer in his band. Bryant would go on to launch a solo career that featured some stellar singles — including the country-soul gem “Don’t Turn Your Back on Me” — and a fine 1969 album, "Precious Soul," but he eventually moved behind the scenes, working as a staff songwriter at Hi.
“I saw individually I wasn’t going to really have the opportunity to move like I wanted to move as [a singer],” Bryant said. “But Willie would always have some artists coming in who would need songs, so I concentrated on that."
'I fell in love with Ann then, when I heard her sing' Working as a writer at Hi and for artists like Solomon Burke, Albert King and Etta James, Bryant would eventually notch more than 150 song credits. His tunes would ultimately be covered by everyone from old school blues giants like Junior Parker to modern-day pop stars like Seal. “The fact that I was able to absorb different styles, that helped a lot with my writing,” said Bryant. “When I was writing for an individual I could always come up with something that would fit them.”
The true turning point for Bryant came when he connected with a new Mitchell protege, Ann Peebles, in the early '70s. “That’s when I wrote ‘99 Pounds’ — that’s the one I wrote especially for Ann when she first came in,” Bryant recalled. “'99 pounds of natural born goodness/ 99 pounds of soul.’ To tell you the truth, I fell in love with Ann then, when I heard her sing. She was a beautiful young lady.”
The couple’s relationship quickly blossomed, and they married in 1974. Bryant would spend the next four decades supporting her on stage and in the studio. He wrote or co-wrote many of Peebles' signature hits, including the Grammy-nominated “I Can’t Stand the Rain” (which would later become a worldwide disco hit for Eruption in 1978 and a global pop smash for Tina Turner in 1984).
Although Bryant continued to sing in church and released a couple of gospel albums in the ‘80s and ‘90s, he largely remained focused on Peebles' career, writing and touring with her. But in 2012, Peebles suffered a stroke, which sidelined her professionally. With his wife's blessing, Bryant slowly returned to music, initially doing some guest appearances with throwback Memphis R&B band The Bo-Keys.
In conjunction with Fat Possum label executive Bruce Watson, Scott Bomar pitched Bryant on the idea of a comeback R&B album. Already well into his 70s, Bryant suddenly had a chance to resume the solo career that he’d essentially abandoned in the late ‘60s. “I jumped at the situation because I wanted to find out for myself if what I thought I had was still there,” Bryant said. “I needed to know — can I still do this?”
The answer was a resounding yes, as Bryant’s voice — both as a singer and deep soul songwriter — thrilled once again on his 2017 comeback album, “Don’t Give Up on Love.” His first secular LP in 48 years, it went on to become a critical success, putting Bryant in front of adoring crowds on the road and creating a wave of adulation that propelled him into the Memphis Music Hall of Fame in 2019. Bryant, backed by The Bo-Keys, would take his show on the road, traveling all over the world — from Memphis to Morocco, France, Italy, Norway, Switzerland and beyond — electrifying audiences.
In 2021, Bryant followed with another album, “You Make Me Feel,” which mixed a batch of new songs with reworkings of some of his material from the '60s and ‘70s. Once again produced by Bomar and mixed by Grammy-winning engineer Matt Ross-Spang, “You Make Me Feel” also featured Bryant’s longtime cohorts from the Hi Rhythm section — drummer Howard Grimes, keyboardist Archie “Hubbie” Turner and organist Charles Hodges — as well as members of St. Paul and the Broken Bones. The album was nominated for a Grammy in the Best Traditional Blues Album category.
For Bryant, his late-career renaissance added a wonderful ending to a life devoted to song. “I think about all the people I’ve done music with over the years — from being a young man up to now,” recalled Bryant. “A lot of my friends gave up on it and went in other directions. But somehow music wouldn’t let me go. And I’m glad it didn’t.”
Funeral services for Bryant are pending.
Don Bryant, one of the last great Memphis soul singers and songwriters, has died. The co-author of a string of classic R&B hits for his wife, Ann Peebles — including “I Can’t Stand the Rain” — Bryant died on Dec. 26, following a series of health issues. He was 83.
A Hi Records artist in the '60s, a hit songwriter in the '70s and creative foil to Peebles for decades, Bryant returned to the spotlight over the last decade-plus, with a series of solo releases that earned him his first Grammy nomination at the age of 78.
In a statement announcing Bryant’s death, his family wrote: “Don loved sharing his music and songs with all of you and it gave him such great joy to perform and record new music. He was so appreciative of everyone who was part of his musical journey and who supported him along the way.”
Scott Bomar, the acclaimed film composer, record producer and Bo-Keys bandleader who helped midwife Bryant’s late-career comeback, noted that Bryant was “one of the greatest guys I’ve had the privilege to know, just a wonderful human being and an incredible talent.”
Bomar added: “Bryant was a fantastic performer, he connected with audiences unlike anyone I’ve ever seen before. He was an amazing songwriter. And his career in music stretched from the ‘50s to now. It was an honor to have the opportunity to work with him.”
Born in Memphis and raised in the bosom of the church, Bryant absorbed the gospel of his father’s group, The Four Stars of Harmony. “They would rehearse at our home sometimes,” Bryant recalled in a 2021 interview with The Commercial Appeal. “We’d gather 'round, my brothers and I, listening to them, and afterwards we’d try and imitate their sound. My brothers and I would harmonize together a lot. I just got deeper and deeper into it.”
A precocious talent, Bryant first began performing as a boy (the 2024 HBO documentary on Stax Records, "Soulsville USA," uncovered a remarkable clip of a young Bryant performing during a WDIA-sponsored concert). As a teenager Bryant sang with various vocal outfits, and began writing his own material in the late 1950s — his earliest tunes were cut by R&B outfit The 5 Royales and Memphis band leader Willie Mitchell.
Championed by WLOK disc jockey Dick “Cane” Cole, by 1964, Bryant had moved from singing gospel to "doing the secular thing, because that’s what everyone was listening to,” he recalled. “I was determined to do it, to have a career in music, because it was my love.”
Bryant’s next phase found him working closely with Hi Records star turned label head Willie Mitchell. Along with his group, the Four Kings, Bryant would play and tour as part of Mitchell’s roadshow and he eventually became the featured singer in his band. Bryant would go on to launch a solo career that featured some stellar singles — including the country-soul gem “Don’t Turn Your Back on Me” — and a fine 1969 album, "Precious Soul," but he eventually moved behind the scenes, working as a staff songwriter at Hi.
“I saw individually I wasn’t going to really have the opportunity to move like I wanted to move as [a singer],” Bryant said. “But Willie would always have some artists coming in who would need songs, so I concentrated on that."
'I fell in love with Ann then, when I heard her sing' Working as a writer at Hi and for artists like Solomon Burke, Albert King and Etta James, Bryant would eventually notch more than 150 song credits. His tunes would ultimately be covered by everyone from old school blues giants like Junior Parker to modern-day pop stars like Seal. “The fact that I was able to absorb different styles, that helped a lot with my writing,” said Bryant. “When I was writing for an individual I could always come up with something that would fit them.”
The true turning point for Bryant came when he connected with a new Mitchell protege, Ann Peebles, in the early '70s. “That’s when I wrote ‘99 Pounds’ — that’s the one I wrote especially for Ann when she first came in,” Bryant recalled. “'99 pounds of natural born goodness/ 99 pounds of soul.’ To tell you the truth, I fell in love with Ann then, when I heard her sing. She was a beautiful young lady.”
The couple’s relationship quickly blossomed, and they married in 1974. Bryant would spend the next four decades supporting her on stage and in the studio. He wrote or co-wrote many of Peebles' signature hits, including the Grammy-nominated “I Can’t Stand the Rain” (which would later become a worldwide disco hit for Eruption in 1978 and a global pop smash for Tina Turner in 1984).
Although Bryant continued to sing in church and released a couple of gospel albums in the ‘80s and ‘90s, he largely remained focused on Peebles' career, writing and touring with her. But in 2012, Peebles suffered a stroke, which sidelined her professionally. With his wife's blessing, Bryant slowly returned to music, initially doing some guest appearances with throwback Memphis R&B band The Bo-Keys.
In conjunction with Fat Possum label executive Bruce Watson, Scott Bomar pitched Bryant on the idea of a comeback R&B album. Already well into his 70s, Bryant suddenly had a chance to resume the solo career that he’d essentially abandoned in the late ‘60s. “I jumped at the situation because I wanted to find out for myself if what I thought I had was still there,” Bryant said. “I needed to know — can I still do this?”
The answer was a resounding yes, as Bryant’s voice — both as a singer and deep soul songwriter — thrilled once again on his 2017 comeback album, “Don’t Give Up on Love.” His first secular LP in 48 years, it went on to become a critical success, putting Bryant in front of adoring crowds on the road and creating a wave of adulation that propelled him into the Memphis Music Hall of Fame in 2019. Bryant, backed by The Bo-Keys, would take his show on the road, traveling all over the world — from Memphis to Morocco, France, Italy, Norway, Switzerland and beyond — electrifying audiences.
In 2021, Bryant followed with another album, “You Make Me Feel,” which mixed a batch of new songs with reworkings of some of his material from the '60s and ‘70s. Once again produced by Bomar and mixed by Grammy-winning engineer Matt Ross-Spang, “You Make Me Feel” also featured Bryant’s longtime cohorts from the Hi Rhythm section — drummer Howard Grimes, keyboardist Archie “Hubbie” Turner and organist Charles Hodges — as well as members of St. Paul and the Broken Bones. The album was nominated for a Grammy in the Best Traditional Blues Album category.
For Bryant, his late-career renaissance added a wonderful ending to a life devoted to song. “I think about all the people I’ve done music with over the years — from being a young man up to now,” recalled Bryant. “A lot of my friends gave up on it and went in other directions. But somehow music wouldn’t let me go. And I’m glad it didn’t.”
Funeral services for Bryant are pending.
Happy Birthday, Denzel Washington! How the Legend Redefined Hollywood
In the history of Hollywood, there are eras defined by stars, and then there is the era defined by Denzel Washington. Today is the 71st birthday of a man whose name is less of a credit and more of a guarantee.
Having recently been honored with a surprise honorary Palme d’Or at the 2025 Cannes Film Festival and coming off a career-best box office run in Gladiator II and Spike Lee’s Highest 2 Lowest, Washington stands at the pinnacle of his powers. But his importance to the industry isn’t just measured in the $5 billion his films have grossed or his ten Oscar nominations. His true legacy lies in how he liberated the Black leading man from the “shackles of stereotypes,” proving that a performer of color could be the universal everyman, the complex anti-hero, and the moral compass of an entire nation all at once.
Before Denzel Washington, Hollywood’s “classic movie star” was almost exclusively a white archetype. Washington changed the chemistry of the silver screen by bringing a “volcanic” intensity and a refined, quiet dignity that bridged the gap between Sidney Poitier’s grace and the gritty realism of the 1970s.
Breaking the “Villain” Mold: With his Oscar-winning turn in Training Day, he proved that a Black lead didn’t have to be a “noble hero” to win over audiences. He made villainy charismatic, complex, and human.
Industry experts often note how Washington redefined romantic leads by focusing on emotional rather than physical intimacy, carving out a space for Black masculinity that was rooted in respect and soul rather than caricature.
Why the Name “Denzel” is Hollywood Royalty
To work in Hollywood today is to live in the house that Denzel built. His name has become a shorthand for integrity—a rare trait in a town built on smoke and mirrors.
Washington’s importance is literally found in the careers of others. He famously paid for the late Chadwick Boseman’s acting tuition and has mentored stars from Rami Malek to Michael B. Jordan
Having recently been honored with a surprise honorary Palme d’Or at the 2025 Cannes Film Festival and coming off a career-best box office run in Gladiator II and Spike Lee’s Highest 2 Lowest, Washington stands at the pinnacle of his powers. But his importance to the industry isn’t just measured in the $5 billion his films have grossed or his ten Oscar nominations. His true legacy lies in how he liberated the Black leading man from the “shackles of stereotypes,” proving that a performer of color could be the universal everyman, the complex anti-hero, and the moral compass of an entire nation all at once.
Before Denzel Washington, Hollywood’s “classic movie star” was almost exclusively a white archetype. Washington changed the chemistry of the silver screen by bringing a “volcanic” intensity and a refined, quiet dignity that bridged the gap between Sidney Poitier’s grace and the gritty realism of the 1970s.
Breaking the “Villain” Mold: With his Oscar-winning turn in Training Day, he proved that a Black lead didn’t have to be a “noble hero” to win over audiences. He made villainy charismatic, complex, and human.
Industry experts often note how Washington redefined romantic leads by focusing on emotional rather than physical intimacy, carving out a space for Black masculinity that was rooted in respect and soul rather than caricature.
Why the Name “Denzel” is Hollywood Royalty
To work in Hollywood today is to live in the house that Denzel built. His name has become a shorthand for integrity—a rare trait in a town built on smoke and mirrors.
Washington’s importance is literally found in the careers of others. He famously paid for the late Chadwick Boseman’s acting tuition and has mentored stars from Rami Malek to Michael B. Jordan
Former heavyweight champion Boxer Anthony Joshua Injured In Fatal Car Accident
Former heavyweight champion Anthony Joshua was injured in a car accident. According to Deadline, the collision took the lives of two people in Nigeria.
The accident occurred on the Lagos–Abeokuta Expressway, which is Nigeria’s busiest highway, on Monday. Local law enforcement officers reported that Joshua was transported to the hospital, where he was treated for minor injuries. They are currently investigating the cause of the accident.
“’I can confirm an accident occurred, and Anthony Joshua has been taken to the hospital,” Ogunlowo said.
He added, “A vehicle rammed into a stationary vehicle. Unfortunately, there were two fatalities. Anthony Joshua was treated by first responders at the scene and then taken to the hospital.”
My heartfelt condolences go to Anthony Joshua and to everyone affected by this devastating accident. It is a painful reminder that tragedy does not discriminate and that loss is felt deeply regardless of status or success.
Authorities claim that the SUV involved in the crash is believed to have been travelling “beyond the legally prescribed speed limit.” Eventually, the vehicle lost control while making an overtaking maneuver, before colliding into a truck parked on the side of the road.
Eddie Hearn, Joshua’s promoter, told the Daily Mail: “I am away on a family holiday and awoke to the news of this incident.”
“We are trying to contact Anthony. In the meantime, we don’t want to speculate on how he is, but thankfully, he appears OK from what I have seen in the images. We are awaiting more information on what has happened and will update in due course.”
According to a friend of Joshua’s, “he’s okay but badly shaken up.”
“Nobody knows quite what damage has been done, but they were able to escape the wreckage,” they added.
“Others weren’t quite so lucky, so it’s been a traumatic ordeal which he’s trying to process,” they continued.
The British boxer’s family is from Sagamu, a town in Ogun State, Nigeria.
Joshua is fresh off a dominant sixth-round knockout victory over Jake Paul at the Kaseya Center in Miami on Dec. 19. Streaming live on Netflix to a record-breaking audience of 33 million viewers, Joshua broke Paul’s jaw during the win.
Former heavyweight champion Anthony Joshua was injured in a car accident. According to Deadline, the collision took the lives of two people in Nigeria.
The accident occurred on the Lagos–Abeokuta Expressway, which is Nigeria’s busiest highway, on Monday. Local law enforcement officers reported that Joshua was transported to the hospital, where he was treated for minor injuries. They are currently investigating the cause of the accident.
“’I can confirm an accident occurred, and Anthony Joshua has been taken to the hospital,” Ogunlowo said.
He added, “A vehicle rammed into a stationary vehicle. Unfortunately, there were two fatalities. Anthony Joshua was treated by first responders at the scene and then taken to the hospital.”
My heartfelt condolences go to Anthony Joshua and to everyone affected by this devastating accident. It is a painful reminder that tragedy does not discriminate and that loss is felt deeply regardless of status or success.
Authorities claim that the SUV involved in the crash is believed to have been travelling “beyond the legally prescribed speed limit.” Eventually, the vehicle lost control while making an overtaking maneuver, before colliding into a truck parked on the side of the road.
Eddie Hearn, Joshua’s promoter, told the Daily Mail: “I am away on a family holiday and awoke to the news of this incident.”
“We are trying to contact Anthony. In the meantime, we don’t want to speculate on how he is, but thankfully, he appears OK from what I have seen in the images. We are awaiting more information on what has happened and will update in due course.”
According to a friend of Joshua’s, “he’s okay but badly shaken up.”
“Nobody knows quite what damage has been done, but they were able to escape the wreckage,” they added.
“Others weren’t quite so lucky, so it’s been a traumatic ordeal which he’s trying to process,” they continued.
The British boxer’s family is from Sagamu, a town in Ogun State, Nigeria.
Joshua is fresh off a dominant sixth-round knockout victory over Jake Paul at the Kaseya Center in Miami on Dec. 19. Streaming live on Netflix to a record-breaking audience of 33 million viewers, Joshua broke Paul’s jaw during the win.
Beyoncé Has Hits Billionaire Status
Beyoncé became a billionaire in 2025 through her music empire and strategic investments, joining an elite group of music-industry billionaires, according to Forbes.
The 44-year-old superstar built her fortune primarily through her music catalog and touring revenue. Her “Cowboy Carter Tour” generated over $400 million in ticket sales and $50 million in merchandise sales.
The tour featured 32 shows across nine stadiums in America and Europe, requiring 350 crew members and 100 semi-trucks of equipment.
Beyoncé earned $148 million in 2025 before taxes, making her the third-highest paid musician globally.
Her earnings came from touring, music catalog royalties, and sponsorship deals, including a $50 million payment for a Netflix halftime show and $10 million from Levi’s commercials.
The singer founded Parkwood Entertainment in 2010 to control every aspect of her career. This company manages her music, documentaries, and concerts while fronting production costs to capture higher profit margins.
Her “Renaissance World Tour” in 2023 grossed nearly $600 million, and her concert film grossed $44 million worldwide. Beyoncé diversified her wealth through several confirmed business ventures.
She launched Cécred, a haircare line, in February 2024.
Her whiskey brand, SirDavis, created in partnership with LVMH’s Moët Hennessy, retails for $89 per bottle. The whiskey honors her great-grandfather, Davis Hogue, who was a moonshiner during Prohibition.
Her husband, Jay-Z, remains the world’s wealthiest musician, with a $2.5 billion fortune as of 2025. This makes the Carter family one of the most financially powerful couples in entertainment, with combined assets exceeding $3.5 billion.
Beyoncé joins only four other musicians who have achieved billionaire status: Jay-Z, Taylor Swift, Bruce Springsteen, and Rihanna. Her business empire extends beyond music into luxury goods, spirits, and beauty products.
The singer previously operated Ivy Park, a clothing line with Adidas that was discontinued in 2024.
Her current focus remains on touring and her trilogy of genre-spanning albums, with Renaissance and Cowboy Carter representing the first two installments.
The 44-year-old superstar built her fortune primarily through her music catalog and touring revenue. Her “Cowboy Carter Tour” generated over $400 million in ticket sales and $50 million in merchandise sales.
The tour featured 32 shows across nine stadiums in America and Europe, requiring 350 crew members and 100 semi-trucks of equipment.
Beyoncé earned $148 million in 2025 before taxes, making her the third-highest paid musician globally.
Her earnings came from touring, music catalog royalties, and sponsorship deals, including a $50 million payment for a Netflix halftime show and $10 million from Levi’s commercials.
The singer founded Parkwood Entertainment in 2010 to control every aspect of her career. This company manages her music, documentaries, and concerts while fronting production costs to capture higher profit margins.
Her “Renaissance World Tour” in 2023 grossed nearly $600 million, and her concert film grossed $44 million worldwide. Beyoncé diversified her wealth through several confirmed business ventures.
She launched Cécred, a haircare line, in February 2024.
Her whiskey brand, SirDavis, created in partnership with LVMH’s Moët Hennessy, retails for $89 per bottle. The whiskey honors her great-grandfather, Davis Hogue, who was a moonshiner during Prohibition.
Her husband, Jay-Z, remains the world’s wealthiest musician, with a $2.5 billion fortune as of 2025. This makes the Carter family one of the most financially powerful couples in entertainment, with combined assets exceeding $3.5 billion.
Beyoncé joins only four other musicians who have achieved billionaire status: Jay-Z, Taylor Swift, Bruce Springsteen, and Rihanna. Her business empire extends beyond music into luxury goods, spirits, and beauty products.
The singer previously operated Ivy Park, a clothing line with Adidas that was discontinued in 2024.
Her current focus remains on touring and her trilogy of genre-spanning albums, with Renaissance and Cowboy Carter representing the first two installments.
Tyler Perry Accuser Allegedly Asked for Money Months Before Filing $77 Million Lawsuit
As Tyler Perry battles a second $77 million sexual assault lawsuit, a possible blackmail scheme has emerged.
Newly revealed text messages suggest that Mario Rodriguez, the actor accusing Tyler Perry of sexual assault, allegedly reached out to the filmmaker months before filing suit, asking for financial help while describing serious health and money struggles. The messages, obtained by Page Six, are now being cited by Perry’s legal team as evidence that the lawsuit is financially motivated.
Rodriguez, who appeared in Perry’s 2016 comedy “Boo! A Madea Halloween,” allegedly contacted Perry in August, claiming he was sick, uninsured, and barely surviving. In one text dated August 31, Rodriguez allegedly wrote, “brother haven’t been feeling ok confused and lil nauseous… I promised you I would never ask you for anything, but if it is what I think it is, I don’t think I could do it on my own because I barely pay my bills.”
He reportedly went on to say he was “scared af,” explaining that he feared developing sepsis like his father. In other messages, Rodriguez allegedly told Perry he felt sick most days, could not afford medical care, and insisted he was not lying about his condition.
In November, Rodriguez allegedly sent Perry a message expressing deep appreciation, writing, “Just know that I love you, and I thank you for everything. I appreciate you to the moon.” Perry allegedly responded, “Happy Thanksgiving my friend… You don’t have to give me a thing or pay me a thing. I’m just glad you’re good.”
Despite those exchanges, Rodriguez filed a lawsuit last week in Los Angeles Superior Court, accusing Perry of sexual assault incidents between 2016 and 2019. Perry’s attorney, Alex Spiro, dismissed the filing as “nothing but a $77 million money grab scam.”
The case arrives months after actor Derek Dixon filed a separate lawsuit alleging similar conduct tied to Perry’s BET series “The Oval.”
With private messages now part of the public record, the legal fight is shifting beyond allegations alone and into questions about timing, motive, and intent, a conversation that is already heating up online.
As Tyler Perry battles a second $77 million sexual assault lawsuit, a possible blackmail scheme has emerged.
Newly revealed text messages suggest that Mario Rodriguez, the actor accusing Tyler Perry of sexual assault, allegedly reached out to the filmmaker months before filing suit, asking for financial help while describing serious health and money struggles. The messages, obtained by Page Six, are now being cited by Perry’s legal team as evidence that the lawsuit is financially motivated.
Rodriguez, who appeared in Perry’s 2016 comedy “Boo! A Madea Halloween,” allegedly contacted Perry in August, claiming he was sick, uninsured, and barely surviving. In one text dated August 31, Rodriguez allegedly wrote, “brother haven’t been feeling ok confused and lil nauseous… I promised you I would never ask you for anything, but if it is what I think it is, I don’t think I could do it on my own because I barely pay my bills.”
He reportedly went on to say he was “scared af,” explaining that he feared developing sepsis like his father. In other messages, Rodriguez allegedly told Perry he felt sick most days, could not afford medical care, and insisted he was not lying about his condition.
In November, Rodriguez allegedly sent Perry a message expressing deep appreciation, writing, “Just know that I love you, and I thank you for everything. I appreciate you to the moon.” Perry allegedly responded, “Happy Thanksgiving my friend… You don’t have to give me a thing or pay me a thing. I’m just glad you’re good.”
Despite those exchanges, Rodriguez filed a lawsuit last week in Los Angeles Superior Court, accusing Perry of sexual assault incidents between 2016 and 2019. Perry’s attorney, Alex Spiro, dismissed the filing as “nothing but a $77 million money grab scam.”
The case arrives months after actor Derek Dixon filed a separate lawsuit alleging similar conduct tied to Perry’s BET series “The Oval.”
With private messages now part of the public record, the legal fight is shifting beyond allegations alone and into questions about timing, motive, and intent, a conversation that is already heating up online.
Deion Sanders and Karrueche Tran Pose Together for Selfie Amid Dating Rumors
Deion Sanders and Karrueche Tran are intercepting the narrative when it comes to their love lives.
The former pro football player and model teased their potential romance yet again as they posed for a stylish selfie on Deion’s Instagram Stories Dec. 28.
Indeed, the duo—who have been sparking romance rumors since Karrueche tearfully appeared by Deion’s side in a July YouTube documentary chronicling his battle with bladder cancer—was all smiles in the snap.
While the former NFL cornerback, 58, was blinged out in bedazzled chain necklaces, black sunglasses, and a cream sweater, The Bay actress opted for pink shades and a black zip-up.
While the pair have yet to confirm their rumored romance head-on, Karrueche—who has previously been linked to Chris Brown and Victor Cruz—recently shared a rare glimpse inside her personal life, noting that she’s “dating.”
“If I wasn’t having fun I wouldn’t be in it,” Karrueche, 37, explained on the Aug. 28 episode of the What’s Next podcast without mentioning Deion by name. “I’m at a point in my life, I know what I want. I’ve dated a lot, I’ve done a lot, I did this, I did that. Young, old."
She added in jest, "So, if I wasn’t happy and content and feeling good in my situation, I’m not wasting my time. I’d rather be at home namaste. In bed by 9 o’clock, doing my own thing if I’m not happy. I’m in a good place.”
And while the two are playing it coy when it comes to answering questions about the nature of their relationship, the Claws alum has never been shy about supporting Deion—who is dad to Deiondra, 33, Deion Jr., 32, Shilo, 25, Shedeur, 23, and Shelomi, 22—through his health journey, which most recently included his 16th surgery.
“We are at the hospital, cause we are dealing with bladder cancer,” she said through tears in a Well Off Media YouTube video uploaded Jul. 28. “And he is having his bladder removed and they will create a new bladder with one of his intestines. This option was I guess the best because it fully removes the cancer to ensure that it doesn’t come back, because it was close to his muscle. So yeah, we are here to fully remove the bladder.”
But it seems the duo are closer than ever to confirming their romance. Most recently, they were spotted cuddled up together in son Shilo’s Dec. 27 YouTube vlog, which showed him opening a Christmas present from the Bel-Air actress—a charcoal Fear of God hoodie.
Giving Shilo a hug, she quipped, “Stepson.”
Deion Sanders and Karrueche Tran are intercepting the narrative when it comes to their love lives.
The former pro football player and model teased their potential romance yet again as they posed for a stylish selfie on Deion’s Instagram Stories Dec. 28.
Indeed, the duo—who have been sparking romance rumors since Karrueche tearfully appeared by Deion’s side in a July YouTube documentary chronicling his battle with bladder cancer—was all smiles in the snap.
While the former NFL cornerback, 58, was blinged out in bedazzled chain necklaces, black sunglasses, and a cream sweater, The Bay actress opted for pink shades and a black zip-up.
While the pair have yet to confirm their rumored romance head-on, Karrueche—who has previously been linked to Chris Brown and Victor Cruz—recently shared a rare glimpse inside her personal life, noting that she’s “dating.”
“If I wasn’t having fun I wouldn’t be in it,” Karrueche, 37, explained on the Aug. 28 episode of the What’s Next podcast without mentioning Deion by name. “I’m at a point in my life, I know what I want. I’ve dated a lot, I’ve done a lot, I did this, I did that. Young, old."
She added in jest, "So, if I wasn’t happy and content and feeling good in my situation, I’m not wasting my time. I’d rather be at home namaste. In bed by 9 o’clock, doing my own thing if I’m not happy. I’m in a good place.”
And while the two are playing it coy when it comes to answering questions about the nature of their relationship, the Claws alum has never been shy about supporting Deion—who is dad to Deiondra, 33, Deion Jr., 32, Shilo, 25, Shedeur, 23, and Shelomi, 22—through his health journey, which most recently included his 16th surgery.
“We are at the hospital, cause we are dealing with bladder cancer,” she said through tears in a Well Off Media YouTube video uploaded Jul. 28. “And he is having his bladder removed and they will create a new bladder with one of his intestines. This option was I guess the best because it fully removes the cancer to ensure that it doesn’t come back, because it was close to his muscle. So yeah, we are here to fully remove the bladder.”
But it seems the duo are closer than ever to confirming their romance. Most recently, they were spotted cuddled up together in son Shilo’s Dec. 27 YouTube vlog, which showed him opening a Christmas present from the Bel-Air actress—a charcoal Fear of God hoodie.
Giving Shilo a hug, she quipped, “Stepson.”
Simone Biles Picks Up New Side Quest as NFL Sidelines Photographer!
Simone Biles got behind the camera for once at the Chicago Bears vs San Francisco 49ers game on Sunday (December 28)!
The 28-year-old gymnast was the latest celeb to take part in the NFL Celebrity Photographer Series during the game at Levi’s Stadium in Santa Clara, Calif.
Simone joined the league’s Live Content Correspondents team, and snapped photos of players from both teams, but more specifically the Bears, including her husband Jonathan Owens.
“side quest coming sooooooon,” Simone shared with a selfie on Instagram story earlier that day.
Other celebs who have taken on the NFL Celebrity Photographer Series include fellow gymnast Suni Lee, Method Man, Kevin Durant, Marshawn Lynch and more.
Unfortunately for her, the 49ers narrowly defeated the Bears by just four points.
The 28-year-old gymnast was the latest celeb to take part in the NFL Celebrity Photographer Series during the game at Levi’s Stadium in Santa Clara, Calif.
Simone joined the league’s Live Content Correspondents team, and snapped photos of players from both teams, but more specifically the Bears, including her husband Jonathan Owens.
“side quest coming sooooooon,” Simone shared with a selfie on Instagram story earlier that day.
Other celebs who have taken on the NFL Celebrity Photographer Series include fellow gymnast Suni Lee, Method Man, Kevin Durant, Marshawn Lynch and more.
Unfortunately for her, the 49ers narrowly defeated the Bears by just four points.
Snoop Dogg’s NBC New Year’s Eve Special Has Been Canceled
In a statement shared with Deadline, the rapper said, “Sometimes the calendar gets in the way of the celebration, which is why my NBC family and I decided this winter was time for us all to focus on the Olympics.”
To console his disappointed fans, he then quickly added, “But don’t worry, we’ll party together bigger and better later in 2026. Ya dig.”
The two-hour performance was to be carried live by NBC and Peacock. In September, NBCUniversal announced that the rapper will be on stage at the upcoming 2026 Winter Olympics in Italy.
Snoop Dogg has had a longstanding relationship with NBCUniversal, and “Snoop Dogg’s New Year’s Eve” is one of the results. In April, he and his “Death Row Pictures” production company signed a multi-year deal with NBCUniversal Entertainment & Studios.
Snoop Dogg is juggling many things at NBC; apart from the Olympics coverage, he is also back for the second leg of his role as coach on “The Voice.”
NBC has not disclosed what will replace “Snoop Dogg’s New Year’s Eve,” just as it hasn’t come out clearly on why it canceled the performance. There are speculations that it could air a pre-taped special on December 31, as it did last year. Because New Year’s Eve fell on Sunday, the network decided to carry “Sunday Night Football” instead of a live variety special.
With Snoop Dogg’s live pulled down, only two outstanding New Year’s broadcast specials remain this year: ABC’s mainstay “Dick Clark’s New Year’s Rockin’ Eve With Ryan Seacrest” and CBS’s country-themed “New Year’s Eve Live: Nashville’s Big Bash.”
The former has dominated viewership on the night for many years.
CeCe Winans praises Debbie Winans Kennedy Center performance and receives MAJOR backlash for it!
CeCe Winans expressed pride in her younger sister Debbie Winans after Debbie delivered a standout tribute performance at the Kennedy Center Honors, but the celebration quickly sparked online backlash. During the prestigious 2025 ceremony, Debbie Winans honored disco legend Gloria Gaynor with a powerful performance that showcased her vocal strength and stage presence.
She was joined onstage by Mike Farris, along with acclaimed gospel artists Jason Crabb and Chris Blue. R&B soprano Deniece Williams also performed in tribute to Gaynor during the evening. Sharing her joy on social media following the event, CeCe Winans praised both the ceremony and her sister’s contribution, giving glory to God for the accomplishment.
The backlash emerged immediately after CeCe posted about the Kennedy Center Honors, with critics questioning the Winans family’s political alignment and accusing them of supporting controversial policies. Social media users expressed disappointment that CeCe would praise an event tied to the current administration, with some suggesting they had forgotten the family’s political leanings.
Comments ranged from criticism of religious Black artists aligning with conservative Christian nationalists on social issues to outright accusations that the Winans family supports positions contrary to LGBTQ rights and women’s rights. The controversy highlighted ongoing tensions between faith communities and progressive activists.
The 2025 Kennedy Center Honors were produced by Robert Deaton, best known for his long-running role as producer of the Country Music Awards. This year’s ceremony drew widespread attention amid controversy surrounding the Center’s governance, following a takeover by the current presidential administration that reportedly removed its Board and voted to rename the Center after the president.
In protest, producer Shonda Rhimes severed ties with the institution, while performers Issa Rae and Lin-Manuel Miranda canceled scheduled appearances. The governance controversy created a charged atmosphere around the ceremony, making any public celebration of the event politically fraught.
Some social media users expressed frustration that Black Christians were facing criticism for appearing at the Kennedy Center when similar scrutiny would not apply if artists like Cardi B or Megan Thee Stallion performed at the venue. The debate reflected broader tensions about holding different artists to different standards based on their religious identities and stated values.
Critics argued that the reaction represented simple peer pressure from communities that would not tolerate certain artists appearing alongside the current administration. Supporters of the Winans maintained that artists should be free to perform at prestigious venues regardless of political controversy.
The youngest of the legendary Winans siblings, Debbie Winans is an accomplished gospel singer and actress whose Kennedy Center Honors appearance marks a meaningful milestone celebrated not only by audiences but also by a family that continues to shape the sound and story of gospel music across generations.
The Winans family has maintained prominence in gospel music for decades, with multiple siblings achieving success as recording artists, performers and ministers. Debbie’s selection to perform at such a prestigious venue alongside renowned gospel artists demonstrated both her individual talent and the family’s continued influence on American religious music.
In addition to Gaynor, the 2025 Kennedy Center Honors recognized an eclectic group of honorees including George Strait, KISS, Michael Crawford and Sylvester Stallone. The selections represented achievements across country music, rock, theater and film, showcasing the breadth of American cultural contributions.
Gloria Gaynor’s recognition celebrated her impact on disco music and her iconic status in entertainment history, with multiple artists contributing to her tribute segment during the televised ceremony. The diverse honoree slate reflected the Kennedy Center’s mission to recognize excellence across artistic disciplines.
The collaboration between Debbie Winans, Mike Farris, Jason Crabb and Chris Blue brought together voices from different corners of the gospel music world. Gospel artists increasingly face scrutiny over their political associations and public appearances, with faith-based performers navigating expectations from both religious communities and progressive audiences.
The backlash against CeCe Winans for celebrating her sister’s performance illustrated the challenging terrain gospel artists must traverse when participating in events with political dimensions. The controversy underscored ongoing debates about whether artists should face consequences for appearing at venues or events associated with contested political administrations.
CeCe Winans expressed pride in her younger sister Debbie Winans after Debbie delivered a standout tribute performance at the Kennedy Center Honors, but the celebration quickly sparked online backlash. During the prestigious 2025 ceremony, Debbie Winans honored disco legend Gloria Gaynor with a powerful performance that showcased her vocal strength and stage presence.
She was joined onstage by Mike Farris, along with acclaimed gospel artists Jason Crabb and Chris Blue. R&B soprano Deniece Williams also performed in tribute to Gaynor during the evening. Sharing her joy on social media following the event, CeCe Winans praised both the ceremony and her sister’s contribution, giving glory to God for the accomplishment.
The backlash emerged immediately after CeCe posted about the Kennedy Center Honors, with critics questioning the Winans family’s political alignment and accusing them of supporting controversial policies. Social media users expressed disappointment that CeCe would praise an event tied to the current administration, with some suggesting they had forgotten the family’s political leanings.
Comments ranged from criticism of religious Black artists aligning with conservative Christian nationalists on social issues to outright accusations that the Winans family supports positions contrary to LGBTQ rights and women’s rights. The controversy highlighted ongoing tensions between faith communities and progressive activists.
The 2025 Kennedy Center Honors were produced by Robert Deaton, best known for his long-running role as producer of the Country Music Awards. This year’s ceremony drew widespread attention amid controversy surrounding the Center’s governance, following a takeover by the current presidential administration that reportedly removed its Board and voted to rename the Center after the president.
In protest, producer Shonda Rhimes severed ties with the institution, while performers Issa Rae and Lin-Manuel Miranda canceled scheduled appearances. The governance controversy created a charged atmosphere around the ceremony, making any public celebration of the event politically fraught.
Some social media users expressed frustration that Black Christians were facing criticism for appearing at the Kennedy Center when similar scrutiny would not apply if artists like Cardi B or Megan Thee Stallion performed at the venue. The debate reflected broader tensions about holding different artists to different standards based on their religious identities and stated values.
Critics argued that the reaction represented simple peer pressure from communities that would not tolerate certain artists appearing alongside the current administration. Supporters of the Winans maintained that artists should be free to perform at prestigious venues regardless of political controversy.
The youngest of the legendary Winans siblings, Debbie Winans is an accomplished gospel singer and actress whose Kennedy Center Honors appearance marks a meaningful milestone celebrated not only by audiences but also by a family that continues to shape the sound and story of gospel music across generations.
The Winans family has maintained prominence in gospel music for decades, with multiple siblings achieving success as recording artists, performers and ministers. Debbie’s selection to perform at such a prestigious venue alongside renowned gospel artists demonstrated both her individual talent and the family’s continued influence on American religious music.
In addition to Gaynor, the 2025 Kennedy Center Honors recognized an eclectic group of honorees including George Strait, KISS, Michael Crawford and Sylvester Stallone. The selections represented achievements across country music, rock, theater and film, showcasing the breadth of American cultural contributions.
Gloria Gaynor’s recognition celebrated her impact on disco music and her iconic status in entertainment history, with multiple artists contributing to her tribute segment during the televised ceremony. The diverse honoree slate reflected the Kennedy Center’s mission to recognize excellence across artistic disciplines.
The collaboration between Debbie Winans, Mike Farris, Jason Crabb and Chris Blue brought together voices from different corners of the gospel music world. Gospel artists increasingly face scrutiny over their political associations and public appearances, with faith-based performers navigating expectations from both religious communities and progressive audiences.
The backlash against CeCe Winans for celebrating her sister’s performance illustrated the challenging terrain gospel artists must traverse when participating in events with political dimensions. The controversy underscored ongoing debates about whether artists should face consequences for appearing at venues or events associated with contested political administrations.
Kim Kardashian Gets Checked by PETA After Gifting Her Four Kids Puppies for Christmas: “Puppies Are Not Plushies”
Kim Kardashian is finding herself in the dog house with animal activists after showing off her family’s latest holiday additions.
On Christmas Day, the mother of four took to her Instagram Stories to reveal that her household has grown by four, sharing a photo of a group of tiny Pomeranian puppies.
In a caption that immediately set the internet ablaze, Kim wrote, “Each kid got a puppy,” confirming that North, Saint, Chicago, and Psalm all received their own furry friend as a holiday gift.
While the post was meant to capture a sweet family moment, PETA was quick to issue a scathing reality check.
On Sunday, December 28, the organization’s co-founder, Ingrid Newkirk, released a statement criticizing the billionaire for treating living creatures like seasonal accessories. Newkirk expressed her deep disappointment that someone with Kim’s massive influence chose to shop for designer dogs rather than visiting a rescue, stating: “Puppies are not plushies, and it’s a damn shame that Kim missed the chance to be a spokesperson for shelter pups and instead is being rightly slammed on social media for that.”
The backlash didn’t stop at Kim’s doorstep, as her sister Khloé Kardashian was also called out for adding a black Labrador puppy named Peppermint to her home this year. PETA is urging the famous family to reconsider their approach to pet ownership, suggesting they call a local shelter the next time they want to expand their families.
Newkirk even proposed a way for the sisters to make things right with the animal community after their controversial holiday haul.
”[They can] try to make some amends now by sending their kids to volunteer at a local shelter or paying for a local shelter adopt-a-thon or at least one spay day to help stop the growing homeless puppy crisis.”
While many fans are gushing over the adorable new members of the West-Kardashian clan, PETA is standing ten toes down on the idea that celebrities should use their platforms to help solve the homeless animal crisis rather than fueling the demand for breeders.
Kim Kardashian is finding herself in the dog house with animal activists after showing off her family’s latest holiday additions.
On Christmas Day, the mother of four took to her Instagram Stories to reveal that her household has grown by four, sharing a photo of a group of tiny Pomeranian puppies.
In a caption that immediately set the internet ablaze, Kim wrote, “Each kid got a puppy,” confirming that North, Saint, Chicago, and Psalm all received their own furry friend as a holiday gift.
While the post was meant to capture a sweet family moment, PETA was quick to issue a scathing reality check.
On Sunday, December 28, the organization’s co-founder, Ingrid Newkirk, released a statement criticizing the billionaire for treating living creatures like seasonal accessories. Newkirk expressed her deep disappointment that someone with Kim’s massive influence chose to shop for designer dogs rather than visiting a rescue, stating: “Puppies are not plushies, and it’s a damn shame that Kim missed the chance to be a spokesperson for shelter pups and instead is being rightly slammed on social media for that.”
The backlash didn’t stop at Kim’s doorstep, as her sister Khloé Kardashian was also called out for adding a black Labrador puppy named Peppermint to her home this year. PETA is urging the famous family to reconsider their approach to pet ownership, suggesting they call a local shelter the next time they want to expand their families.
Newkirk even proposed a way for the sisters to make things right with the animal community after their controversial holiday haul.
”[They can] try to make some amends now by sending their kids to volunteer at a local shelter or paying for a local shelter adopt-a-thon or at least one spay day to help stop the growing homeless puppy crisis.”
While many fans are gushing over the adorable new members of the West-Kardashian clan, PETA is standing ten toes down on the idea that celebrities should use their platforms to help solve the homeless animal crisis rather than fueling the demand for breeders.
The Iconic NYC MetroCard Is Officially Entering Its Retirement Era
New York City is preparing to say “farewell” to the legendary MetroCard, announcing that December 31, 2025, will be the final day riders can buy or refill the thin plastic cards.
After over three decades of “please swipe again” moments and limited-edition drops, the gold card is going fully digital.
By retiring the 1990s-era magnetic strip technology, the agency is set to save at least $20 million annually in maintenance and card production costs. With 90% of riders already tapping their phones or credit cards at the turnstile, the city is moving full steam ahead.
Starting in January, the transition gets even more real as the base fare officially climbs to $3, but OMNY’s “fare capping” feature means you’ll still get those free rides after hitting 12 taps in a week, maxing out your spending at $35.
For the New Yorkers who aren’t ready to link their bank accounts to the subway, the MTA is offering a compromise. You can still pick up a physical, reloadable OMNY card at station vending machines and retail shops, giving you that same “card in hand” feel without the magnetic strip.
If you’re sitting on a stash of MetroCards with a remaining balance, don’t throw them in the trash just yet, while you can’t add more cash after the New Year’s Eve deadline, the turnstiles will continue to accept them through early 2026 so you can spend every last cent.
Whether you’re heading to the New York Transit Museum to see the new “FAREwell, MetroCard” exhibit or you’re just trying to get to work on time, the era of the swipe is officially reaching the end of the line.
NYC is joining the ranks of global hubs like London and Singapore in the contactless revolution, so make sure your digital wallet is loaded and ready.
It’s officially tap in or get left behind.
New York City is preparing to say “farewell” to the legendary MetroCard, announcing that December 31, 2025, will be the final day riders can buy or refill the thin plastic cards.
After over three decades of “please swipe again” moments and limited-edition drops, the gold card is going fully digital.
By retiring the 1990s-era magnetic strip technology, the agency is set to save at least $20 million annually in maintenance and card production costs. With 90% of riders already tapping their phones or credit cards at the turnstile, the city is moving full steam ahead.
Starting in January, the transition gets even more real as the base fare officially climbs to $3, but OMNY’s “fare capping” feature means you’ll still get those free rides after hitting 12 taps in a week, maxing out your spending at $35.
For the New Yorkers who aren’t ready to link their bank accounts to the subway, the MTA is offering a compromise. You can still pick up a physical, reloadable OMNY card at station vending machines and retail shops, giving you that same “card in hand” feel without the magnetic strip.
If you’re sitting on a stash of MetroCards with a remaining balance, don’t throw them in the trash just yet, while you can’t add more cash after the New Year’s Eve deadline, the turnstiles will continue to accept them through early 2026 so you can spend every last cent.
Whether you’re heading to the New York Transit Museum to see the new “FAREwell, MetroCard” exhibit or you’re just trying to get to work on time, the era of the swipe is officially reaching the end of the line.
NYC is joining the ranks of global hubs like London and Singapore in the contactless revolution, so make sure your digital wallet is loaded and ready.
It’s officially tap in or get left behind.
AND FINALLY FROM “THE CRAZY PEOPLE SHOPPING AT WALMART” FILES
Courtesy of P.O.Wm
Enjoy!
Priorities.
But the weed is top priority
AND NOW Meet: Daddy Keith
It's Keith! You can see more HERE
DISCLAIMER: WE DO NOT OWN any images posted on this blog. All images are found online or submitted.
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HAVE A GREAT DAY ALL!!!
EFREM
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